Aimée Villard, fille de France by Charles Silvestre

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Aimée Villard, fille de France by Charles Silvestre

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By Ashley Gutierrez Posted on Dec 11, 2025

In Category - Nature Writing

Authors: Silvestre, Charles, 1889-1948 Published By : Silvestre, Charles, 1889-1948

Book Language: French

Okay, so picture this: a young woman named Aimée Villard, who everyone thinks is just a simple French girl, suddenly finds out she might actually be the lost daughter of a royal family. The story throws her right into the middle of the French Revolution, where choosing the wrong side could mean losing her head. It's not just about fancy dresses and palaces—it's about a girl caught between who she was raised to be and who she might truly be, all while the world around her is literally falling apart. If you like stories about hidden identities, impossible choices, and a big dash of history, you'll be hooked.

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=Le voyage rustique.= 10ᵉ édition Un vol. in-16. =L’Amour et la Mort de Jean Pradeau.= Préface de J. et J. l’HARAUD. Roman. 10ᵉ édition Un vol. in-16. =Aimée Villard, fille de France.= Roman. 16ᵉ édition Un vol. in-16. (_Prix Jean Revel 1924._) =Belle Sylvie.= Roman. 20ᵉ édition Un vol. in-16. =Prodige du cœur.= Roman. 66ᵉ édition Un vol. in-16. (_Prix Femina-Vie heureuse 1926._) =Dans la lumière du Cloître.= (Nº 11 de la collection _le Roseau d’or_). En édition ordinaire. 1ᵉ mille Un vol. in-16. =Amour sauvé.= Roman. 18ᵉ édition Un vol. in-16. =Le Vent du gouffre.= Roman (Nº 28 de la collection _le Roseau d’or_). En édition ordinaire. 14ᵉ mille Un vol. in-16. A LA LIBRAIRIE BLOUD ET GAY: =Le Merveilleux médecin.= Ce volume a été déposé à la Bibliothèque Nationale en 1930. BIBLIOTHÈQUE RELIÉE PLON --69-- AIMÉE VILLARD FILLE DE FRANCE PAR CHARLES SILVESTRE (Prix Femina 1926) [Illustration: colophon] PARIS LIBRAIRIE PLON _LES PETITS-FILS DE PLON ET NOURRIT_ IMPRIMEURS-ÉDITEURS, 8, RUE GARANGIÈRE, 6ᵉ _Tous droits réservés_ _DÉJÀ PARUS DANS LA MÊME COLLECTION_ (_Mai 1930_) 1. P. BOURGET, _Le Danseur mondain_. 2. H. BORDEAUX, _La Maison morte_. 3. J. et J. THARAUD, _L’Ombre de la Croix_. 4. H. DE BALZAC, _Une Ténébreuse Affaire_. 5. K. ABOUT, _Tolla_. 6. G. ACREMANT, _Ces Dames aux chapeaux verts_. 7, 8 et 9. A. DUMAS, _Les Compagnons de Jéhu_ (I, II, III). 10. F. DOSTOIEVSKY, _Netotchka_. 11. E. PÉROCHON, _Nêne_ (Prix Goncourt 1920). 12. A. LICHTENBERGER, _Petite Madame_. 13. J.-H. ROSNY aîné, _Dans les rues_. 14. J.-L. VAUDOYER, _La Maîtresse et l’Amie_. 15. H. DE RÉGNIER, _Romaine Mirmault_. 16. H. BORDEAUX, _La Neige sur les Pas_. 17. J. D’ESME, _Les Dieux Rouges_. 18. E. JALOUX, _L’Eventail de Crêpe_. 19 et 20. P. BOURGET, _Le Démon de Midi_, 2 vol. 21. E. RHAIS, _Le Café chantant_. 22. J. AICARD, _Benjamine_. 23. A. DAUDET, _Les Rois en Exil_. 24. L. TOLSTOI, _Katia_. 25. H. ARDEL, _La Nuit tombe_. 26. E. WHARTON, _Sous la Neige_. 27. P. MÉRIMÉE, _Colomba_. 28. G. D’HOUVILLE, _Le Temps d’aimer_. 29. P. ARÈNE, _Jean-des-Figues_. 30. H. BORDEAUX, _La Robe de Laine_. 31. L. DESCAVES, _L’Hirondelle sous le Toit_. 32. E. PÉROCHON, _La Parcelle 32_. 33. P. BOURGET, _Un Drame dans le Monde_. 34. T. HARDY, _La Bien-Aimée_. 35. F. MISTRAL, _Mes Origines, Mémoires et récits_. 36. J. DE LA BRÈTE, _Mon Oncle et mon Curé_. 37. T. GAUTIER, _La Belle-Jenny_. 38. J. KESSEL et ISWOLSKY, _Les Rois aveugles_. 39. E. JALOUX, _Le Reste est silence_. 40. T. GAUTIER, _Le Roman de la Momie_. 41. G. CHÉRAU, _Champi-Toriu_. 42. F. L. BARCLAY, _La Châtelaine de Shenstone_. 43. J. et J. THARAUD, _Marrakech ou les Seigneurs de l’Atlas_. 44. N. LARROUY, _L’Odyssée d’un transport torpillé_. 45. P. BOURGET, _La Geôle_. 46. J. BALDE, _La Vigne et la Maison_ (Prix Northcliffe 1923). 47. P. MORAND, _Rien que la Terre_. 48. H. DE MONTHERLANT, _Les Bestiaires_. 49. H. BORDEAUX, _La Croisée des Chemins_. 50. H. ARDEL, _La Faute d’Autrui_. 51. E.-M. DE VOGUÉ, _Jean d’Agrève_. 52. M. PIÉCHAUD, _Vallée heureuse_. 53. D. LESUEUR, _Flaviana, princesse_. 54. J. LONDON, _Croc-Blanc_. 55. J. et J. THARAUD, _Dingley, l’illustre écrivain_ (Prix Goncourt 1906). 56. G. LECHARTIER, _La Confession d’une femme du monde_. 57. STENDHAL, _L’Abbesse de Castro_. 58. P. BOURGET, _Le Disciple_. 59. M. BARRÈS, _Un Jardin sur l’Oronte_. 60. E. PÉROCHON, _Les Creux-de-Maisons_. 61. E. HENRIOT, _Aricie Brun ou les vertus bourgeoises_. 62. P. LHANDE, _Mirentchu_. 63. J.-O. CURWOOD, _La Vallée du Silence_. 64. D. LESUEUR, _Chacune son rêve_. 65. J. et J. THARAUD, _L’An prochain à Jérusalem_. 66. P. BOURGET, _Les détours du cœur_. 67. E. FEYDEAU,...

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If you ever wondered what it would be like to discover your entire life was a lie, you'll feel for Aimée Villard. This book drops her right into that impossible situation.

The Story

Aimée grows up with a humble, loving family, completely unaware of her past. Then, as the storm of the French Revolution begins to break, a shocking secret comes out: she may be the missing child of French royalty, hidden away for her own safety. Suddenly, her quiet life is over. She's pulled into a dangerous game of politics and survival, forced to navigate between the angry revolutionaries and the doomed aristocracy. Every choice she makes could save her or get her killed. The story follows her journey as she tries to figure out who she can trust, what family really means, and where she belongs in a country tearing itself apart.

Why You Should Read It

Charles Silvestre doesn't just give us a history lesson. He makes you feel the fear and confusion of that time through Aimée's eyes. She's not a perfect heroine; she's scared, often unsure, and makes mistakes. That's what makes her so real. The book is really about identity. Is it something you're born with, or something you build for yourself? Aimée has to answer that while running for her life. The historical setting isn't just a backdrop—it's a powerful force that shapes every single moment of the plot.

Final Verdict

This is a perfect pick for anyone who loves a personal, human story set against a big historical event. If you enjoyed books like The Scarlet Pimpernel or movies that mix drama with history, you'll fall into this one. It's for readers who like their historical fiction to focus on the heart and soul of a character, making the past feel immediate and urgent. A truly engaging escape into another time.

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