A Christmas Carol The original manuscript — Reading Companion
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For A Christmas Carol The original manuscript — Reading Companion, the stored edition analysis reports 32,716 words, 2 hr 23 min estimated reading time, and 5 detected text sections.
The text analysis averages about 16.2 words per sentence, while the detected sections provide another way to judge how the source is divided.
Project Gutenberg metadata also associates the work with “Christmas stories,” connecting these edition facts with the source record’s subject description.
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- Description quality20 pts
- Title & short description10 pts
- Source metadata20 pts
- Text length15 pts
- Chapters / structure15 pts
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Marley was dead: to begin with. There is no doubt whatever about that. The register of his burial was signed by the clergyman, the clerk, the undertaker, and the chief mourner. Scrooge signed it: and Scrooge's name was good upon 'Change, for anything he chose to put his hand to. Old Marley was as dead as a door-nail.
Mind! I don't mean to say that I know, of my own knowledge, what there is particularly dead about a door-nail. I might have been inclined, myself, to regard a coffin-nail as the deadest piece of ironmongery in the trade. But the wisdom of our ancestors is in the simile; and my unhallowed hands shall not disturb it, or the Country's done for. You will therefore permit me to repeat, emphatically, that Marley was as dead as a door-nail.
Scrooge knew he was dead? Of course he did. How could it be otherwise? Scrooge and he were partners for I don't know how many years. Scrooge was his sole executor, his sole administrator, his sole assign, his sole residuary legatee, his sole friend and sole mourner. And even Scrooge was not so dreadfully cut up by the sad event, but that he was an excellent man of business on the very day of the funeral, and solemnised it with an undoubted bargain.
The mention of Marley's funeral brings me back to the point I started from. There is no doubt that Marley was dead. This must be distinctly understood, or nothing wonderful can come of the story I am going to relate. If we were not perfectly convinced that Hamlet's Father died before the play began, there would be nothing more remarkable in his taking a stroll at night, in an easterly wind, upon his own ramparts, than there would be in any other middle-aged gentleman rashly turning out after dark in a breezy spot--say Saint Paul's Churchyard for instance--literally to astonish his son's weak mind.
Scrooge never painted out Old Marley's name. There it
stood, years afterwards, above the warehouse door: Scrooge and Marley. The firm was known as Scrooge and Marley. Sometimes people new to the business called Scrooge Scrooge, and sometimes Marley, but he answered to both names: it was all the same to him.
Oh! But he was a tight-fisted hand at the grindstone, Scrooge! a squeezing, wrenching, grasping, scraping, clutching, covetous old sinner! Hard and sharp as flint, from which no steel had ever struck out generous fire; secret, and self-contained, and solitary as an oyster. The cold within him froze his old features, nipped his pointed nose, shrivelled his cheek, stiffened his gait; made his eyes red, his thin lips blue; and spoke out shrewdly in his grating voice. A frosty rime was on his head, and on his eyebrows, and his wiry chin. He carried his own low temperature always about with him; he iced his office in the dog-days; and didn't thaw it one degree at Christmas.
External heat and cold had little influence on Scrooge. No warmth could warm, nor wintry weather chill him. No wind that blew was bitterer than he, no falling snow was more intent upon its purpose, no pelting rain less open to entreaty. Foul weather didn't know where to have him. The heaviest rain, and snow, and hail, and sleet, could boast of the advantage over him in only one respect. They often "came down" handsomely, and Scrooge never did.
Nobody ever stopped him in the street to say, with gladsome looks, "My dear Scrooge, how are you? when will you come to see me?" No beggars implored him to bestow a trifle, no children asked him what it was o'clock, no man or woman ever once in all his life inquired the way to such and such a place, of Scrooge. Even the blindmen's dogs appeared to know him; and when they saw him coming on, would tug their owners into doorways and up courts; and then would wag their tails as though they said, "no eye at all is better than an evil eye, dark master!"
But what did Scrooge care? It was the very thing he liked. To edge his way along the crowded paths of life, warning all human sympathy to keep its distance, was what the knowing ones call "nuts" to Scrooge.
Once upon a time--of all the good days in the year, on Christmas Eve--old Scrooge sat busy in his counting-house. It was cold, bleak, biting weather: foggy withal: and he could hear the
people in the court outside go wheezing up and down, beating their hands upon their breasts, and stamping their feet upon the pavement-stones to warm them. The city clocks had only just gone three, but it was quite dark already: it had not been light all day: and candles were flaring in the windows of the neighbouring offices, like ruddy smears upon the palpable brown air. The fog came pouring in at every chink and keyhole, and was so dense without, that although the court was of the narrowest, the houses opposite were mere phantoms. To see the dingy cloud come drooping down, obscuring everything, one might have thought that Nature lived hard by, and was brewing on a large scale.
The door of Scrooge's counting-house was open that he might keep his eye upon his clerk, who in a dismal little cell beyond, a sort of tank, was copying letters. Scrooge had a very small fire, but the clerk's fire was so very much smaller that it looked like one coal. But he couldn't replenish it, for Scrooge kept the coal-box in his own room; and so surely as the clerk came in with the shovel, the master predicted that it would be necessary for them to part. Wherefore the clerk put on his white comforter, and tried to warm himself at the candle; in which effort, not being a man of a strong imagination, he failed.
"A merry Christmas, uncle! God save you!" cried a cheerful voice. It was the voice of Scrooge's nephew, who came upon him so quickly that this was the first intimation he had of his approach.
"Bah!" said Scrooge, "Humbug!"
He had so heated himself with rapid walking in the fog and frost, this nephew of Scrooge's, that he was all in a glow; his face was ruddy and handsome; his eyes sparkled, and his breath smoked again.
"Christmas a humbug, uncle!" said Scrooge's nephew. "You don't mean that, I am sure."
"I do," said Scrooge. "Merry Christmas! what right have you to be merry? what reason have you to be merry? You're poor enough."
"Come, then," returned the nephew gaily. "What right have you to be dismal? what reason have you to be morose? You're rich enough."
Scrooge having no better answer ready on the spur of the moment, said, "Bah!" again; and followed it up with "Humbug."
"Don't be cross, uncle," said the nephew.
"What else can I be" returned the uncle, "when I live in such
a world of fools as this? Merry Christmas! Out upon merry Christmas! What's Christmas time to you but a time for paying bills without money; a time for finding yourself a year older, and not an hour richer; a time for balancing your books and having every item in 'em through a round dozen of months presented dead against you? If I could work my will," said Scrooge, indignantly, "every idiot who goes about with 'Merry Christmas,' on his lips, should be boiled with his own pudding, and buried with a stake of holly through his heart. He should!"
"Uncle!" pleaded the nephew.
"Nephew!" returned the uncle, sternly, "keep Christmas in your own way, and let me keep it in mine."
"Keep it!" repeated Scrooge's nephew. "But you don't keep it."
"Let me leave it alone, then," said Scrooge. "Much good may it do you! Much good it has ever done you!"
"There are many things from which I might have derived good, by which I have not profited, I dare say," returned the nephew: "Christmas among the rest. But I am sure I have always thought of Christmas time, when it has come round--apart from the veneration due to its sacred name and origin, if anything belonging to it can be apart from that--as a good time: a kind, forgiving, charitable, pleasant time: the only time I know of, in the long calendar of the year, when men and women seem by one consent to open their shut-up hearts freely, and to think of people below them as if they really were fellow-passengers to the grave, and not another race of creatures bound on other journeys. And therefore, uncle, though it has never put a scrap of gold or silver in my pocket, I believe that it _has_ done me good, and _will_ do me good; and I say, God bless it!"
The clerk in the tank involuntarily applauded: becoming immediately sensible of the impropriety, he poked the fire, and extinguished the last frail spark for ever.
"Let me hear another sound from _you_" said Scrooge, "and you'll keep your Christmas by losing your situation. You're quite a powerful speaker, sir," he added, turning to his nephew. "I wonder you don't go into Parliament."
"Don't be angry, uncle. Come! Dine with us to-morrow."
Scrooge said that he would see him--yes, indeed he did. He went the whole length of the expression, and said that he would see him in that extremity first.
"But why?" cried Scrooge's nephew. "Why?"
"Why did you get married?" said Scrooge.
"Because I fell in love."
"Because you fell in love!" growled Scrooge, as if that were the only one thing in the world more ridiculous than a merry Christmas. "Good afternoon!"
"Nay, uncle, but you never came to see me before that happened. Why give it as a reason for not coming now?"
"Good afternoon," said Scrooge.
"I want nothing from you; I ask nothing of you; why cannot we be friends?"
"Good afternoon," said Scrooge.
"I am sorry, with all my heart, to find you so resolute. We have never had any quarrel, to which I have been a party. But I have made the trial in homage to Christmas, and I'll keep my Christmas humour to the last. So A Merry Christmas, uncle!"
"Good afternoon!" said Scrooge.
"And A Happy New Year!"
"Good afternoon!" said Scrooge.
His nephew left the room without an angry word, notwithstanding. He stopped at the outer door to bestow the greetings of the season on the clerk, who, cold as he was, was warmer than Scrooge; for he returned them cordially.
"There's another fellow," muttered Scrooge; who overheard him: "my clerk, with fifteen shillings a-week, and a wife and family, talking about a merry Christmas. I'll retire to Bedlam."
This lunatic, in letting Scrooge's nephew out, had let two other people in. They were portly gentlemen, pleasant to behold, and now stood, with their hats off, in Scrooge's office. They had books and papers in their hands, and bowed to him.
"Scrooge and Marley's, I believe," said one of the gentlemen, referring to his list. "Have I the pleasure of addressing Mr. Scrooge, or Mr. Marley?"
"Mr. Marley has been dead these seven years," Scrooge replied. "He died seven years ago, this very night."
"We have no doubt his liberality is well represented by his surviving partner," said the gentleman, presenting his credentials.
It certainly was; for they had been two kindred spirits. At the ominous word "liberality," Scrooge frowned, and shook his head, and handed the credentials back.
"At this festive season of the year, Mr. Scrooge," said the gentleman, taking up a pen, "it is more than usually desirable that we should make some slight provision for the poor and destitute, who suffer greatly at the present time. Many thousands are in want of common necessaries; hundreds of thousands are in want of common comforts, sir."
"Are there no prisons?" asked Scrooge.
"Plenty of prisons," said the gentleman, laying down the pen again.
"And the Union workhouses?" demanded Scrooge. "Are they still in operation?"
"They are. Still," returned the gentleman, "I wish I could say they were not."
"The Treadmill and the Poor Law are in full vigour, then?" said Scrooge.
"Both very busy, sir."
"Oh! I was afraid, from what you said at first, that something had occurred to stop them in their useful course," said Scrooge. "I'm very glad to hear it."
"Under the impression that they scarcely furnish Christian cheer of mind or body to the multitude," returned the gentleman, "a few of us are endeavouring to raise a fund to buy the Poor some meat and drink, and means of warmth. We choose this time, because it is a time, of all others, when Want is keenly felt, and Abundance rejoices. What shall I put you down for?"
"Nothing!" Scrooge replied.
"You wish to be anonymous?"
"I wish to be left alone," said Scrooge. "Since you ask me what I wish, gentlemen, that is my answer. I don't make merry myself at Christmas, and I can't afford to make idle people merry. I help to support the establishments I have mentioned: they cost enough: and those who are badly off must go there."
"Many can't go there; and many would rather die."
"If they would rather die," said Scrooge, "they had better do it, and decrease the surplus population. Besides--excuse me--I don't know that."
"But you might know it," observed the gentleman.
"It's not my business," Scrooge returned. "It's enough for a man to understand his own business, and not to interfere with other people's. Mine occupies me constantly. Good afternoon, gentlemen!"
Seeing clearly that it would be useless to pursue their point, the gentlemen withdrew. Scrooge resumed his labours with an improved opinion of himself, and in a more facetious temper than was usual with him.
Meanwhile the fog and darkness thickened so, that people ran about with flaring links, proffering their services to go before horses in carriages, and conduct them on their way. The ancient tower of a church, whose gruff old bell was always peeping slily down at Scrooge out of a gothic window in the wall, became invisible, and struck the hours and quarters in the clouds, with tremulous vibrations afterwards, as if its teeth were chattering in its frozen head up there. The cold became intense. In the main street, at the corner of the court, some labourers were repairing the gas-pipes, and had lighted a great fire in a brazier, round which a party of ragged men and boys were gathered: warming their hands and winking their eyes before the blaze in rapture. The waterplug being left in solitude, its overflowings sullenly congealed, and turned to misanthropic ice. The brightness of the shops where holly sprigs and berries crackled in the lamp-heat of the windows, made pale faces ruddy as they passed. Poulterers' and grocers' trades became a splendid joke: a glorious pageant, with which it was next to impossible to believe that such dull principles as bargain and sale had anything to do. The Lord Mayor, in the stronghold of the mighty Mansion House, gave orders to his fifty cooks and butlers to keep Christmas as a Lord Mayor's household should; and even the little tailor, whom he had fined five shillings on the previous Monday for being drunk and blood-thirsty in the streets, stirred up to-morrow's pudding in his garret, while his lean wife and the baby sallied out to buy the beef.
Foggier yet, and colder! Piercing, searching, biting cold. If the good Saint Dunstan had but nipped the Evil Spirit's nose with a touch of such weather as that, instead of using his familiar weapons, then indeed he would have roared to lusty purpose. The owner of one scant young nose, gnawed and mumbled by the hungry cold as bones are gnawed by dogs, stooped down at Scrooge's keyhole to regale him with a Christmas carol: but at the first sound of--
"God bless you merry gentleman! May nothing you dismay!"
Scrooge seized the ruler with such energy of action, that the singer fled in terror, leaving the keyhole to the fog and even more congenial frost.
At length the hour of shutting up the counting-house arrived. With an ill-will Scrooge dismounted from his stool, and tacitly admitted the fact to the expectant clerk in the Tank, who instantly snuffed his candle out, and put on his hat.
"You'll want all day to-morrow, I suppose?" said Scrooge.
"If quite convenient, Sir."
"It's not convenient," said Scrooge, "and it's not fair. If I was to stop half-a-crown for it, you'd think yourself ill used, I'll be bound?"
The clerk smiled faintly.
"And yet," said Scrooge, "you don't think _me_ ill-used, when I pay a day's wages for no work."
The clerk observed that it was only once a year.
"A poor excuse for picking a man's pocket every twenty-fifth of December!" said Scrooge, buttoning his great-coat to the chin. "But I suppose you must have the whole day. Be here all the earlier next morning!"
The clerk promised that he would; and Scrooge walked out with a growl. The office was closed in a twinkling, and the clerk, with the long ends of his white comforter dangling below his waist (for he boasted no great-coat), went down a slide on Cornhill, at the end of a lane of boys, twenty times, in honour of its being Christmas-eve, and then ran home to Camden Town as hard as he could pelt, to play at blindman's-buff.
Scrooge took his melancholy dinner in his usual melancholy tavern; and having read all the news-papers, and beguiled the rest of the evening with his banker's-book, went home to bed. He lived in chambers which had once belonged to his deceased partner. They were a gloomy suite of rooms, in a lowering pile of building up a yard, where it had so little business to be, that one could scarcely help fancying it must have run there when it was a young house, playing at hide-and-seek with other houses, and have forgotten the way out again. It was old enough now, and dreary enough, for nobody lived in it but Scrooge, the other rooms being all let out as offices. The yard was so dark that even Scrooge, who knew its every stone, was fain to grope with his hands. The fog and frost so hung about the black old gateway of the house, that it seemed as if the Genius of the Weather sat in mournful meditation on the threshold.
Now, it is a fact, that there was nothing at all particular about the knocker on the door, except that it was very large. It is also a fact, that Scrooge had seen it night and morning during his whole residence in that place; also that Scrooge had as little of what is called fancy about him as any man in the City of London, even including--which is a bold word--the corporation, aldermen, and livery. Let it also be borne in mind that Scrooge had not bestowed one thought on Marley, since his last mention of his seven-years' dead partner that afternoon. And then let any man explain to me, if he can, how it happened that Scrooge, having his key in the lock of the door, saw in the knocker, without its undergoing any intermediate process of change: not a knocker, but
Marley's face. It was not in impenetrable shadow as the other objects in the yard were, but had a dismal light about it, like a bad lobster in a dark cellar. It was not angry or ferocious, but looked at Scrooge as Marley used to look: with ghostly spectacles turned up upon its ghostly forehead. The hair was curiously stirred, as if by breath or hot-air; and though the eyes were wide open, they were perfectly motionless. That, and its livid colour, made it horrible; but its horror seemed to be, in spite of the face and beyond its control, rather than a part of its own expression.
As Scrooge looked fixedly at this phenomenon, it was a knocker again.
To say that he was not startled, or that his blood was not conscious of a terrible sensation to which it had been a stranger from infancy, would be untrue. But he put his hand upon the key he had relinquished, turned it sturdily, walked in, and lighted his candle.
He _did_ pause, with a moment's irresolution, before he shut the door; and he _did_ look cautiously behind it first, as if he half-expected to be terrified with the sight of Marley's pigtail sticking out into the hall. But there was nothing on the back of the door, except the screws and nuts that held the knocker on; so he said "Pooh, pooh!" and closed it with a bang.
The facsimile edition of A Christmas Carol reproduces Dickens's original manuscript, complete with crossed-out words, marginal notes, and the author's own spelling and punctuation. The transcriber's note warns that errors have been left unchanged, so readers encounter the text as it left Dickens's hand—not as polished by a printer. This raw quality invites attention to the physical act of writing: the title page is labeled "My own, and only, MS of the Book" in Dickens's hand. The opening pages thus establish a dual reading experience—following the story while observing the creative process.
The Manuscript as a Performance Document
The facsimile preserves page breaks and labels from the original script, so the reader sees where Dickens paused or resumed. The first excerpt shows the title page and preface, where Dickens calls the book a "Ghostly little book" meant to raise "the Ghost of an Idea." The handwriting itself becomes a kind of performance: the preface is cramped, the title page ornate. Later, in the Cratchit scene, the manuscript shows deletions and insertions—for instance, the phrase "Bob had but fifteen 'Bob' a-week" is written with a dash that suggests Dickens reconsidered the wording. These traces remind us that the story was composed in bursts, not delivered whole.
The Cratchit Household: Voice and Detail
The middle excerpt—the Cratchit family preparing Christmas dinner—is the longest continuous passage in the excerpts. Dickens builds the scene through specific, concrete details: Mrs. Cratchit's "twice-turned gown" but "brave in ribbons," Master Peter Cratchit's "monstrous shirt-collar" that is "Bob's private property." The children's dialogue is rapid and overlapping: "Hide Martha, hide!" and "Hurrah! There's such a goose, Martha!" The narrator's voice shifts between affectionate mockery (the potatoes "knocked loudly at the saucepan-lid to be let out and peeled") and pathos (Tiny Tim's limbs "supported by an iron frame"). This mixture of comedy and sentiment is characteristic of Dickens's method.
Tiny Tim and the Limits of the Excerpts
The excerpts include only one line from Tiny Tim: his hope that people in church might remember "who made lame beggars walk and blind men see." Bob's voice trembles when he repeats this, and the narrative notes that Tim is "growing strong and hearty"—a statement the reader may doubt. The excerpts break off before any ghostly visitations or moral transformation. A first reader relying solely on these passages would know Scrooge only as a name (mentioned in the catalog subjects) and would have no evidence of the plot's arc. The Cratchit scene thus stands as a self-contained vignette of domestic poverty and resilience, its emotional weight carried by the children's energy and Bob's fragile hope.
John Leech's Illustrations as Counterpoint
The catalog lists John Leech as illustrator, and the facsimile includes his original color and black-and-white plates. The excerpts do not reproduce the images, but the text references them: a note says an illustration appears "on the inside front cover." Leech's drawings—such as the famous depiction of Scrooge at his counting-house or the Cratchits' feast—were integral to the first edition. The manuscript facsimile places these illustrations alongside Dickens's handwritten pages, creating a dialogue between word and image. Readers should note that the illustrations often amplify details the text mentions only briefly, like the "iron frame" supporting Tiny Tim's limbs, which Leech renders with stark clarity.
Reading this facsimile edition means attending to two texts: Dickens's story and the physical evidence of its composition. The errors, deletions, and marginalia are not obstacles but clues to the author's process. For a first reading, focus on how the Cratchit scene balances humor and sorrow, and how the manuscript's roughness contrasts with the polished prose of later editions. The excerpts offer a fragment, not the whole—but they reveal Dickens at work, shaping a ghost story out of ink and paper.
That rainy afternoon, I sat with the facsimile of Dickens’s manuscript, tracing his crossed-out words and the Cratchits’ trembling joy. The editorial notes made me feel the ink’s warmth, not the story’s machinery. Turning a page, I remembered another companion volume, one that paired George Eliot’s dense Florence with similar care — Romola — Reading Companion — and wondered how her corrections might breathe too.
Grayson Rivera
2 weeks agoNoah Davis
3 weeks agoWilliam Clark
1 month agoEvelyn Young
1 week ago-
Henry Cox - 1 month ago
Seeing 'A Christmas Carol' in its original manuscript form is a magical experience. This edition brings you closer to Dickens's creative process, with his own edits and annotations visible. The story itself is timeless, but reading it as it was first written adds a layer of intimacy and historical significance. The high-quality reproduction and helpful notes make it a must-have for Dickens fans and anyone who loves this classic tale of redemption. -
Ashley Mckay - 1 month ago
This manuscript edition of 'A Christmas Carol' is more of a novelty than a practical reading book. The handwritten text is difficult to decipher, despite the transcription, and the constant interruptions of Dickens's edits make for a disjointed reading experience. The historical value is undeniable, but for those looking to enjoy the story itself, a standard annotated edition would be far better. Overpriced for what it offers to most readers. -
Sheila Valdez - 4 weeks ago
This edition of 'A Christmas Carol' is a well-produced facsimile of Dickens's original manuscript, complete with his handwritten changes. It's fascinating to see the author's mind at work, and the accompanying transcription is useful. However, for casual readers, the manuscript format might be less accessible than a standard printed text, and the small size of the original handwriting can be hard to read. A nice collector's item, but not ideal for pure reading pleasure.
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Luke Walker
3 weeks ago