Historia de la literatura y del arte dramático en España, tomo II by Schack

(15 User reviews)   5337
By Ashley Gutierrez Posted on Dec 11, 2025
In Category - Wildlife
Schack, Adolf Friedrich von, 1815-1894 Schack, Adolf Friedrich von, 1815-1894
Spanish
Ever wondered what Spanish theater was really like before it became famous worldwide? This isn't your typical dry history book. Adolf Friedrich von Schack, a German count with a serious obsession for Spain, wrote this massive second volume in the 1850s. It's a foreigner's deep dive into the Golden Age of Spanish drama—think Lope de Vega and Calderón—but from a completely outside perspective. The real hook? Seeing our own literary heroes through the fascinated, analytical eyes of a 19th-century European scholar. It's like finding a time capsule of literary criticism, full of passion and surprising insights you won't get from a modern textbook.
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the memory of that cultured gentleman and earnest scholar, the late Hon. George P. Marsh, who for so many years worthily represented the United States at the Italian court. I never had the fortune to look upon his face, but the courteous readiness with which he aided my researches in Italy merit my warmest acknowledgments. To Professor Charles Molinier, of the University of Toulouse, moreover, my special thanks are due as to one who has always been ready to share with a fellow-student his own unrivalled knowledge of the Inquisition of Languedoc. In the Florentine archives I owe much to Francis Philip Nast, Esq., to Professor Felice Tocco, and to Doctor Giuseppe Papaleoni; in those of Naples, to the Superintendent Cav. Minieri Riccio and to the Cav. Leopoldo Ovary; in those of Venice to the Cav. Teodoro Toderini and Sig. Bartolomeo Cecchetti: in those of Brussels to M. Charles Rahlenbeck. In Paris I have to congratulate myself on the careful assiduity with which M.L. Sandret has exhausted for my benefit the rich collections of MSS., especially those of the Bibliothèque Nationale. To a student, separated by a thousand leagues of ocean from the repositories of the Old World, assistance of this nature is a necessity, and I esteem myself fortunate in having enlisted the co-operation of those who have removed for me some of the disabilities of time and space. Should the remaining portion of my task be hereafter accomplished, I hope to have the opportunity of acknowledging my obligations to many other gentlemen of both hemispheres who have furnished me with unpublished material illustrating the later development of the Holy Office. PHILADELPHIA, _August_, 1887. CONTENTS. BOOK I.--ORIGIN AND ORGANIZATION OF THE INQUISITION. CHAPTER I.--THE CHURCH. Page Domination of the Church in the Twelfth Century 1 Causes of Antagonism with the Laity 5 Election of Bishops 6 Simony and Favoritism 7 Martial Character of Prelates 10 Difficulty of Punishing Offenders 13 Prostitution of the Episcopal Office 16 Abuse of Papal Jurisdiction 17 Abuse of Episcopal Jurisdiction 20 Oppression from the Building of Cathedrals 23 Neglect of Preaching 23 Abuses of Patronage 24 Pluralities 25 Tithes 26 Sale of the Sacraments 27 Extortion of Pious Legacies 28 Quarrels over Burials 30 Sexual Disorders 31 Clerical Immunity 32 The Monastic Orders 34 The Religion of the Middle Ages 39 Tendency to Fetishism 40 Indulgences 41 Magic Power of Formulas and Relics 47 Contemporary Opinion 51 CHAPTER II.--HERESY. Awakening of the Human Intellect in the Twelfth Century 57 Popular Characteristics 59 Nature of Heresies 60 Antisacerdotal Heresies 62 Nullity of Sacraments in Polluted Hands 62 Tanchelm 64 Éon de l'Étoile 66 Peculiar Civilization of Southern France 66 Pierre de Bruys 68 Henry of Lausanne 69 Arnaldo of Brescia 72 Peter Waldo and the Waldenses 76 Passagii, Joseppini, Siscidentes, Runcarii 88 CHAPTER III.--THE CATHARI. Attractions of the Dualistic Theory 89 Derivation of Catharism from Manichæism 89 Belief and Organization of the Catharan Church 93 Missionary Zeal and Thirst for Martyrdom 102 Not Devil-worshippers 105 Spread of Catharism from Slavonia 107 Diffusion throughout Europe in the Eleventh Century 108 Increase in Twelfth Century 110 Comparative Exemption of Germany and England 112 Growth in Italy. Efforts of Innocent III. 114 Its Stronghold in Southern France 117 Its Expected Triumph 121 Failure of Crusade of 1181 124 Period of Toleration and Growth 125 CHAPTER IV.--THE ALBIGENSIAN CRUSADES. Policy of the Church towards Heresy 129 Suppression of Heresy in the Nivernais 130 Translations of Scripture forbidden at Metz 131 Power of Raymond VI. of Toulouse 132 Condition of the Church in his Dominions 134 Innocent III. Undertakes the...

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Okay, let's be clear: this is not a beach read. Adolf Friedrich von Schack's second volume is a serious, detailed history written in the mid-1800s. A German aristocrat who fell in love with Spanish culture, Schack set out to document the country's dramatic art from its medieval roots through its spectacular Golden Age.

The Story

There's no traditional plot here. Instead, the book is a guided tour. Schack acts as your erudite (and very opinionated) guide through centuries of Spanish plays, playwrights, and theatrical styles. He spends a lot of time on the giants—Lope de Vega's revolutionary energy, Calderón de la Barca's philosophical depth—but also shines a light on lesser-known figures. He doesn't just list names and dates; he analyzes their work, argues about their merits, and tries to explain the unique spirit of Spanish drama to his European audience.

Why You Should Read It

The magic isn't just in the facts—it's in the filter. Reading Schack today is a double history lesson: you learn about Spanish Golden Age theater, but you also get a fascinating look at how a 19th-century intellectual thought about art and national identity. His passion is contagious, even when you might disagree with his conclusions. It feels like having a conversation with a wildly knowledgeable, slightly eccentric professor from another time.

Final Verdict

This is a niche pick, but a rewarding one. It's perfect for students of Spanish literature who want to go beyond the basics, or for history lovers curious about how cultural criticism was done 170 years ago. It's not an easy, modern introduction, but for the right reader, it's a unique and illuminating portal into two different pasts.



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No rights are reserved for this publication. Preserving history for future generations.

Michael Flores
6 months ago

Wow.

Kevin Wright
1 year ago

I came across this while browsing and the atmosphere created is totally immersive. Exceeded all my expectations.

Kenneth Garcia
7 months ago

Honestly, the clarity of the writing makes this accessible. I will read more from this author.

Richard Allen
7 months ago

I didn't expect much, but the arguments are well-supported by credible references. A valuable addition to my collection.

Karen Smith
1 year ago

Honestly, the emotional weight of the story is balanced perfectly. Don't hesitate to start reading.

4.5
4.5 out of 5 (15 User reviews )

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