Panegyrico de Luiz de Camões by J. M. Latino Coelho

(6 User reviews)   3595
By Ashley Gutierrez Posted on Dec 11, 2025
In Category - Ecology
Coelho, J. M. Latino (José Maria Latino), 1825-1891 Coelho, J. M. Latino (José Maria Latino), 1825-1891
Portuguese
Ever wondered how a national hero becomes a national hero? This isn't your typical biography. It's a 19th-century speech that feels like a heated debate in a Lisbon café. J. M. Latino Coelho doesn't just list Camões's achievements; he passionately argues for the poet's soul as the very heart of Portugal itself. It's a defense, a celebration, and a political statement all wrapped up in one fiery piece of oratory. If you think literary criticism is dry, this will change your mind. It shows how a single artist's work can define a country's identity, especially during a time of national soul-searching.
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For the baseness of its nature shall have strength to drag her down. “Sisters and brothers, little Maid? There stands the Inspector at thy door: Like a dog, he hunts for boys who know not two and two are four.” “Kind words are more than coronets,” She said, and wondering looked at me: “It is the dead unhappy night, and I must hurry home to tea.” A SEA DIRGE [Picture: The sea, beach and children] THERE are certain things—as, a spider, a ghost, The income-tax, gout, an umbrella for three— That I hate, but the thing that I hate the most Is a thing they call the Sea. Pour some salt water over the floor— Ugly I’m sure you’ll allow it to be: Suppose it extended a mile or more, _That’s_ very like the Sea. Beat a dog till it howls outright— Cruel, but all very well for a spree: Suppose that he did so day and night, _That_ would be like the Sea. I had a vision of nursery-maids; Tens of thousands passed by me— All leading children with wooden spades, And this was by the Sea. Who invented those spades of wood? Who was it cut them out of the tree? None, I think, but an idiot could— Or one that loved the Sea. It is pleasant and dreamy, no doubt, to float With ‘thoughts as boundless, and souls as free’: But, suppose you are very unwell in the boat, How do you like the Sea? [Picture: And this was by the sea] There is an insect that people avoid (Whence is derived the verb ‘to flee’). Where have you been by it most annoyed? In lodgings by the Sea. If you like your coffee with sand for dregs, A decided hint of salt in your tea, And a fishy taste in the very eggs— By all means choose the Sea. And if, with these dainties to drink and eat, You prefer not a vestige of grass or tree, And a chronic state of wet in your feet, Then—I recommend the Sea. For _I_ have friends who dwell by the coast— Pleasant friends they are to me! It is when I am with them I wonder most That anyone likes the Sea. They take me a walk: though tired and stiff, To climb the heights I madly agree; And, after a tumble or so from the cliff, They kindly suggest the Sea. I try the rocks, and I think it cool That they laugh with such an excess of glee, As I heavily slip into every pool That skirts the cold cold Sea. [Picture: As I heavily slip into every pool] Ye Carpette Knyghte I have a horse—a ryghte good horse— Ne doe Y envye those Who scoure ye playne yn headye course Tyll soddayne on theyre nose They lyghte wyth unexpected force Yt ys—a horse of clothes. I have a saddel—“Say’st thou soe? Wyth styrruppes, Knyghte, to boote?” I sayde not that—I answere “Noe”— Yt lacketh such, I woote: Yt ys a mutton-saddel, loe! Parte of ye fleecye brute. I have a bytte—a ryghte good bytte— As shall bee seene yn tyme. Ye jawe of horse yt wyll not fytte; Yts use ys more sublyme. Fayre Syr, how deemest thou of yt? Yt ys—thys bytte of rhyme. [Picture: I have a horse] HIAWATHA’S PHOTOGRAPHING [In an age of imitation, I can claim no special merit for this slight attempt at doing what is known to be so easy. Any fairly practised writer, with the slightest ear for rhythm, could compose, for hours together, in the easy running...

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So, what is this book? It's not a novel or a standard biography. "Panegyrico de Luiz de Camões" is a published version of a formal speech (a "panegyric") given by José Maria Latino Coelho in 1880. The event was a major centennial celebration of Camões's death, but this was more than just a birthday toast.

The Story

There's no plot in the traditional sense. Instead, Coelho builds a powerful argument. He takes the legendary figure of Luís de Camões, author of the epic poem The Lusiads, and places him on a pedestal. But this isn't just about praising beautiful verses. Coelho connects Camões's work directly to the spirit and identity of Portugal. He presents the poet as a national symbol, whose art captured the country's history, struggles, and triumphs. The "story" is the journey of Coelho's reasoning, showing us why, in his view, a poet matters so much to a nation's sense of self.

Why You Should Read It

This is a fascinating look into how history and culture get made. Reading it, you feel the 19th-century Portuguese passion for defining their heritage. Coelho's writing is fervent and persuasive. You get a real sense of the man's voice—his pride, his intellectual fire. It’s less about analyzing The Lusiads line by line and more about understanding its monumental cultural weight. It makes you think about which artists we champion today and what that says about us.

Final Verdict

Perfect for readers curious about literary history, national identity, or 19th-century European thought. It's a short, intense read that packs a punch. If you enjoy seeing how art and politics collide, or if you've ever read Camões and wondered about his lasting impact, this speech provides a direct window into that process. It's a piece of history that still feels surprisingly relevant.



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Emma Ramirez
11 months ago

I started reading out of curiosity and it challenges the reader's perspective in an intellectual way. One of the best books I've read this year.

5
5 out of 5 (6 User reviews )

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