The History of Sir Richard Calmady: A Romance — Reading Notes

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Malet, Lucas, 1852-1931 Project Gutenberg 2007
People with disabilities -- Fiction; Psychological fiction; Cousins -- Fiction; Triangles (Interpersonal relations) -- Fiction; Mothers and sons -- Fiction; Lesbians -- Fiction Readers of public-domain and historical texts
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Words 270,906
Reading time 1178 min
Text sections 28

For The History of Sir Richard Calmady: A Romance — Reading Notes, the stored edition analysis reports 270,906 words, 19 hr 38 min estimated reading time, and 28 detected text sections.

The text analysis averages about 16.6 words per sentence, while the detected sections provide another way to judge how the source is divided.

Project Gutenberg metadata also associates the work with “People with disabilities -- Fiction,” connecting these edition facts with the source record’s subject description.

Lucas Malet's 1901 romance follows Sir Richard Calmady, a disabled heir navigating family duty, desire, and social expectation. The excerpts reveal sharp dialogue, class tensions, and a narrative voice that balances satire with psychological insight.
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Denzil had looked down during the two and a quarter centuries of his sojourn in the lofty niche of the northern gable, there was one his eyes had never yet rested upon--one matter, and that a very vital one, to which had he applied his carpenter's rule the measure of it must have proved persistently and grievously short.

Along the straight walks, across the smooth lawns, and beside the brilliant flower-borders of the formal gardens, he had seen generations of babies toddle and stagger, with gurglings of delight, as they clutched at glancing bird or butterfly far out of reach. He had seen healthy, clean-limbed, boisterous lads and dainty, little maidens laugh and play, quarrel, kiss, and be friends again. He had seen ardent lovers--in glowing June twilights, while the nightingales shouted from the laurels, or from the coppices in the park below--driven to the most desperate straits, to visions of cold poison, of horse-pistols, of immediate enlistment, or the consoling arms of Betty the housemaid, by the coquetries of some young lady captivating in powder and patches, or arrayed in the high-waisted, agreeably-revealing costume which our grandmothers judged it not improper to wear in their youth. He had seen husband and wife, too, wandering hand in hand at first, tenderly hopeful and elate. And then, sometimes, as the years lengthened,--they growing somewhat sated with the ease of their high estate,--he had seen them hand in hand no longer, waxing cold and indifferent, debating even, at moments, reproachfully whether they might not have invested the capital of their affections to better advantage elsewhere.

All this and much more Sir Denzil had seen, and doubtless measured, for all that he appears so immovably calm and apart. But that which he had never yet seen was a man of his name and race, full of years and honours, come slowly forth from the stately house to sun himself, morning or evening, in the comfortable shelter of the high, red-brick, rose-grown garden walls. Looking the while, with the pensive resignation of old age, at the goodly, wide-spreading prospect. Smiling again over old jokes, warming again over old stories of prowess with horse and hound, or rod and gun. Feeling the eyes moisten again at the memory of old loves, and of those far-away first embraces which seemed to open the gates of paradise and create the world anew; at remembrances of old hopes too, which proved still-born, and of old distresses, which often enough proved still-born likewise,--the whole of these simplified now, sanctified, the tumult of them stilled, along with the hot, young blood which went to make them, by the kindly torpor of increasing age and the approaching footsteps of greatly reconciling Death.

For Sir Denzil's male descendants, one and all,--so says tradition, so say too the written and printed family records, the fine monuments in the chancel of Sandyfield Church, and more than one tombstone in the yew-shaded church-yard,--have displayed a disquieting incapacity for living to the permitted "threescore years and ten," let alone fourscore, and dying decently, in ordinary, commonplace fashion, in their beds. Mention is made of casualties surprising in number and variety; and not always, it must be owned, to the moral credit of those who suffered them. It is told how Sir Thomas, grandson of Sir Denzil, died miserably of gangrene, caused by a tear in the arm from the antler of a wounded buck. How his nephew Zachary--who succeeded him--was stabbed during a drunken brawl in an eating-house in the Strand. How the brother of the said Zachary, a gallant young soldier, was killed at the battle of Ramillies in 1706. Dueling, lightning during a summer storm, even the blue-brown waters of the Brockhurst Lake in turn claim a victim. Later it is told how a second Sir Denzil, after hard fighting to save his purse, was shot by highwaymen on Bagshot Heath, when riding with a couple of servants--not notably distinguished, as it would appear, for personal valour--from Brockhurst up to town.

Lastly comes Courtney Calmady, who, living in excellent repute until close upon sixty, seemed destined by Providence to break the evil chain of the family fate. But he too goes the way of all flesh, suddenly enough, after a long run with the hounds, owing to the opening of a wound, received when he was little more than a lad, at the taking of Frenchtown under General Proctor, during the second American war. So he too died, and they buried him with much honest mourning, as befitted so kindly and honourable a gentleman; and his son Richard--of whom more hereafter--reigned in his stead.

GIVING THE VERY EARLIEST INFORMATION OBTAINABLE OF THE HERO OF THIS BOOK

It happened in this way, towards the end of August, 1842.

In the gray of the summer evening, as the sunset faded and the twilight gathered, spreading itself tenderly over the pastures and corn-fields,--over the purple-green glooms of the fir forest--over the open moors, whose surface is scored for miles by the turf-slane of the cottager and squatter--over the clear brown streams that trickle out of the pink and emerald mosses of the peat-bogs, and gain volume and vigour as they sparkle away by woodside, and green-lane, and village street--and over those secret, bosky places, in the heart of the great common-lands, where the smooth, white stems and glossy foliage of the self-sown hollies spring up between the roots of the beech trees, where plovers cry, and stoat and weazel lurk and scamper, while the old poacher's lean, ill-favoured, rusty-coloured lurcher picks up a shrieking hare, and where wandering bands of gypsies--those lithe, onyx-eyed children of the magic East--still pitch their dirty, little, fungus-like tents around the camp-fire,--as the sunset died and the twilight thus softly widened and deepened, Lady Calmady found herself, for the first time during all the long summer day, alone.

For though no royal personage had graced the occasion with his presence, nor had bears suffered martyrdom to promote questionably amiable mirth, Brockhurst, during the past week, had witnessed a series of festivities hardly inferior to those which marked Sir Denzil's historic house-warming. Young Sir Richard Calmady had brought home his bride, and it was but fitting the whole countryside should see her. So all and sundry received generous entertainment according to their degree.--Labourers, tenants, school-children. Weary old-age from Pennygreen poorhouse taking its pleasure of cakes and ale half suspiciously in the broad sunshine. The leading shopkeepers of Westchurch and their humbler brethren from Farley Row. All the country gentry too. Lord and Lady Fallowfeild and a goodly company from Whitney Park, Lord Denier and a large contingent from Grimshott Place, the Cathcarts of Newlands, and many more persons of undoubted consequence--specially perhaps in their own eyes.

Not to mention a small army of local clergy--who ever display a touching alacrity in attending festivals, even those of a secular character--with camp-followers, in the form of wives and families, galore.

And now, at last, all was over,--balls, sports, theatricals, dinners,--the last in the case of the labourers, with the unlovely adjunct of an ox roasted whole. Even the final garden-party, designed to include such persons as it was, socially speaking, a trifle difficult to place--Image, owner of the big Shotover brewery, for instance, who was shouldering his way so vigorously towards fortune and a seat on the bench of magistrates; the younger members of the firm of Goteway & Fox, Solicitors of Westchurch; Goodall, the Methodist miller from Parson's Holt, and certain sporting yeoman farmers with their comely womankind--even this final entertainment, with all its small triumphs and heart-burnings, flutterings of youthful inexperience, aspirations, condescensions, had gone, like the rest of the week's junketings, to swell the sum of things accomplished, of all that which is past and done with, and will never come again.

Fully an hour ago, Dr. Knott, "under plea of waiting cases, had hitched his ungainly, thick-set figure into his high gig.

"Plenty of fine folks, eh, Timothy?" he said to the ferret-faced groom beside him, as he gathered up the reins; and the brown mare, knowing the hand on her mouth, laid herself out to her work. "Handsome young couple as anybody need wish to see. Not much business doing there for me, I fancy, unless it lies in the nursery line."

"Say those Brockhurst folks mostly dies airly, though," remarked Timothy, with praiseworthy effort at professional encouragement.

"Eh! so you've heard that story too, have you?"--and John Knott drew the lash gently across the hollow of the mare's back.

"This 'ere Sir Richard's the third baronet I've a-seen, and I bean't so very old neither."

The doctor looked down at the spare little man with a certain snarling affection, as he said:--"Oh no! I'm not kept awake o' nights by the fear of losing you, Timothy. Your serviceable old carcass'll hang together for a good while yet."--Then his rough eyebrows drew into a line and he stared thoughtfully down the long space of the clean gravel road under the meeting branches of the lime trees.

The Whitney _char a bancs_ had driven off but a few minutes later, to the admiration of all beholders; yet not, it must be admitted, without a measure of inward perturbation on the part of that noble charioteer, Lord Fallowfeild. Her Ladyship was constitutionally timid, and he was none too sure of the behaviour of his leaders in face of the string of very miscellaneous vehicles waiting to take up. However, the illustrious party happily got off without any occasion for Lady Fallowfeild's screaming. Then the ardour of departure became universal, and in broken procession the many carriages, phaetons, gigs, traps, pony-chaises streamed away from Brockhurst House, north, south, east and west.

Lady Calmady had bidden her guests farewell at the side-door opening on to the terrace, before they passed through the house to the main entrance in the south front. Last to go, as he had been first to come, was that worthy person, Thomas Caryll, the rector of Sandyfield. Mild, white-haired, deficient in chin, he had a natural leaning towards women in general, and towards those of the upper classes in particular. Katherine Calmady's radiant youth, her courtesy, her undeniable air of distinction, and a certain gracious gaiety which belonged to her, had, combined with unaccustomed indulgence in claret cup, gone far to turn the good man's head during the afternoon. Regardless of the slightly flustered remonstrances of his wife and daughters, he lingered, expending himself in innocently confused compliment, supplemented by prophecies regarding the blessings destined to descend upon Brockhurst and the mother parish of Sandyfield in virtue of Lady Calmady's advent.

But at length he also was gone. Katherine waited, her eyes full of laughter, until Mr. Caryll's footsteps died away on the stone quarries of the great hall within. Then she gently drew the heavy door to, and stepped out on to the centre of the terrace. The grass slopes of the park--dotted with thorn trees and beds of bracken,--the lime avenue running along the ridge of the hill, the ragged edge of the fir forest to the east, and the mass of the house, all these were softened to a vagueness--as the landscape in a dream--by the deepening twilight. An immense repose pervaded the whole scene. It affected Katherine to a certain seriousness. Her social excitements and responsibilities, the undoubted success that had attended her maiden essay as hostess during the past week, shrank to trivial proportions. Another order of emotion arose in her. She became sensible of a necessity to take counsel with herself.

She moved slowly along the terrace; paused in the arcaded garden-hall at the end of it--the carven stone benches and tables of which showed somewhat ghostly in the dimness--to put off her bonnet and push back the lace scarf from her shoulders. An increasing solemnity was upon her. There were things to think of, things deep and strange. She must needs place them, make an effort, anyhow, to do so. And, in face of this necessity, came an instinct to rid herself of all small impeding conventionalities, even in the matter of dress. For there was in Katherine that inherent desire of harmony with her surroundings, that natural sense of fitness, which--given certain technical aptitudes--goes to make a great dramatic artist. But, since in her case, such technical aptitudes were either non-existent, or wholly in abeyance, it followed that, save in nice questions of private honour, she was quite the least self-conscious and self-critical of human beings. Now, as she passed out under the archway on to the square lawn of the troco-ground, bare-headed, in her pale dress, a sweet seriousness filling all her mind, even as the sweet summer twilight filled all the valley and veiled the gleaming surface of the Long Water far below, she felt wholly in sympathy with the aspect and sentiment of the place. Indeed it appeared to her, just then, that the four months of her marriage, the five months of her engagement, even the twenty-two years which made up all the sum of her earthly living, were a prelude merely to the present hour and to that which lay immediately ahead.

Yet the prelude had, in truth, been a pretty enough piece of music. Katharine's experience had but few black patches in it as yet. Furnished with a fair and healthy body, with fine breeding, with a character in which the pride and grit of her North Country ancestry was tempered by the poetic instincts and quick wit which came to her with her mother's Irish blood, Katherine Ormiston started as well furnished as most to play the great game that all are bound to play, whether they will or no, with fate. Mrs. Ormiston, still young and beloved, had died in bringing this, her only daughter, into the world; and her husband had looked somewhat coldly upon the poor baby in consequence. There was an almost misanthropic vein in the autocratic land-owner and iron-master. He had three sons already, and therefore found but little use for this woman-child. So, while pluming himself on his clear judgment and unswerving reason, he resented, most unreasonably, her birth, since it took his wife from him. Such is the irony of things, forever touching man on the raw, proving his weakness in that he holds his strongest point! In point of fact, however, Katherine suffered but slightly from the poor welcome that greeted her advent in the gray, many-towered house upon the Yorkshire coast. For her great-aunt, Mrs. St. Quentin, speedily gathered the small creature into her still beautiful arms, and lavished upon it both tenderness and wealth, along--as it grew to a companionable age--with the wisdom of a mind ripened by wide acquaintance with men and with public affairs. Mrs. St. Quentin--famous in Dublin, London, Paris, as a beauty and a wit--had passed her early womanhood amid the tumult of great events. She had witnessed the horrors of the Terror, the splendid amazements of the First Empire; and could still count among her friends and correspondents, politicians and literary men of no mean standing. A legend obtains that Lord Byron sighed for her--and in vain. For, as Katherine came to know later, this woman had loved once, daringly, finally, yet without scandal--though the name of him whom she loved (and who loved her) was not, it must be owned, St. Quentin. And perhaps it was just this, this hidden and somewhat tragic romance, which kept her so young, so fresh; kept her unworldly, though moving so freely in the world; had given her that exquisite sense of relative values and that knowledge of the heart, which leads, as the divine Plato has testified, to the highest and most reconciling philosophy.

Thus, the delicately brilliant old lady and the radiant young lady lived together delightfully enough, spending their winters in Paris in a pretty apartment in the rue de Rennes--shared with one Mademoiselle de Mirancourt, whose friendship with Mrs. St. Quentin dated from their schooldays at the convent of the Sacre Coeur. Spring and autumn found Katherine and her great-aunt in London. While, in summer, there was always a long visit to Ormiston Castle, looking out from the cliff edge upon the restless North Sea. Lovers came in due course. For over and above its own shapeliness--which surely was reason enough--Katherine's hand was well worth winning from the worldly point of view. She would have money; and Mrs. St. Quentin's influence would count for much in the case of a great-nephew-by-marriage who aspired to a parliamentary or diplomatic career. But the lovers also went, for Katherine asked a great deal--not so much of them, perhaps, as of herself. She had taken an idea, somehow, that marriage, to be in the least satisfactory, must be based on love; and that love worth the name is an essentially two-sided business. Indirectly the girl had learnt much on this difficult subject from her great-aunt; and with characteristic directness had agreed with herself to wait till her heart was touched, if she waited a lifetime--though of exactly in what either her heart, or the touching of it, consisted she was deliciously innocent as yet.

And then, in the summer of 1841, Sir Richard Calmady came to Ormiston. He and her brother Roger had been at Eton together. Katherine remembered him, years ago, as a well-bred and courteously contemptuous schoolboy, upon whose superior mind, small female creatures--busy about dolls, and victims of the athletic restrictions imposed by petticoats--made but slight impression. Latterly Sir Richard's name had come to be one to conjure with in racing circles, thanks to the performances of certain horses bred and trained at the Brockhurst stables; though some critics, it is true, deplored his tendency to neglect the older and more legitimate sport of flat-racing in favour of steeple-chasing. It was said he aspired to rival the long list of victories achieved by Mr. Elmore's Gaylad and Lottery, and the successes of Peter Simple the famous gray. This much Katherine had heard of him from her brother. And having her haughty turns--as what charming woman has not?--set him down as probably a rough sort of person, notwithstanding his wealth and good connections, a kind of gentleman jockey, upon whom it would be easy to take a measure of pretty revenge for his boyish indifference to her existence. But the meeting, and the young man, alike, turned out quite other than she had anticipated. For she found a person as well furnished in all polite and social arts as herself, with no flavour of the stable about him. She had reckoned on one whose scholarship would carry him no further than a few stock quotations from Horace, and whose knowledge of art would begin and end with a portrait of himself presented by the members of a local hunt. And it was a little surprising--possibly a little mortifying to her--to hear him talking over obscure passages in Spencer's _Faerie Queene_ with Mrs. St. Quentin, before the end of the dinner, and nicely apprising the relative merits of the water-colour sketches by Turner, that hung on either side the drawing-room fireplace.

Nor did Katherine's surprises end here. An unaccountable something was taking place within her, that opened up a whole new range of emotion. She, the least moody of young women, had strange fluctuations of temper, finding herself buoyantly happy one hour, the next pensive, filled with timidity and self-distrust--not to mention the little fits of gusty anger, and purposeless jealousy which took her, hurting her pride shrewdly. She grew anxiously solicitous as to her personal appearance. This dress would not please her nor that. The image of her charming oval face and well-set head ceased to satisfy her. Surely a woman's hair should be either positively blond or black, not this indeterminate brown, with warm lights in it? She feared her mouth was not small enough, the lips too full and curved for prettiness. She wished her eyes less given to change, under their dark lashes, from clear gray-blue to a nameless colour like the gloom of the pools of a woodland stream, as her feelings changed from gladness to distress. She feared her complexion was too bright, and then not bright enough. And, all the while, a certain shame possessed her that she should care at all about such trivial matters; for life had grown suddenly larger and more august. Books she had read, faces she had watched a hundred times, the vast horizon looking eastward over the unquiet sea, all these gained a new value and meaning which at once enthralled and agitated her thought.

Lucas Malet's The History of Sir Richard Calmady opens with a fair domain and its maker, but quickly narrows to the intimate pressures of family and marriage. In the excerpt, Lady Alicia and Lady Louisa Barking debate Constance's prospects with a bluntness that lays bare the economics of love. Lord Fallowfeild, caught between daughters, thinks of his child's faded dress and disorganised complexion, then relents. The scene is a tight knot of resentment, duty, and calculation.

Malet's narrator moves from the general to the particular, noting that Lady Alicia's voice was slightly peevish and that she presented a starved and chilly appearance. Such details signal a writer attentive to the body as evidence of inner life. The dialogue, too, carries weight: Louisa's logic is dry, Quayle's aside sardonic. This is a world where every word is a move in a game of status and survival.

Bodies and Their Meanings

Malet invests physical description with moral and emotional significance. Lady Alicia's face is thin and bird-like, her appearance starved and chilly despite the summer heat. Lord Fallowfeild's eyes are arrested by his daughter's faded dress and disorganised complexion, and he relents before speaking. These are not neutral observations; they carry judgment and pathos. The body becomes a text that other characters read, often with pity or irritation.

This attention to the physical extends to the novel's hero. The catalog lists people with disabilities as a subject, and the table of contents hints at a child of promise and a mother looking on her son. The excerpts do not reveal Richard's condition directly, but the pattern of bodily scrutiny suggests that his disability will be a central lens through which others see him—and through which he sees himself.

The Economics of Affection

Marriage in this world is a transaction. Lady Louisa Barking argues that Constance cannot expect many opportunities of marrying men with forty or fifty thousand a year. Lady Alicia, pleading poverty, notes that her husband honourably refuses to take anything from his mother. Lord Fallowfeild, though amiable, is reminded that divisions in families are nasty, uncomfortable things. The language of finance pervades the discussion of love.

Even the narrator's aside—that Lady Alicia was not in very good health, with the consequence that her face showed thin and bird-like—links physical state to economic vulnerability. The sisters' arguments are not just about Constance; they are about their own standing. Malet exposes the way money and marriage bind family members together in a web of obligation and resentment.

Voices in Conflict

The excerpt is built on competing voices. Lady Louisa is stern and logical; Lady Alicia is peevish and self-pitying; Lord Fallowfeild is conciliatory but weak. Mr. Ludovic Quayle murmurs an aside: My sister is a notable logician. If logic ruled life, how clear, how simple our course! This ironic commentary punctures the sisters' seriousness, reminding the reader that the family drama is also a comedy of manners.

Malet's narrator shifts between close third-person and free indirect style, entering Lord Fallowfeild's thoughts: A man's an unworthy brute who ever says a sharp word to a woman in her condition. The effect is to make the reader privy to unspoken judgments. The dialogue itself is a performance of class and gender roles, each character striking a pose that reveals as much as it conceals.

Structure and Suspense

The table of contents suggests a novel of many parts, moving from The Clown to The Breaking of Dreams to La Belle Dame Sans Merci. The excerpts offer only a fragment, but the pattern of chapter titles—In which Dickie Tries to Ride Away from His Own Shadow, A Slip Betwixt Cup and Lip—hints at a narrative that courts irony and reversal. The reader is invited to watch a rake's progress unfold.

Malet's pacing is deliberate. The family argument in the excerpt builds slowly, each speech adding a layer of grievance. The narrator's observations—the above statements nettled the amiable nobleman considerably—keep the reader at a slight distance, observing the machinery of emotion. This is a novel that rewards attention to how things are said as much as to what is said.

Readers coming to The History of Sir Richard Calmady should attend to the spaces between speeches—the gestures, the physical details, the narrator's quiet ironies. Malet is a novelist of the telling glance and the loaded pause. The excerpts offer a family in miniature, but the full work promises a wider canvas: society, satire, and the inner life of a hero marked by his body. Approach it as a psychological drama dressed in the clothes of romance.

Reading Richard Calmady’s careful negotiations with his own longing, I found myself thinking of another quiet, thwarted heart—the old man in An Old Man's Love — A Closer Reading. Both stories linger on what we choose to carry, and what we quietly let go. There’s a tenderness in that acceptance, one I still feel days later.

Wyatt Davis
1 month ago

Grace Green
2 weeks ago

Liam Ramirez
1 month ago

Elijah Wilson
1 month ago

Grace Smith
2 weeks ago

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