The Son of his Father — Text and Context

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Cullum, Ridgwell, 1867-1943, Duer, Douglas, 1887-1964 [Illustrator] Project Gutenberg 2011
Western stories; Railroads -- Fiction; Fathers and sons -- Fiction; Children of the rich -- Fiction; Capitalists and financiers -- Fiction Readers of public-domain and historical texts
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Edition facts

Words 104,261
Reading time 454 min
Text sections 13

The catalog record for The Son of his Father — Text and Context provides practical reading context through 104,261 words, 7 hr 34 min estimated reading time, and 13 detected text sections.

The text analysis averages about 13.5 words per sentence, while the detected sections provide another way to judge how the source is divided.

Project Gutenberg metadata also associates the work with “Western stories,” connecting these edition facts with the source record’s subject description.

Ridgwell Cullum's western railroad novel uses a father-son financial crisis to explore voice and pace, shifting from ironic dialogue to reflective letters and action-driven frontier scenes.
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Read the Text

Hazel was waiting for that sign

He drew her gently towards his father

"To wine, women and gambling, at the age of twenty-four--one hundred thousand dollars. That's your bill, my boy, and--I've got to pay it."

James Carbhoy leaned back smiling, his half-humorous eyes squarely challenging his son, who was lounging in a luxurious morocco chair at the other side of the desk.

As the moments passed without producing any reply, he reached towards the cabinet at his elbow and helped himself to a large cigar. Without any scruple he tore the end off it with his strong teeth and struck a match.

Gordon Carbhoy cleared his throat and looked serious. In spite of his father's easy, smiling manner he knew that a crisis in his affairs had been reached. He understood the iron will lying behind the pleasant steel-gray eyes of his parent. It was a will that flinched at nothing, a will that had carved for its owner a great fortune in America's most strenuous financial arena, the railroad world. He also knew the only way in which to meet his father's challenge with any hope of success. Above everything else the millionaire demanded courage and manhood--manhood as he understood it--from those whom he regarded well.

Gordon stirred. The millionaire carefully lit his cigar.

"Put that way it--sounds rotten, Dad, doesn't it?" Gordon's mobile lips twisted humorously, and he also reached towards the cigar cabinet.

But the older man intercepted him. He held out a box of lesser cigars.

"Try one of these, Gordon. One of the others would add two dollars to your bill. These are half the price."

The two men smiled into each other's eyes. A great devotion lay between them. But their regard was not likely to interfere with the business in hand.

Gordon helped himself. Then he rose from his chair. He moved across the handsome room, towering enormously. His six feet three inches were well matched by a great pair of athletic shoulders. His handsome face bore no traces of the fast living implied by the enormous total of his debts. The wholesome tan of outdoor sports left him a fine specimen of the more brilliant youth of America. Then, too, in his humorous blue eyes lay an extra dash of recklessness, which was probably due to his superlative physical advantages. He came back to his chair and propped his vast body on the back of it. His father was watching him affectionately.

"Dad," he exclaimed, "I'm--sorry."

The other shook his head.

"Don't say that. It's not true. I'd hate it to be true--anyway."

"You're--going to pay it?"

"Sure. I'm not going to have our name stink in our home city. Sure I'm going to pay it. But----"

The faint ticking of the bracket clock on the wall suddenly became like the blows of a hammer.

"I--I don't think I----"

Young Gordon broke off. His merry eyes had suddenly become troubled. The crisis was becoming acute.

For some moments the millionaire smoked on luxuriously. Then he removed his cigar and cleared his throat.

"I'm not going to shout. That's not my way," he said in his easy, deliberate fashion. "Guess folks have got to be young, and the younger they're young--why, the better. I was young, and--got over it. You're going to get over it. I figure to help you that way. This is not the first bill you've handed me, but--but it's going to be the last. Guess your baby clothes can be packed right up. Maybe they'll be all the better for it when you hand 'em on to--your kiddie."

The trouble had passed out of the younger man's eyes. They were filled with the humor inspired by his father's manner of dealing with the affair in hand.

"That's all right," he said. "I seem to get that clear enough."

"I'm glad." The millionaire twisted the cigar into the corner of his mouth. "We can pass right on to--other things. You've been one of my secretaries for three years, and it don't seem to me the work's worried you a lot. Still, I put you in early thinking you'd get interested in the source of the dollars you were handing out in bunches. Maybe it wasn't the best way of doing it. Still, I had to try it. You see, it's a great organization I control--though you may not know it. I control more millions than you could count on your fingers and toes, and they've cost me some mental sweat gathering 'em together. Some day you've got to sit in this chair and talk over this 'phone, and when you do you'll be--a man. You see, I don't fancy my pile being invested in cut flowers and automobiles for lady friends. I don't seem to have heard that thousand-dollar parties to boys who can't smoke a five-cent cigar right, and girls who're just out for a good time anyway, are liable to bring you interest on the capital invested, except in the way of contempt. And five-thousand dollar apartments are calculated to rival the luxury of Rome before its fall. Big play at 'draw' and 'auction' are two diseases not provided for amongst the cures in patent med'cine advertisements, and as for the older vintages in wines, they're only permissible in folks who've quit worrying to scratch dollars together. None of these things seem to me good business, and in a man at the outset of his career some of 'em are--immoral. You've had your preliminary run, and I'll admit you've shown a fine turn of speed. But it smacks too much of the race-track, and seems to me quite unsuited to the hard highroad of big finance you're destined to travel.

"Just one moment," he went on, as, with flushing cheeks and half-angry eyes, his son was about to break in. "You haven't got the point of this talk yet. This bill you've handed me don't figure as largely in it as you might guess. I've thought about things these months. I don't blame you a thing. I'm not kicking. The fact you've got to grab and get your hind teeth into is that there comes a time when two can't spend one fortune with any degree of amicability. It's a sort of proposition like two dogs and a bone. Now from a canine point of view that bone certainly belongs to one of those dogs. No two dogs ever stole a bone together. Consequently, the situation ends in a scrap, and it isn't always a cert. that the right thief gets the bone. How it would work out between us I'm not prepared to guess, but, as 'scrap' don't belong to the vocabulary between us, we'll handle the matter in another way. Seeing the fortune--at present--belongs to me, I'll do the spending in--my own way. My way is mighty simple, too, as far as you're concerned. I'm going to stake you all you need, so you can get out and find a bone you can worry on _your own_. That's how you're going to pay this bill. You're going to get busy quitting play. We are, and always have been, and always will be, just two great big friends, and I'd like you to remember that when I say that the life you're living is all right for a boy, but in a man it leads to dirty ditches that aren't easy climbing out of, and--you can't do clean work with dirty hands. When you've shown me you're capable of collecting a bone for your own worrying--why, you can come right back here, and I'll be pleased and proud to hand over the reins of this organization, and I'll be mighty content to sit around in one of the back seats and get busy with the applause. Now you talk."

Gordon began without a moment's hesitation. Something of his heat had passed, but it still remained near the surface.

"Quite time I did," he cried almost sharply. "Look here, father, I don't think you meant all you said the way your talk conveyed it. To me the most important of your talk is the implied immorality of my mode of life. Then the inconsistent fashion in which you point my way towards--big finance."

His eyes lit again. They had suddenly become dangerously bright.

"Here, we're not going to quarrel, nor get angry," he went on, gathering heat of manner even in his denial. "We're too great friends for that, and you've always been too good a sportsman to me, but--but I'm not going to sit and listen to you or anybody else accusing me of immorality without kicking with all my strength!"

He brought one great fist down on the desk with a bang that set the ink-wells and other objects dancing perilously.

"I'm not angry with you. I couldn't get angry with you," he proceeded, with a suppressed excitement that added to his father's smile; "but I tell you right here I'll not stand for it from you or anybody. My only crime is spending your money, which you have always encouraged me to do. From my university days to now my whole leisure has been given up to athletics. A man can't live immorally and win the contests I have won. I don't need to name them. Boxing, sculling, running, baseball, swimming. You know that. Any sane man knows that. The money I've spent has been spent in the ordinary course of the life to which you have brought me up. You have always impressed on me the great position you occupy and the necessity for keeping my end up. That's all I have to say about my debts, but I have something to say on the subject of the inconsistency with which you censure immorality in the same breath as you demand my immediate plunge into the mire of big finance."

He paused for a moment. Then, as abruptly as it had arisen, his heat died down, and gave place to the ready humor of his real nature.

"Gee, I want to laugh!" He sprang from his seat and began to pace the floor, talking as he moved. His father watched him with twinkling, affectionate eyes. "Immorality? Psha! Was there ever anything more immoral than modern finance? You imply I have learned nothing of your organization in the three years I've been one of your secretaries. Dad," he warned, "I've learned enough to have a profound contempt for the methods of big corporations in this country, or anywhere else. It's all graft--graft of one sort or another. Do you need me to tell _you_ of it? No, I don't think so. Twenty-five millions wouldn't cover the fortune you've made. I know that well enough. How has it been made? Here, I'll just give you one instance of the machinations of a big corporation. How did you gain control of the Union Grayling and Ukataw Railroad? Psha! What's the use? You know. You hammered it, hammered it to nothing. You got your own people into it, and sat back while they ran it nearly into bankruptcy under your orders. Then you bought. Bought it right up, and--sent it ahead. Immoral? It makes me sweat to think of the people who must have lost fortunes in that scoop. Immoral? Why, I tell you, Dad, any man can make a pile if he sticks to the old saw: 'Don't butt up against the law--just dodge it.' It's only difficult for the fellow who remembers his Sunday-school days. So far, Dad, I've avoided immorality. I'm waiting till I start on big finance to become its victim. That's my talk. Now you do some."

His father nodded. Then he said dryly, "This carpet cost me five hundred dollars, that chair fifty. Try the chair."

Gordon laughed at the imperturbable smile on his father's face, but he flung his great body into the chair.

James Carbhoy deliberately knocked the ash from his cigar. It was many years since he had received such a straight talk from any man. Some of it had stung--stung sharply, but the justice or injustice of it he set aside. His whole mind and heart were upon other matters. He took no umbrage. He swept all personal feeling aside and regarded the boy whom he idolized.

"We've both made some talk," he observed, "but I think the last word's with me. I don't seem to be sure which of us has put up the bluff. Maybe we both have. Anyway, right here and now I'm going to call your hand. I offered you a stake. You say it's easy to make a pile. Can you make a pile?"

"Why, yes. If I follow your wish and embark on--big finance. And--forget my Sunday school."

The millionaire gathered up the sheaf of loose accounts on the desk and held them up. His smile was grim and challenging.

"One hundred thousand dollars these bills represent. The cashier will hand you a check for that amount. Say, you've shown your ability to spend that amount; can you show your ability to make it?"

For a moment the boy's blue eyes avoided the half-ironical smile of his father's. Then suddenly they returned the steady gaze, and a flush spread swiftly over his handsome face. Something of his father's purpose was dawning upon him. He began to realize that the man who had made those many millions was far too clever for him when it came to debate. He squared his shoulders obstinately and took up the challenge. There was no other course for him. But even as he accepted it his heart sank at the prospect.

"Certainly," he cried. "Certainly--with a stake to start me."

"Sure. That goes," he said.

Then he laid the papers on the desk, and his whole manner underwent a further change. His eyes seemed to harden with the light of battle. There was an ironical skepticism in them. Even there was a shadow of contempt. For the moment it seemed as if he had forgotten that the man before him was his son, and regarded him merely as some rival financier seeking to beat him in a deal.

"I'll hand you one hundred thousand dollars. That's your stake. This is the way you'll pay those bills. You'll leave this city in twenty-four hours. You can go where you choose, do what you choose. But you must return here in twelve months' time with exactly double that sum. I make no conditions as to how you make the money. That's right up to you. I shall ask no questions, and blame you for no process you adopt, however much I disapprove. Then, to show you how certain I am you can't do it--why, if you make good, there's a half-share partnership in my organization waiting right here for you."

"A half-share partnership?" Gordon repeated incredulously. "You said--a half-share?"

"That's precisely what I said."

All of a sudden the younger man flung back his head and laughed aloud.

"Why, Dad, I stand to win right along the line--anyway," he exclaimed.

The older man's eyes softened.

"Maybe it's just how you look at it."

The change in his father's manner was quite lost upon Gordon. He only saw his enormous advantage in this one-sided bargain.

"Say, Dad, was there ever such a father as I've got?" he cried exuberantly. "Never, never! But you're not going to monopolize all the sportsmanship. I can play the game, too. I don't need one hundred thousand dollars on this game. I don't need twelve months to do it in. I'm not going to cut twelve months out of our lives together. Six is all I need. Six months, and five thousand dollars' stake. That's what I need. Give me that, and I'll be back with one hundred and five thousand dollars in six months' time. I haven't a notion where I'm going or what I'm going to do. All I know is you've put it up to me to make good, and I'm going to. I'll get that money if--if I have to rob a bank."

The boy's recklessness was too much for the gravity of the financier. He sat back and laughed. He flung his half-smoked cigar away, and in a moment father and son had joined in a duel of loud-voiced mirth.

Presently, however, their laughter died out. The millionaire sprang to his feet. His eyes were shining with delight.

"I don't care a darn how you do it, boy," he cried. "As you say, it's up to you. You see, I've got over my Sunday-school days, as you so delicately reminded me. That's by the way. But there's more in this than maybe you get right. You're going to learn that no graft can turn five thousand dollars into one hundred thousand in six months without a mighty fine commercial brain behind it. It's that brain I'm looking for in my son. Now get along and see your mother and sister. You've only got twenty-four hours' grace. Leave these bills to me. You're making a bid for the greatest fortune ever staked in a wager, and things like that don't stand for any delay. Get out, Gordon, boy; get out and--make good."

He held one powerful hand out across the desk, and Gordon promptly seized and wrung it.

"Good-by, Dad, and--God bless you."

Of course, the whole thing was ridiculous. Gordon knew that. No one could know it better. The more he thought about it the more surely he was certain of it. He told himself that he, personally, had behaved like a first-class madman over the whole affair. How on earth was he to make one hundred thousand dollars in six months? It couldn't be done. That was all. It simply couldn't be done. What power of mischief had driven him to charge his highly respectable father with graft? It was a rotten thing to do anyway. And it served him right that it had come back on him by pointing the way to the present impossible situation.

He was perfectly disgusted with himself.

But after a while he began to chuckle. The thing was not without an atmosphere of humor--of a sort. No doubt his friends would have seen a tremendous humor in the idea of his making one hundred thousand dollars under any conditions.

One hundred thousand dollars! What a tremendous sum it sounded viewed from the standpoint of his having to make it. He had never considered it a vast sum before. But now it seemed to grow and grow every time he thought of it. Then he laughed. What stupid things "noughts" were. They meant so much just now, and, in reality, they mean nothing at all.

Oh, dear. The whole thing was a terrible trouble. It was worse. It was a tragedy. But--he mustn't give his friends the laugh on him. That would be the last straw. No. The whole thing should remain a secret between his father and himself. He almost broke into a sweat as he suddenly remembered the Press. What wouldn't the Press do with the story. The son and heir of James Carbhoy, the well-known multi-millionaire, leaving home to show the world how to make one hundred thousand dollars in record time! A stupendous farce. Then the swarm of reporters buzzing about him like a cloud of flies in summer time. The prospect was too depressing. Think of the columns in the Press, especially the cheaper Press. They would haunt him from New York to--Timbuctoo!

It couldn't be done. He felt certain that in such circumstances suicide would be justifiable. Thoughts such as these swept on through his disturbed brain as he sped up Broadway on his way to say good-by to his mother and sister. He had been lucky in finding his father's high-powered automobile standing outside the palatial entrance of the towering Carbhoy Building. Nor had he the least scruple in commandeering it.

His visit to the east side of Central Park was in the nature of a whirlwind. He had no desire to be questioned, and he knew his young sister, Gracie, too well to give her a chance in that direction. Their friends were wont to say that, for one so young--she was only thirteen--she was all wit and intellect. He felt that that was because she was his father's daughter. For himself he was positive she was all precocity and impertinence. And he told himself he was quite unprejudiced.

As for his mother, she was one of those gentle Southern women who declare that no woman has the right to question the doings of the male members of her household, and, in spite of the luxury with which she was surrounded, and which she never failed to feel the burden of--she was originally a small farmer's daughter--still yearned for that homely meal of her youth, "supper"--a collation of coffee, cakes, preserves and cold meats.

The novel opens with a charged financial reckoning: James Carbhoy presents his son Gordon with a bill for one hundred thousand dollars spent on 'wine, women and gambling.' The dialogue that follows establishes a distinctive interplay of authority and affection, with the father's smiling challenge met by the son's humorous deflection. Cullum's narrative voice in this scene is brisk and ironic, relying on sharp exchanges and physical details—the father tearing a cigar with his teeth, the son reaching for a better cigar and being redirected to a cheaper one. This opening sets a pace that alternates between tense negotiation and wry observation, a rhythm that carries into later sections.

Dialogue as a Driver of Pace

The early chapters rely heavily on dialogue to advance the plot and reveal character. The exchange between James and Gordon Carbhoy moves quickly, with each line tightening the stakes. The father's demand for 'courage and manhood' is delivered with a smile, but the underlying pressure is unmistakable. Cullum uses interruptions—a cigar lit, a box pushed aside—to punctuate the conversation, creating a staccato rhythm that mirrors the financial tension. Later, when Gordon writes a letter home, the pace shifts: his voice becomes more expansive, philosophical, and self-deprecating. The letter's long paragraphs and digressions on 'discoveries' about women and human nature slow the narrative, offering a contrast to the clipped dialogue of the opening. This shift in pace is not merely stylistic; it signals Gordon's reflective state as he adapts to his new frontier surroundings.

The Letter as a Window on Voice

Gordon's letter to his mother is the most sustained example of his narrative voice outside dialogue. It is rambling, witty, and self-aware, mixing observations on human nature with personal updates. He describes his 'second discovery' with a cascade of emotions—'anger first, then pleasant moments, then disgust'—and frames it as a philosophical insight. The prose here is looser than the opening's tight exchanges, with sentences that wind through clauses and parentheses. Cullum gives Gordon a distinctive idiom: he speaks of 'the rust of good-natured ineptitude' and 'the wrong end of a telescope' to convey his growing sense of scale. The letter also introduces a recurring motif—the comparison of women to ideals—that echoes the novel's broader concerns with expectation and reality. This section demonstrates how Cullum uses epistolary form to vary narrative pace and deepen characterization.

Setting and the Rhythm of Frontier Life

The excerpts hint at a shift in setting from the financier's office to the frontier town of Snake's Fall. The chapter titles—'Gordon Lands at Snake's Fall,' 'Gordon Prospects Snake's Fall'—suggest a movement into a landscape where the narrative pace may change again. In the letter, Gordon alludes to 'extreme exertion and the general exercise of muscles,' implying a more physical, action-driven rhythm. Cullum's western stories typically balance dialogue-heavy scenes with descriptive passages of travel and labor. The railroad setting, indicated by the catalog subjects, likely introduces technical details and logistical challenges that slow the narrative for exposition. The contrast between the controlled pace of the opening negotiation and the open-ended possibilities of the frontier is a structural feature worth noting as the story unfolds.

Readers may find it useful to track how Cullum modulates pace across the novel's twenty-six chapters. The opening's rapid-fire dialogue gives way to the reflective letter, and later chapters may introduce action sequences or descriptive interludes. Pay attention to how the narrative voice shifts between Gordon's ironic self-awareness and his father's blunt authority. The frontier setting, with its physical demands and new characters, will likely alter the rhythm further. This novel rewards attention to its structural contrasts as much as its plot.

There’s something about fathers and sons, the quiet weight between them, that lingers after the last page. The Son of his Father carries that ache through letters and frontier dust alike. It reminded me of old evenings with Nights With Uncle Remus: Myths and Legends of the Old Plantation — Context and Discussion, where voices carry heritage and unspoken truths. Some stories don’t leave—they just wait for you to remember.

Avery Martin
2 weeks ago

Aria Brown
1 month ago

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