The Stones of Venice, Volume 1 (of 3) by John Ruskin

(7 User reviews)   2538
By Ashley Gutierrez Posted on Jan 2, 2026
In Category - Ecology
Ruskin, John, 1819-1900 Ruskin, John, 1819-1900
English
Okay, hear me out. This isn't just a dusty old book about architecture. John Ruskin's 'The Stones of Venice' is a detective story where the crime is the fall of an empire, and the clues are carved into every church and palace. He argues that Venice's soul isn't in its politics or paintings, but in the very stone it's built from. The way a mason carved a leaf in the 13th century, he says, tells you more about that society's health than any history book. The first volume sets up the mystery: how did a city that built such breathtaking beauty end up in decay? It's a wild, passionate argument that will make you look at every old building—and maybe our own world—completely differently.
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more to be said about us than that we walk the streets of Westminster. Big Ben too is nothing but steel rods consumed by rust were it not for the care of H. M.'s Office of Works. Only for Mrs Dalloway the moment was complete; for Mrs Dalloway June was fresh. A happy childhood--and it was not to his daughters only that Justin Parry had seemed a fine fellow (weak of course on the Bench); flowers at evening, smoke rising; the caw of rooks falling from ever so high, down down through the October air--there is nothing to take the place of childhood. A leaf of mint brings it back; or a cup with a blue ring. Poor little wretches, she sighed, and pressed forward. Oh, right under the horses' noses, you little demon! and there she was left on the kerb stretching her hand out, while Jimmy Dawes grinned on the further side. A charming woman, poised, eager, strangely white-haired for her pink cheeks, so Scope Purvis, C. B., saw her as he hurried to his office. She stiffened a little, waiting for Durtnall's van to pass. Big Ben struck the tenth; struck the eleventh stroke. The leaden circles dissolved in the air. Pride held her erect, inheriting, handing on, acquainted with discipline and with suffering. How people suffered, how they suffered, she thought, thinking of Mrs Foxcroft at the Embassy last night decked with jewels, eating her heart out, because that nice boy was dead, and now the old Manor House (Durtnall's van passed) must go to a cousin. "Good morning to you!" said Hugh Whitbread raising his hat rather extravagantly by the china shop, for they had known each other as children. "Where are you off to?" "I love walking in London" said Mrs Dalloway. "Really it's better than walking in the country!" "We've just come up" said Hugh Whitbread. "Unfortunately to see doctors." "Milly?" said Mrs Dalloway, instantly compassionate. "Out of sorts," said Hugh Whitbread. "That sort of thing. Dick all right?" "First rate!" said Clarissa. Of course, she thought, walking on, Milly is about my age--fifty--fifty-two. So it is probably _that_, Hugh's manner had said so, said it perfectly--dear old Hugh, thought Mrs Dalloway, remembering with amusement, with gratitude, with emotion, how shy, like a brother--one would rather die than speak to one's brother--Hugh had always been, when he was at Oxford, and came over, and perhaps one of them (drat the thing!) couldn't ride. How then could women sit in Parliament? How could they do things with men? For there is this extraordinarily deep instinct, something inside one; you can't get over it; it's no use trying; and men like Hugh respect it without our saying it, which is what one loves, thought Clarissa, in dear old Hugh. She had passed through the Admiralty Arch and saw at the end of the empty road with its thin trees Victoria's white mound, Victoria's billowing motherliness, amplitude and homeliness, always ridiculous, yet how sublime, thought Mrs Dalloway, remembering Kensington Gardens and the old lady in horn spectacles and being told by Nanny to stop dead still and bow to the Queen. The flag flew above the Palace. The King and Queen were back then. Dick had met her at lunch the other day--a thoroughly nice woman. It matters so much to the poor, thought Clarissa, and to the soldiers. A man in bronze stood heroically on a pedestal with a gun on her left hand side--the South African war. It matters, thought Mrs Dalloway walking towards Buckingham Palace. There it stood four-square, in the broad sunshine,...

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Let's get this out of the way: 'The Stones of Venice' is not a novel. There's no plot in the traditional sense. Instead, think of it as a grand, sweeping investigation. Ruskin takes us to Venice not as a tourist, but as a forensic examiner. His goal is to diagnose what made the Republic of Venice great and what ultimately caused its decline. He believes the answer is literally set in stone.

The Story

Volume 1 is all about laying the groundwork. Ruskin starts by explaining the very geology of the region—why certain stones were used and where they came from. This might sound dry, but for him, it's the first clue. He then dives into the architectural styles, primarily focusing on the Byzantine and Gothic periods. He walks us through the arches, pillars, and carvings of buildings like St. Mark's Basilica, showing how their design reflects the values of the society that built them: its faith, its community spirit, and its reverence for nature and craft.

Why You Should Read It

Ruskin writes with a fiery, almost preacher-like passion. He's not a detached scholar; he's a man on a mission to show us that beauty matters and that how we build things says everything about who we are. His love for the Gothic style isn't just aesthetic; it's moral. He sees in its imperfect, handcrafted details a society that valued the worker's joy and connection to God. Reading him, you start to see buildings as living records of human spirit, not just piles of rock.

Final Verdict

This is for the curious traveler, the history lover who wants to go deeper than dates and battles, or anyone who's ever felt a strange awe looking at an old cathedral and wondered why. It's demanding—Ruskin's sentences are famously long—but incredibly rewarding. If you're willing to take the journey with a brilliant, opinionated guide, you'll never look at a city, a building, or even the idea of 'good work' the same way again. Perfect for fans of deep-dive cultural analysis and stunning, persuasive prose.



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George Lewis
1 year ago

If you enjoy this genre, the character development leaves a lasting impact. This story will stay with me.

Aiden White
5 months ago

I had low expectations initially, however it challenges the reader's perspective in an intellectual way. Don't hesitate to start reading.

4.5
4.5 out of 5 (7 User reviews )

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