Baby Jane's Mission — Key Ideas to Explore
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This digital edition of Baby Jane's Mission — Key Ideas to Explore is described by source-level measurements including 27,960 words, 2 hr 2 min estimated reading time, and 5 detected text sections.
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Project Gutenberg metadata also associates the work with “Fantasy literature,” connecting these edition facts with the source record’s subject description.
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- Title & short description10 pts
- Source metadata20 pts
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Read the Text
She had anchored the end of her tail to a stout young palm tree 27
They came flying in pursuit 30
Up she went in hot pursuit of Baby Jane 40
The Rabbit racing behind, holding it by a string 44
Miss Crocodile's slender and flexible figure was shown to great advantage 45
Puffed out his cheeks 49
Whistling 'Lochaber No More' 64
She had to slap them herself 68
Sammy chucked it under the chin, as it were 69
Three draggled little creatures crawled out 72
It was a picturesque sight 74
Still the eagle rose 77
A string of 'sandwich-men' 79
Mary Carmichael had stopped short under the hoop 84
Mary descended in the lap of a cross old spinster bear 89
A little mocking measure 102
He fluttered a yard in the air 104
The Lion came thundering down the line 106
Two little smiling faces were regarding him 107
Straight for the enemy's country 110
Baby Jane danced round him with delight 112
She was almost too excited to stand still 113
Baby Jane slaps him cruelly at times 119
Kicked savagely at all who tried to seize her 122
She was hurried after the others 123
Patsey's artillery ... 131
... had come into action 132
They struck the Black Mountain army from behind 134
They met a baby leopard in their course 135
Mary and the stork 136
'May--I--have--the--pleasure?' 141
She tripped on to her chin 144
'Why, it's Markham!' 146
ADDRESSED SOLELY TO GROWN-UPS
Baby Jane is eight years old. She has grave grey eyes and straight, heavy, dull gold hair. She is very reserved, but those who have the honour of her friendship know her for a very fine lady with a tender heart and a loyal conscience. Because her conscience is sometimes obvious, and because she looks at you as if she were thinking of you rather gravely, some mean grown-up has said she was a prig. Perhaps she is--I have always honoured a prig.
She cannot see clever jokes--mine for instance--but laughs beautifully, so that all who hear laugh too, when perhaps Pat, the puppy, pretends to eat his big chum, Radical, the cat.
She is a friend of mine, and sometimes invites me to tea with her. On one such occasion, for lack of other talk, I told her of some of my adventures in Patagonia (where I have never been). She was deeply interested, but at some more than usually strange incident she grew red, and with much hesitation said, 'I'm sorry--it's rude to interrupt--but----'
She said nothing more, but I understood that she did not believe me. Now I did not answer in words, and expressed myself only in a deep and subtle look; but, after a long and serious gaze, a light shone in her intelligent eyes and she gave one of her lovely little laughs.
'We understand one another?' I asked.
She nodded smiling, pleased with herself and me for understanding one another so cleverly.
Soon afterwards she invited me to tea again, and greeted me eagerly over the bannisters when I arrived in her dominions, but she said nothing except in the way of courteous hospitality until tea was well begun. Then with a very rosy face she said:
'Shall I tell you some of my adventures this time?' I was charmed with the idea, and privately proud, for it proved what real friends we were that she should so confide in me.
What follows is my free version of her account, which I can only hope is not quite spoiled in the re-telling.
Ever since she had been a baby--a good long while, for she was more than eight years old--it had always troubled the heart of Baby Jane to hear, and later on to read, how rough and rude and wretched the wild beasts and niggers of the African desert were.
The black children _always_ came down to breakfast without their pinafores on, and ate with their fingers, and never washed--though, perhaps, that did not matter, as they had to be black anyhow--and were altogether naughty and, therefore, very miserable.
And the wild beasts did nothing but kill and eat until the sand was strewn with poor white bones that had once belonged to little bounding gazelles, and missionaries, and gentle, spotted giraffes, and monkeys. At night the big ones had no cosy stables, and the little ones no basket with a rug in it; so they wandered about in the cold woods and roared and went on eating things.
And all this unhappiness was because there was no one to teach them and look after them. Poor creatures! If only they knew of all the fun there was to be had--dancing and games and the rest--they would no longer spend their time so miserably.
And this was why Baby Jane came to Africa.
Stories of mere travels are often very dull, so I will not bother you with the long account of how she got there.
Now, dancing was the amusement that Baby Jane thought pleasantest; so upon the stem of a shady palm beside a gurgling stream that ran through the middle of the wide, white desert, she stuck up a notice:
_Dancing Lessons Given. Nobody need Pay Anything._
And then sat down to wait for pupils.
By and bye a big brown Bear, holding a green-lined umbrella over him and smoking a great drooping German pipe, came strolling along. He saw the notice board and stared at it a long time as if he were reading, then he turned towards Baby Jane and stood there smiling in a friendly, but rather silly way.
She thought he was considering how he should ask about the dancing lessons, but he only said, with an air of joyful pride--
'What do you think of my pipe and my umbrella?'
'Where did you get them?' asked Baby Jane, fixing her round grey eyes severely upon him.
The Bear looked up at the sky and began whistling, pretending not to hear, but his ears grew very red.
'Where did you get them?' asked Baby Jane again.
Then the Bear gave up his pretence of deafness and blurted out his excuses.
'Well, he _would_ talk German, and you cannot believe how fat he was!'
'But even then you should not have eaten him,' said Baby Jane, guessing the part of the story that he had left untold.
The Bear looked very crestfallen, and tender-hearted Baby Jane felt so sorry to have had to spoil his pleasure, that she changed the subject altogether.
'Shall I teach you how to dance?' she said sweetly. 'It's great fun.'
The Bear was quite delighted with the idea, and wanted to begin at once, but Baby Jane said she would collect a little class before she began.
'Come along!' said the Bear excitedly; 'I know some more. Jump on my back!'
And off he set. Every now and then he would give a funny little clumsy hop and ask her, 'Is that how you dance?' as if he were thinking of the coming pleasure all the time.
During one of these quaint little capers he stumbled heavily.
'Drat that Rabbit!' he said. 'He's always digging his nasty holes all over the place.'
From another hole a yard or two away, up popped a little fluffy head, and a squeaky voice said--
'Drat that Bear! He's always dropping his clumsy paws down my area.'
By a swift dart, the Bear knocked the Rabbit out of his hole and fixed him on the sand under his great paw.
'Looks as if I was going to be eaten,' said the Rabbit, trying to speak cheerfully, though his pretty black eyes were very moist. 'It's rather a bad day for being eaten--so sunny and fresh, and all the young shoots are just sprouting now, and I was just going out with Fluffie'; and he buried his little nose in the sand.
'If you did happen to want to let me go this once,' he said, in a muffled, jerky voice, 'I wouldn't be saucy any more. But it doesn't matter.'
'Eaten?' cried Baby Jane, choking with tears; and she slid over the Bear's shoulder into a heap upon the ground beside the imprisoned Rabbit, and struggled to force her little slim fingers between it and the great paw, and she succeeded. Perhaps the Bear was ashamed, and allowed it.
Then she hugged the rescued one close in her arms, with his fluffy head between her little motherly shoulder and neck, and, sobbing, rocked to and fro, making his drab fur quite draggled with her tear-drops.
'And he shall learn to dance--so he shall, the dear,' said Baby Jane when her sobs had died away into an occasional sniff, and her mind had turned to more cheerful ideas.
'Such a fuss about a Rabbit,' said the Bear under his breath. 'Why, I eat rabbits spread on my bread-and-butter like shrimps.'
Then, in a louder voice, he said sulkily--'Here comes the Lion: he looks as if he wanted to learn to dance.'
As a matter of fact, the Lion looked very cross.
'Mornin'!' said the Bear genially as he approached. 'We were just coming to teach you which hand to use when you say, "Howdy-doo," and how to play "Here we go Round the Mulberry Bush," and how to dance "Sir Roger de Coverley."'
The Lion could not speak for rage, but sharpened his claws once or twice on the sand and then charged.
It was a terrible struggle. The great beasts clutched one another round the waist and wrestled furiously. The Lion made frantic attempts to twist his leg between the Bear's two and so overthrow him, but the Bear was as firm as a rock.
Then the Lion let go, and, retreating for about thirty yards, flung himself from that distance at his enemy.
If he had been struck, the Bear must have been knocked headlong; but he stooped, and the Lion passed over him and fell upon his back some twenty yards farther on. Before he could get up, the Bear was upon him.
'Oh, you will suffocate him!' cried Baby Jane, and, indeed, it seemed likely, for all of the Lion that was not covered by the Bear was seen to be in violent motion.
But instead of showing any sympathy for his fallen foe, the Bear hit him a sounding thump on the ribs.
'He's trying to bite,' he explained. 'I'll let him up when he says he'll learn to dance.'
'Get off my head,' said the Lion in smothered tones.
'Oh, Lion, say you will!' pleaded Baby Jane. 'Get off my head,' said the Lion.
'Do as the young lady tells you,' said the Bear.
'I will promise for him, Bear,' cried Baby Jane in despair.
'Oh, all right,' said the Bear, and he arose.
The Lion got up, looking very crushed and humble. He came crawling to Baby Jane, and said--
'You saved me from being smothered, for I could never have obeyed that Bear; but I _will_ learn to dance if _you_ wish it.'
'That's right,' said Baby Jane briskly. 'Now we only want two more to make a big enough class.'
'I know of another,' said the Bear, following Baby Jane's cheerful lead, and off he set for a distant bend of the little river.
Very soon, with an amiable-looking lady Crocodile on his arm, he came pacing back.
Although the lady Crocodile looked amiable, she seemed rather stupid, and would answer no questions, but only smiled. Baby Jane noticed that she seemed to have something on her mind--or in her mouth--and so it proved, for when the Bear whispered something funny in her ear and made her laugh out loud, a little nigger boy dropped out of her mouth.
Baby Jane was horrified, but still the little nigger was safe, now, and to make a fuss would break up the whole party; so she said calmly--
'That makes six; now we can begin.'
For a class-room she chose a smooth patch of sand with no stones on it.
'Sit down in a row,' she said; 'the Bear and I will first show you a few steps of the Gavotte.'
While she was doing up her hair into a knot--an arrangement that she considered indispensable for that dance--the Bear stood brushing his beautiful fur and preening himself like a clumsy canary, and then shambled up looking very nervous. The others sat down awkwardly beside one another, trying to be at their ease, but they were the oddest row of creatures that ever sat down together, and not very likely to be friendly. However, the Piccaninny and the Rabbit soon began a firm friendship by playfully jogging one another over.
'Now!' said Baby Jane to the Bear, rather sternly, to cover the uncertainty she herself felt in teaching the Gavotte. 'Take my hand. One--two--three!'
'Oh, please, please stop,' said the Bear, 'I have got my legs so mixed. Which is my right foot?'
And, indeed, you could hardly imagine how those short legs could have got in such a muddle.
'Please tread on those toes,' he asked Baby Jane. 'No--those over here, and then I shall know by the feel which is which.'
Baby Jane trod lightly.
'Left!' shouted the Bear. 'That is just as I thought!'
But, even having found out which was which, it took a little time and the use of a palm branch as a lever to unmix them.
After this the Bear did much better, and, indeed, put on quite a dainty powder-and-brocade air.
All this while the others were turning slowly from a state of wondering admiration to fidgetiness, and the Rabbit and the Piccaninny were beginning to grow rough; so Baby Jane thought of something that everybody would like.
'Now,' said she, 'I will teach you an easy Highland Schottische step.'
It was simply astounding--the way those creatures picked it up. As for the Lion, for whom she made a little kilt and sporran of palm leaves to make him more real, you could not believe how like a true Scot he looked, and how Scottishly he bounded in the air and snapped his fingers and yapped--you would hear no wilder yap in the Highlands.
Of course the Bear had a mishap. It was through treading on the Crocodile's tail that he came down on a poor little Porcupine who had crept out from a neighbouring cactus thicket and was dancing a little fling all by himself. However, the Porcupine was not really hurt except that he came out quite smooth--all his bristles having stuck in the Bear. But, apart from this, everybody enjoyed it immensely. To be sure, they had to sing the tune themselves, but that added to the fun.
'There's something else just as nice!' cried Baby Jane when they had stopped, breathless, but eager for more. Then, with the Lion, she led off in the Washington Post.
Speak not of dancing in a room. What room is large enough when the romping begins? What you want is a good large desert. That is what Baby Jane and her pupils had, and it was grand. The Lion bounced so high that Baby Jane was swung about like a leaf on a bough on a windy day, and had nothing to do but waggle her toes in the air.
Afterwards, all rather tired, the creatures came and Baby Jane arranged them round her, the Lion and the Bear on each side with her arms round their necks, the Piccaninny and the Rabbit at her feet with their little heads on her knees, and the Crocodile round the whole party like a rampart.
'Isn't that better than being cruel, dears, and going about roaring and fighting?' asked Baby Jane.
'Lots!' said the Lion, and the others all grunted approval.
And Baby Jane went to sleep in the midst of her pupils very proud and happy, for she knew now that her plan would really work, and had found what dears wild beasts were when you only knew them.
Baby Jane was slowly waking up, with the gentle morning sun shining on her face.
'What is this silky, furry thing under my head?' she murmured to herself. And then it all came back to her.
'Oh yes, of course,' said she. 'I've come out to the African Desert to teach the poor dear creatures nice things to do, instead of fighting and howling and killing one another. And I've been asleep with my head upon my dear, naughty old Bear, with all my animals and the Piccaninny round me. And yesterday I gave them a dancing lesson.
'There now, dears,' she said, sitting up and nodding wisely at the gently snoring circle, 'wasn't it nicer to sleep properly through the night by me, after being tired out with playing, than to wander and howl and be wicked in the dreadful woods and the lonely desert?'
Her little speech waked them, and they sat up and rubbed their eyes and smiled sleepily at her.
'Now,' said Baby Jane briskly, 'we'll go and wash our faces in the river.'
Her pupils, except the Crocodile, who tried to look as if she were very brave in obeying, all made excuses, but Baby Jane was firm, and there was soon a great spluttering and screwing up of eyes, and they became very lank and dank and shiny.
Then came breakfast under a spreading palm--a fine breakfast. There was bread-fruit--which always grows ready toasted in this part of the world because of the heat of the sun--and butter-nuts and cocoa-nuts with fresh milk in them; and any one who knew more of these wonderful African plants would probably tell you of the shrimp shrubs, and of the whiting-fried-in-egg-and-breadcrumbs-with-their-tails-in-their-mouths bushes.
'Do you know,' said Baby Jane confidentially when they had finished, 'it _is_ nice that I'm going to teach you something that is great fun this sunshiny morning, instead of being taught myself in a stuffy school-room--and perhaps put in the corner.'
At this point she grew red, and looked round to see if they looked shocked, but they were all grinning affectionately. A great reformer loses nothing by little admissions like this.
'Come along, now,' said she; 'I'll teach you some games on this smooth patch.'
The animals and the Piccaninny all frisked around in high excitement.
'First we'll play blindfold "Cat and Mouse,"' said Baby Jane, after a moment's thought. 'Lion, you are "mouse," and, Rabbit, you are "cat." Now I want two handkerchiefs.'
The Bear retired and came back with a large spotted handkerchief. This time Baby Jane did not ask how he got it--she only sighed.
It was old, so they tore it in half, and, having blindfolded the Lion and the Rabbit, they spun them round three times and then kept very quiet to watch the fun.
The Lion was dreadfully nervous at first and crept about on tiptoe, and listened quaking to the sound of the Rabbit as he scuffled around snorting fiercely and making savage grabs at the air. Once they bumped their heads together, but, with an ear-splitting yell of terror, the Lion bounded away before the Rabbit could grip him.
By-and-bye the Rabbit, having run up against Baby Jane, whispered to her, 'I reckon he's gone up a tree; I'll go after him.'
Then he felt about till he came to the stem of a palm, and up he went, hand-over-hand.
In a little while the Lion, who was still tiptoeing about on the ground, also ran up against Baby Jane, and said in a quavering whisper, 'I reckon it's not safe down here; I'm going up a tree.' And he felt about till he came to the very tree up which the Rabbit, or, I should say, the 'cat,' had just climbed, and up he went.
The Rabbit had reached the top, and was meditating on the ease with which we deceive ourselves, when he heard a scratching sound below him, and pricked up his ears. Nearer and nearer came the sound.
'Sure enough,' said he, 'it's that "mouse" coming up after me,' and with a triumphant squeak--'Caught!'--he let go with his four little paws, and down he dropped plump on the Lion's head.
The Lion shrieked aloud with terror and dismay, and fell heavily to the ground; and there he lay with the Rabbit sitting smiling on top of him.
Then the others tried their hands at being 'cat' and 'mouse,' until the whole party was weak with laughing.
Reginald Parnell's Baby Jane's Mission (1902) opens with a dancing class and quickly moves into a series of episodic adventures that blend domestic mischief with wild fantasy. The narrative structure relies on rapid scene shifts—from a circus ring to an enemy camp—often linked by pursuit or performance. Recurring images of animals in human roles (a bear whistling, a crocodile as a circus queen) and children in animal guise (spotted like a leopard) create a topsy-turvy world where identity is fluid. The author, who also illustrated the book, uses physical comedy and rhythmic prose to propel the story forward.
Circus as Battleground
The circus sequence (chapters 6–7) is the book's structural centerpiece, where performance and conflict merge. Animals and children alike are forced into roles: Miss Crocodile becomes the Queen of the Ring, Mary Carmichael is spotted like a leopard and made to canter in tears. The ring becomes a space for rebellion—Mary stops short under the hoop, causing Miss Crocodile to fall on her chin. Later, a mock race with a two-person pony (Piccaninny and Patsey under a rug) collapses into a “fearful battle.” The circus audience reacts with panic when Baby Jane and her friends attack the lion tamer, only to be reassured by a handshake. Parnell uses the circus to explore power reversals: the tame become savage, the performers become audience, and the ringmaster's authority dissolves into chaos.
Recurring Motifs: Dancing and Transformation
Dancing appears as both a literal activity and a metaphor for movement throughout the book. The opening chapter is a dancing class; later, Baby Jane “danced round him with delight” during a confrontation. The illustrations list includes “The Washington Post” (a dance) and “a little mocking measure.” Transformation is equally persistent: children are painted as leopards, a rabbit rides a composite pony, and characters shift between human and animal traits. The lion, initially a fearsome “Baby Tamer,” is reduced to rubbing himself ruefully after being subdued. These transformations are often incomplete or temporary, emphasizing the playful instability of the world Parnell creates. The text's rhythm—short sentences, exclamations, and onomatopoeia—mirrors the bouncing, unpredictable movement of the characters.
Movement Between Scenes: Pursuit and Escape
The narrative is driven by physical movement: characters are constantly chasing, fleeing, or being transported. The frontispiece caption “Up she went in hot pursuit of Baby Jane” sets the tone. Later, “they came flying in pursuit” and “straight for the enemy's country” mark transitions. The structure relies on abrupt scene changes—from circus to dinner interval to rescue mission—linked by characters in motion. The rescue sequence (chapters 8–10) involves a march into enemy territory, with “Patsey's artillery” coming into action. The setting shifts from the circus arena to open country, then to a battle. This restless movement prevents any single location from dominating, keeping the focus on action rather than place. The illustrations reinforce this: many show characters mid-leap, falling, or racing.
Voice and Humor: Understatement and Physical Comedy
Parnell's narrative voice is marked by dry understatement and a fondness for physical comedy. When the lion falls flat on his back, the text notes: “It was a fearful scene and caused a panic.” The humor often arises from mismatched expectations: a bear whistling “Lochaber No More,” a crocodile looking “winsome with her little legs crossed.” Dialogue is sparse but pointed—the rabbit’s “The silly little cuckoos!” after the pony collapses. The author also includes asides to the reader, such as the “Introduction—Addressed solely to Grown-ups.” The comedy is gentle but not saccharine; characters endure slaps, falls, and humiliation without lasting harm. This tone, combined with the rhythmic prose and absurd situations, creates a distinctive voice that balances mischief with affection for its young protagonist.
Readers approaching Baby Jane's Mission should expect a loosely connected series of adventures rather than a tightly plotted novel. The book rewards attention to its recurring images—dancing, transformation, pursuit—and its playful subversion of authority. Parnell's own illustrations, listed in the contents, offer visual cues to the story's rhythm. The work is best enjoyed as a fast-paced, episodic fantasy where logic yields to the pleasures of movement and mischief.
Reading about Baby Jane’s dancing animals, I remembered my own childhood circus, a cardboard ring where my dog wore a party hat. That same gentle absurdity came back years later when I found The Son of his Father — Text and Context, whose quieter mischief felt like an old friend. Transformation isn’t always magic; sometimes it’s just remembering how we played.
Aria Anderson
3 weeks ago-
Shawn Blackburn - 1 week ago
I found Baby Jane's Mission to be too simplistic and predictable. The character development is minimal and the obstacles Jane faces are resolved too conveniently. The story lacks the depth and creativity that would make it stand out in children's literature. An average attempt that could have been more engaging. -
Patricia Joshua Montoya - 1 week ago
Baby Jane's Mission is a charming story with an adventurous spirit. The writing is accessible for younger readers and the plot is easy to follow. However, the lessons are a bit heavy-handed, and the ending wraps up too neatly. Still, it's a positive and encouraging read for kids. -
Colleen Cooper - 1 week ago
Baby Jane's Mission is an absolutely delightful children's book that combines humor, heart, and adventure. The protagonist is endearing and her mission is both ambitious and touching. The illustrations (if any) or descriptive writing bring the story to life. My kids loved it, and I found it equally entertaining. A wonderful read for young audiences.
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Anthony White
2 weeks ago