The Works of Robert Louis Stevenson - Swanston Edition, Vol. 10 — Edition Insights

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Stevenson, Robert Louis, 1850-1894, Lang, Andrew, 1844-1912 [Other] Project Gutenberg 2010
Historical fiction; Scotland -- History -- 18th century -- Fiction; Christmas stories; Adventure and adventurers -- Fiction; Kidnapping -- Fiction Readers of public-domain and historical texts
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Words 109,136
Reading time 475 min
Text sections 11

This digital edition of The Works of Robert Louis Stevenson - Swanston Edition, Vol. 10 — Edition Insights is described by source-level measurements including 109,136 words, 7 hr 55 min estimated reading time, and 11 detected text sections.

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Project Gutenberg metadata also associates the work with “Historical fiction,” connecting these edition facts with the source record’s subject description.

This volume pairs Stevenson's comic novella 'The Misadventures of John Nicholson' with the historical adventure 'Kidnapped', showcasing his range from farcical social satire to tense Highland pursuit, with close attention to dialogue, voice, and descriptive economy.
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John was nearly nineteen when he was one day dismissed rather earlier than usual from his father's office, where he was studying the practice of the law. It was Saturday; and except that he had a matter of four hundred pounds in his pocket, which it was his duty to hand over to the British Linen Company's Bank, he had the whole afternoon at his disposal. He went by Princes Street enjoying the mild sunshine, and the little thrill of easterly wind that tossed the flags along that terrace of palaces, and tumbled the green trees in the garden. The band was playing down in the valley under the Castle; and when it came to the turn of the pipers, he heard their wild sounds with a stirring of the blood. Something distantly martial woke in him; and he thought of Miss Mackenzie, the daughter of a retired captain of Highlanders, whom he was to meet that day at dinner in his father's house.

Now, it is undeniable that he should have gone directly to the bank; but right in the way stood the billiard-room of the hotel where Alan was almost certain to be found; and the temptation proved too strong. He entered the billiard-room, and was instantly greeted by his friend, cue in hand.

"Nicholson," said he, "I want you to lend me a pound or two till Monday."

"You've come to the right shop, haven't you?" returned John. "I have twopence."

"Nonsense," said Alan. "You can get some. Go and borrow at your tailor's; they all do it. Or I'll tell you what: pop your watch."

"O yes, I daresay," said John. "And how about my father?"

"How is he to know? He doesn't wind it up for you at night, does he?" inquired Alan, at which John guffawed. "No, seriously; I am in a fix," continued the tempter. "I have lost some money to a man here. I'll give it you to-night, and you can get the heirloom out again on Monday. Come; it's a small service, after all. I would do a good deal more for you."

Whereupon John went forth, and pawned his gold watch under the assumed name of John Froggs, 85 Pleasance. But the nervousness that assailed him at the door of that inglorious haunt, a pawnshop, and the effort necessary to invent the pseudonym (which somehow seemed to him a necessary part of the procedure), had taken more time than he imagined; and when he returned to the billiard-room with the spoils, the bank had already closed its doors.

This was a shrewd knock. "A piece of business had been neglected." He heard these words in his father's trenchant voice, and trembled, and then dodged the thought. After all, who was to know? He must carry four hundred pounds about with him till Monday, when the neglect could be surreptitiously repaired; and meanwhile, he was free to pass the afternoon on the encircling divan of the billiard-room, smoking his pipe, sipping a pint of ale, and enjoying to the mast-head the modest pleasures of admiration.

None can admire like a young man. Of all youth's passions and pleasures, this is the most common and least alloyed; and every flash of Alan's black eyes; every aspect of his curly head; every graceful reach and easy, stand-off attitude of waiting; everything about him down even to his shirt-sleeves and wrist-links, were seen by John through a luxurious glory. He valued himself by the possession of that royal friend, hugged himself upon the thought, and swam in warm azure; his own defects, like vanquished difficulties, becoming things on which to plume himself. Only when he thought of Miss Mackenzie there fell upon his mind a shadow of regret; that young lady was worthy of better things than plain John Nicholson, still known among schoolmates by the derisive name of "Fatty"; and he felt that if he could chalk a cue, or stand at ease, with such a careless grace as Alan, he could approach the object of his sentiments with a less crushing sense of inferiority.

Before they parted, Alan made a proposal that was startling in the extreme. He would be at Collette's that night about twelve, he said. Why should not John come there and get the money? To go to Collette's was to see life indeed; it was wrong; it was against the laws; it partook, in a very dingy manner, of adventure. Were it known, it was the sort of exploit that disconsidered a young man for good with the more serious classes, but gave him a standing with the riotous. And yet Collette's was not a hell; it could not come, without vaulting hyperbole, under the description of a gilded saloon; and if it was a sin to go there, the sin was merely local and municipal. Collette was simply an unlicensed publican, who gave suppers after eleven at night, the Edinburgh hour of closing. If you belonged to a club, you could get a much better supper at the same hour, and lose not a jot in public esteem. But if you lacked that qualification, and were an-hungered, or inclined towards conviviality at unlawful hours, Collette's was your only port. You were very ill supplied. The company was not recruited from the Senate or the Church, though the Bar was very well represented on the only occasion on which I flew in the face of my country's laws, and, taking my reputation in my hand, penetrated into that grim supper-house. And Collette's frequenters, thrillingly conscious of wrong-doing and "that two-handed engine (the policeman) at the door," were perhaps inclined to somewhat feverish excess. But the place was in no sense a very bad one; and it is somewhat strange to me, at this distance of time, how it had acquired its dangerous repute.

In precisely the same spirit as a man may debate a project to ascend the Matterhorn or to cross Africa, John considered Alan's proposal, and, greatly daring, accepted it. As he walked home, the thoughts of this excursion out of the safe places of life into the wild and arduous, stirred and struggled in his imagination with the image of Flora Mackenzie--incongruous and yet kindred thoughts, for did not each imply unusual tightening of the pegs of resolution? did not each woo him forth and warn him back again into himself?

Between these two considerations, at least, he was more than usually moved; and when he got to Randolph Crescent, he quite forgot the four hundred pounds in the inner pocket of his greatcoat, hung up the coat, with its rich freight, upon his particular pin of the hat-stand; and in the very action sealed his doom.

IN WHICH JOHN REAPS THE WHIRLWIND

About half-past ten it was John's brave good fortune to offer his arm to Miss Mackenzie, and escort her home. The night was chill and starry; all the way eastward the trees of the different gardens rustled and looked black. Up the stone gully of Leith Walk, when they came to cross it, the breeze made a rush and set the flames of the street-lamps quavering; and when at last they mounted to the Royal Terrace, where Captain Mackenzie lived, a great salt freshness came in their faces from the sea. These phases of the walk remained written on John's memory, each emphasised by the touch of that light hand on his arm; and behind all these aspects of the nocturnal city he saw, in his mind's eye, a picture of the lighted drawing-room at home where he had sat talking with Flora; and his father, from the other end, had looked on with a kind and ironical smile. John had read the significance of that smile, which might have escaped a stranger. Mr. Nicholson had remarked his son's entanglement with satisfaction, tinged by humour; and his smile, if it still was a thought contemptuous, had implied consent.

At the captain's door the girl held out her hand with a certain emphasis; and John took it and kept it a little longer, and said, "Good-night, Flora, dear," and was instantly thrown into much fear by his presumption. But she only laughed, ran up the steps, and rang the bell; and while she was waiting for the door to open, kept close in the porch, and talked to him from that point as out of a fortification. She had a knitted shawl over her head; her blue Highland eyes took the light from the neighbouring street-lamp and sparkled; and when the door opened and closed upon her, John felt cruelly alone.

He proceeded slowly back along the terrace in a tender glow; and when he came to Greenside Church, he halted in a doubtful mind. Over the crown of the Calton Hill, to his left, lay the way to Collette's, where Alan would soon be looking for his arrival, and where he would now have no more consented to go than he would have wilfully wallowed in a bog; the touch of the girl's hand on his sleeve, and the kindly light in his father's eyes, both loudly forbidding. But right before him was the way home, which pointed only to bed, a place of little ease for one whose fancy was strung to the lyrical pitch, and whose not very ardent heart was just then tumultuously moved. The hill-top, the cool air of the night, the company of the great monuments, the sight of the city under his feet, with its hills and valleys and crossing files of lamps, drew him by all he had of the poetic, and he turned that way; and by that quite innocent deflection ripened the crop of his venial errors for the sickle of destiny.

On a seat on the hill above Greenside he sat for perhaps half an hour, looking down upon the lamps of Edinburgh, and up at the lamps of heaven. Wonderful were the resolves he formed; beautiful and kindly were the vistas of future life that sped before him. He uttered to himself the name of Flora in so many touching and dramatic keys that he became at length fairly melted with tenderness, and could have sung aloud. At that juncture a certain creasing in his greatcoat caught his ear. He put his hand into the pocket, pulled forth the envelope that held the money, and sat stupefied. The Calton Hill, about this period, had an ill name of nights; and to be sitting there with four hundred pounds that did not belong to him was hardly wise. He looked up. There was a man in a very bad hat, a little on one side of him, apparently looking at the scenery; from a little on the other a second night-walker was drawing very quietly near. Up jumped John. The envelope fell from his hands; he stooped to get it, and at the same moment both men ran in and closed with him.

A little after, he got to his feet very sore and shaken, the poorer by a purse which contained exactly one penny postage-stamp, by a cambric handkerchief, and by the all-important envelope.

Here was a young man on whom, at the highest point of loverly exaltation, there had fallen a blow too sharp to be supported alone; and not many hundred yards away his greatest friend was sitting at supper--ay, and even expecting him. Was it not in the nature of man that he should run there? He went in quest of sympathy--in quest of that droll article that we all suppose ourselves to want when in a strait, and have agreed to call advice; and he went, besides, with vague but rather splendid expectations of relief. Alan was rich, or would be so when he came of age. By a stroke of the pen he might remedy this misfortune, and avert that dreaded interview with Mr. Nicholson, from which John now shrank in imagination as the hand draws back from fire.

Close under the Calton Hill there runs a certain narrow avenue, part street, part by-road. The head of it faces the doors of the prison; its tail descends into the sunless slums of the Low Calton. On one hand it is overhung by the crags of the hill, on the other by an old graveyard. Between these two the roadway runs in a trench, sparsely lighted at night, sparsely frequented by day, and bordered, when it has cleared the place of tombs, by dingy and ambiguous houses. One of these was the house of Collette; and at his door our ill-starred John was presently beating for admittance. In an evil hour he satisfied the jealous inquiries of the contraband hotel-keeper; in an evil hour he penetrated into the somewhat unsavoury interior. Alan, to be sure, was there, seated in a room lit by noisy gas-jets, beside a dirty table-cloth, engaged on a coarse meal, and in the company of several tipsy members of the junior Bar. But Alan was not sober; he had lost a thousand pounds upon a horse-race, had received the news at dinner-time, and was now, in default of any possible means of extrication, drowning the memory of his predicament. He to help John! The thing was impossible; he couldn't help himself.

"If you have a beast of a father," said he, "I can tell you I have a brute of a trustee."

"I'm not going to hear my father called a beast," said John, with a beating heart, feeling that he risked the last sound rivet of the chain that bound him to life.

But Alan was quite good-natured.

"All right, old fellow," said he. "Mos' respec'able man your father." And he introduced his friend to his companions as "old Nicholson the what-d'ye-call-um's son."

John sat in dumb agony. Collette's foul walls and spotted table-linen, everything even down to Collette's villainous casters, seemed like objects in a nightmare. And just then there came a knock and a scurrying: the police, so lamentably absent from the Calton Hill, appeared upon the scene; and the party, taken _flagrante delicto_, with their glasses at their elbow, were seized, marched up to the police office, and all duly summoned to appear as witnesses in the consequent case against that arch-shebeener, Collette.

It was a sorrowful and a mightily sobered company that came forth again. The vague terror of public opinion weighed generally on them all; but there were private and particular horrors on the minds of individuals. Alan stood in dread of his trustee, already sorely tried. One of the group was the son of a country minister, another of a judge; John, the unhappiest of all, had David Nicholson to father, the idea of facing whom on such a scandalous subject was physically sickening. They stood a while consulting under the buttresses of St. Giles'; thence they adjourned to the lodgings of one of the number in North Castle Street, where (for that matter) they might have had quite as good a supper, and far better drink, than in the dangerous paradise from which they had been routed. There, over an almost tearful glass, they debated their position. Each explained that he had the world to lose if the affair went on, and he appeared as a witness. It was remarkable what bright prospects were just then in the very act of opening before each of that little company of youths, and what pious consideration for the feelings of their families began now to well from them. Each, moreover, was in an odd state of destitution. Not one could bear his share of the fine; not one but evinced a wonderful twinkle of hope that each of the others (in succession) was the very man who could step in to make good the deficit. One took a high hand: he could not pay his share; if it went to a trial, he should bolt; he had always felt the English Bar to be his true sphere. Another branched out into touching details about his family, to which no one listened. John, in the midst of this disorderly competition of poverty and meanness, sat stunned, contemplating the mountain bulk of his misfortunes.

At last, upon a pledge that each should apply to his family with a common frankness, this convention of unhappy young asses broke up, went down the common stair, and in the grey of the spring morning, with the streets lying dead empty all about them, the lamps burning on into the daylight in diminished lustre, and the birds beginning to sound premonitory notes from the groves of the town gardens, went each his own way with bowed head and echoing footfall.

The rooks were awake in Randolph Crescent; but the windows looked down, discreetly blinded, on the return of the prodigal. John's pass-key was a recent privilege; this was the first time it had been used; and, O! with what a sickening sense of his unworthiness he now inserted it into the well-oiled lock and entered that citadel of the proprieties! All slept; the gas in the hall had been left faintly burning to light his return; a dreadful stillness reigned, broken by the deep ticking of the eight-day clock. He put the gas out, and sat on a chair in the hall, waiting and counting the minutes, longing for any human countenance. But when at last he heard the alarm-clock spring its rattle in the lower story, and the servants begin to be about, he instantly lost heart, and fled to his own room, where he threw himself upon the bed.

IN WHICH JOHN ENJOYS THE HARVEST HOME

Shortly after breakfast, at which he assisted with a highly tragical countenance, John sought his father where he used to sit, presumably in religious meditation, on the Sabbath mornings. The old gentleman looked up with that sour inquisitive expression that came so near to smiling and was so different in effect.

"This is a time when I do not like to be disturbed," he said.

"I know that," returned John; "but I have--I want--I've made a dreadful mess of it," he broke out, and turned to the window.

Mr. Nicholson sat silent for an appreciable time while his unhappy son surveyed the poles in the back green, and a certain yellow cat that was perched upon the wall. Despair sat upon John as he gazed: and he raged to think of the dreadful series of his misdeeds, and the essential innocence that lay behind them.

"Well," said the father, with an obvious effort, but in very quiet tones, "what is it?"

"Maclean gave me four hundred pounds to put in the bank, sir," began John; "and I'm sorry to say that I've been robbed of it!"

"Robbed of it?" cried Mr. Nicholson, with a strong rising inflection. "Robbed? Be careful what you say, John!"

"I can't say anything else, sir; I was just robbed of it," said John, in desperation, sullenly.

"And where and when did this extraordinary event take place?" inquired the father.

"On the Calton Hill about twelve last night."

"The Calton Hill?" repeated Mr. Nicholson. "And what were you doing there at such a time of the night?"

"Nothing, sir," says John.

Mr. Nicholson drew in his breath.

"And how came the money in your hands at twelve last night?" he asked sharply.

"I neglected that piece of business," said John, anticipating comment; and then in his own dialect: "I clean forgot all about it."

"Well," said his father, "it's a most extraordinary story. Have you communicated with the police?"

"I have," answered poor John, the blood leaping to his face. "They think they know the men that did it. I daresay the money will be recovered, if that was all," said he, with a desperate indifference, which his father set down to levity; but which sprang from the consciousness of worse behind.

"Your mother's watch, too?" asked Mr. Nicholson.

"O, the watch is all right!" cried John. "At least, I mean I was coming to the watch--the fact is, I am ashamed to say, I--I had pawned the watch before. Here is the ticket; they didn't find that; the watch can be redeemed; they don't sell pledges." The lad panted out these phrases, one after another, like minute-guns; but at the last word, which rang in that stately chamber like an oath, his heart failed him utterly; and the dreaded silence settled on father and son.

It was broken by Mr. Nicholson picking up the pawn-ticket: "John Froggs, 85 Pleasance," he read; and then turning upon John, with a brief flash of passion and disgust, "Who is John Froggs?" he cried.

"Nobody," said John. "It was just a name."

"An _alias_," his father commented.

"O! I think scarcely quite that," said the culprit; "it's a form, they all do it, the man seemed to understand; we had a great deal of fun over the name----"

Stevenson opens 'The Misadventures of John Nicholson' with a blunt verdict: 'John Varey Nicholson was stupid; yet stupider men than he are now sprawling in Parliament.' The narrator’s sardonic tone, mixing mock-heroic gravity with a shrug at fate, sets the comic register. In contrast, 'Kidnapped' begins with a plain, first-person statement—'I set off upon my Journey to the House of Shaws'—that immediately grounds the reader in David Balfour’s practical, earnest voice. Across both works, Stevenson calibrates diction to character: John’s misfortunes are narrated with detached irony, while David’s perils are rendered through his own observant, slightly formal Scots. The volume thus offers a study in how authorial choice of narrative voice shapes the reader’s distance from or intimacy with the protagonist.

Comic Distance and the Unreliable Narrator

In 'The Misadventures of John Nicholson', the narrator never fully inhabits John’s perspective. John is described as 'stupid' and 'of a fat habit', and his cheerful reading of life is presented as the cause of his troubles—yet the narrator also hints at supernatural forces ('detested of the gods'). This double explanation (philosophy versus superstition) keeps the reader at a critical distance, amused rather than sympathetic. The narrator’s voice is worldly, even cynical, as when he notes that stupider men sit in Parliament. Stevenson uses this ironic framing to satirize social pretension and the idea of deserved fortune. The comedy arises not from John’s actions alone but from the gap between his self-perception and the narrator’s cool assessment.

Dialect, Diction, and the Sound of Character

In 'Kidnapped', Stevenson differentiates characters through their speech. Alan Breck’s Scots is vivid and idiomatic: 'A bare hillside (ye see) is like all one road'; 'it’s a kittle thing to decide what folk’ll bear.' His language is full of concrete imagery—'heather', 'byres', 'haystacks'—and a musical cadence, as when he whistles a tune he learned from a sentry. David Balfour’s narration is more formal, with careful syntax and a tendency to moral reflection. The contrast between Alan’s earthy, passionate Scots and David’s measured English underscores their cultural divide. Stevenson also uses dialect to signal class and allegiance: the Red Fox’s speech is not directly quoted in the excerpts, but Alan’s contempt for 'Whig blood' reveals how language marks political identity.

Setting as Active Force: The Sea and the Heather

Stevenson’s descriptions of landscape and weather do more than provide backdrop; they drive the plot and reflect inner states. In the excerpt from Chapter XIII of 'Kidnapped', the brig Covenant is 'close-hauled' in a 'bitter cold' night with a 'westerly swell'. The precise nautical language—'larboard bow', 'close-hauled'—creates a sense of authentic danger. The moon is 'nearly full', the hills of Mull visible, yet the ship is in peril. This combination of clarity and threat recurs in the heather: Alan explains that a bare hillside is 'like all one road', and that heather hides fugitives. The landscape is both open and concealing, a paradox that structures the flight. In 'The Misadventures of John Nicholson', setting is less elemental; Edinburgh and Murrayfield appear as stages for social comedy, but the contrast in how Stevenson handles place—functional in the comic tale, immersive in the adventure—shows his versatility.

Pacing and the Management of Suspense

Stevenson varies narrative pace between the two works. In 'Kidnapped', action is compressed: the siege of the round-house, the loss of the brig, and the flight follow in rapid succession. Dialogue accelerates tension, as when Captain Hoseason cries 'my brig’s in danger!' in sharp, urgent tones. Yet Stevenson also inserts reflective pauses, like Alan’s musing on how long the Highlands will remain 'pacified'. These moments slow the narrative and deepen character. In 'The Misadventures of John Nicholson', the pace is more leisurely, with chapter titles like 'In which John sows the Wind' and 'In which John reaps the Whirlwind' signaling a comic, almost allegorical structure. The narrator’s digressions—on philosophy, superstition, Parliament—create a rhythm of interruption that suits the satirical mode. Stevenson’s control of tempo, whether breathless or measured, is a key authorial tool.

Readers approaching this volume will find two distinct demonstrations of Stevenson’s craft. The comic novella rewards attention to narrative tone and the gap between event and interpretation; the historical novel demands close listening to dialect and the physical texture of the Highland landscape. Neither work should be read as mere plot vehicle. Stevenson’s choices in voice, pacing, and descriptive detail are the real subject. Let the excerpts guide your ear for the specific rhythms of each narrator, and note how the same author can shift from ironic detachment to immersive immediacy without losing control of the sentence.

Reading Kidnapped again, I kept thinking of my father reading it aloud to us in winters, his voice doing all the Scottish accents. Years later, that same unhurried, rambling warmth found me in Love Among the Chickens A Story of the Haps and Mishaps on an English Chicken Farm — Themes and Context. Both feel like a long, honest chat with an old friend, not a story being told, but a memory being shared over tea.

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    Christopher Vaughn - 4 weeks ago
    This volume is a treasure trove for Stevenson fans, offering a diverse collection of his shorter works and essays. The editor's notes provide valuable context, and the prose showcases Stevenson's wit and versatility. From adventure tales to reflective pieces, this compilation highlights why he remains a literary giant. A wonderful addition to any library.

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    Michael Montgomery - 3 weeks ago
    A comprehensive collection that showcases Stevenson's range, though not every piece will resonate equally. The selection is well-curated, and the introductions are informative. However, some readers might find the older language and Victorian sensibilities a bit challenging. Still, it's a solid anthology for those interested in classic literature.

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    Thomas Higgins - 3 weeks ago
    This edition feels like a hodgepodge of less appealing works, lacking the coherence of a themed collection. The lack of modern annotations and the dense, archaic prose make it inaccessible to casual readers. It seems aimed at academics rather than general fans. There are better modern collections of Stevenson's works available.


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