The Works of Robert Louis Stevenson - Swanston Edition, Vol. 12 — Inside the Classic

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Stevenson, Robert Louis, 1850-1894 Project Gutenberg 2010
Historical fiction; Scotland -- History -- 18th century -- Fiction; Inheritance and succession -- Fiction; Revenge -- Fiction; Psychological fiction; Brothers -- Fiction; Absence and presumption of death -- Fiction Readers of public-domain and historical texts
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Words 91,470
Reading time 398 min
Text sections 8

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This editorial note examines the structure of Stevenson's The Master of Ballantrae, focusing on its use of multiple narrators, the tension between domestic and wilderness settings, and the recurring image of a sword of paper.
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Here was altogether a young nobleman (not yet twenty-four in the year 'Forty-five) who had made a figure in the country beyond his time of life. The less marvel if there were little heard of the second son, Mr. Henry (my late Lord Durrisdeer), who was neither very bad nor yet very able, but an honest, solid sort of lad, like many of his neighbours. Little heard, I say; but indeed it was a case of little spoken. He was known among the salmon fishers in the firth, for that was a sport that he assiduously followed; he was an excellent good horse-doctor besides; and took a chief hand, almost from a boy, in the management of the estates. How hard a part that was, in the situation of that family, none knows better than myself; nor yet with how little colour of justice a man may there acquire the reputation of a tyrant and a miser. The fourth person in the house was Miss Alison Graeme, a near kinswoman, an orphan, and the heir to a considerable fortune which her father had acquired in trade. This money was loudly called for by my lord's necessities; indeed, the land was deeply mortgaged; and Miss Alison was designed accordingly to be the Master's wife, gladly enough on her side; with how much good-will on his is another matter. She was a comely girl, and in those days very spirited and self-willed; for the old lord having no daughter of his own, and my lady being long dead, she had grown up as best she might.

To these four came the news of Prince Charlie's landing, and set them presently by the ears. My lord, like the chimney-keeper that he was, was all for temporising. Miss Alison held the other side, because it appeared romantical; and the Master (though I have heard they did not agree often) was for this once of her opinion. The adventure tempted him, as I conceive; he was tempted by the opportunity to raise the fortunes of the house, and not less by the hope of paying off his private liabilities, which were heavy beyond all opinion. As for Mr. Henry, it appears he said little enough at first; his part came later on. It took the three a whole day's disputation before they agreed to steer a middle course, one son going forth to strike a blow for King James, my lord and the other staying at home to keep in favour with King George. Doubtless this was my lord's decision; and, as is well known, it was the part played by many considerable families. But the one dispute settled, another opened. For my lord, Miss Alison, and Mr. Henry all held the one view: that it was the cadet's part to go out; and the Master, what with restlessness and vanity, would at no rate consent to stay at home. My lord pleaded, Miss Alison wept, Mr. Henry was very plain spoken: all was of no avail.

"It is the direct heir of Durrisdeer that should ride by his King's bridle," says the Master.

"If we were playing a manly part," says Mr. Henry, "there might be sense in such talk. But what are we doing? Cheating at cards!"

"We are saving the house of Durrisdeer, Henry," his father said.

"And see, James," said Mr. Henry, "if I go, and the Prince has the upper hand, it will be easy to make your peace with King James. But if you go, and the expedition fails, we divide the right and the title. And what shall I be then?"

"You will be Lord Durrisdeer," said the Master. "I put all I have upon the table."

"I play at no such game," cries Mr. Henry. "I shall be left in such a situation as no man of sense and honour could endure. I shall be neither fish nor flesh!" he cried. And a little after he had another expression, plainer perhaps than he intended. "It is your duty to be here with my father," said he. "You know well enough you are the favourite."

"Ay?" said the Master. "And there spoke Envy! Would you trip up my heels--Jacob?" said he, and dwelled upon the name maliciously.

Mr. Henry went and walked at the low end of the hall without reply; for he had an excellent gift of silence. Presently he came back.

"I am the cadet, and I _should_ go," said he. "And my lord here is the master, and he says I _shall_ go. What say ye to that, my brother?"

"I say this, Harry," returned the Master, "that when very obstinate folk are met, there are only two ways out: Blows--and I think none of us could care to go so far; or the arbitrament of chance--and here is a guinea piece. Will you stand by the toss of the coin?"

"I will stand and fall by it," said Mr. Henry. "Heads, I go; shield, I stay."

The coin was spun, and it fell shield. "So there is a lesson for Jacob," says the Master.

"We shall live to repent of this," says Mr. Henry, and flung out of the hall.

As for Miss Alison, she caught up that piece of gold which had just sent her lover to the wars, and flung it clean through the family shield in the great painted window.

"If you loved me as well as I love you, you would have stayed," cried she.

"'I could not love you, dear, so well, loved I not honour more,'" sang the Master.

"_O!_" she cried, "you have no heart--I hope you may be killed!" and she ran from the room, and in tears, to her own chamber.

It seems the Master turned to my lord with his most comical manner, and says he, "This looks like a devil of a wife."

"I think you are a devil of a son to me," cried his father, "you that have always been the favourite, to my shame be it spoken. Never a good hour have I gotten of you since you were born; no, never one good hour," and repeated it again the third time. Whether it was the Master's levity, or his insubordination, or Mr. Henry's word about the favourite son, that had so much disturbed my lord, I do not know: but I incline to think it was the last, for I have it by all accounts that Mr. Henry was more made up to from that hour.

Altogether it was in pretty ill blood with his family that the Master rode to the North; which was the more sorrowful for others to remember when it seemed too late. By fear and favour he had scraped together near upon a dozen men, principally tenants' sons; they were all pretty full when they set forth, and rode up the hill by the old abbey, roaring and singing, the white cockade in every hat. It was a desperate venture for so small a company to cross the most of Scotland unsupported; and (what made folk think so the more) even as that poor dozen was clattering up the hill, a great ship of the King's navy, that could have brought them under with a single boat, lay with her broad ensign streaming in the bay. The next afternoon, having given the Master a fair start, it was Mr. Henry's turn; and he rode off, all by himself, to offer his sword and carry letters from his father to King George's Government. Miss Alison was shut in her room, and did little but weep, till both were gone; only she stitched the cockade upon the Master's hat, and (as John Paul told me) it was wetted with tears when he carried it down to him.

In all that followed, Mr. Henry and my old lord were true to their bargain. That ever they accomplished anything is more than I could learn; and that they were anyway strong on the King's side, more than I believe. But they kept the letter of loyalty, corresponded with my Lord President, sat still at home, and had little or no commerce with the Master while that business lasted. Nor was he, on his side, more communicative. Miss Alison, indeed, was always sending him expresses, but I do not know if she had many answers. Macconochie rode for her once, and found the Highlanders before Carlisle, and the Master riding by the Prince's side in high favour; he took the letter (so Macconochie tells), opened it, glanced it through with a mouth like a man whistling, and stuck it in his belt, whence, on his horse passageing, it fell unregarded to the ground. It was Macconochie who picked it up; and he still kept it, and indeed I have seen it in his hands. News came to Durrisdeer of course, by the common report, as it goes travelling through a country, a thing always wonderful to me. By that means the family learned more of the Master's favour with the Prince, and the ground it was said to stand on: for by a strange condescension in a man so proud--only that he was a man still more ambitious--he was said to have crept into notability by truckling to the Irish. Sir Thomas Sullivan, Colonel Burke, and the rest, were his daily comrades, by which course he withdrew himself from his own country-folk. All the small intrigues he had a hand in fomenting; thwarted my Lord George upon a thousand points; was always for the advice that seemed palatable to the Prince, no matter if it was good or bad; and seems upon the whole (like the gambler he was all through life) to have had less regard to the chances of the campaign than to the greatness of favour he might aspire to, if, by any luck, it should succeed. For the rest, he did very well in the field; no one questioned that: for he was no coward.

The next was the news of Culloden, which was brought to Durrisdeer by one of the tenants' sons--the only survivor, he declared, of all those that had gone singing up the hill. By an unfortunate chance John Paul and Macconochie had that very morning found the guinea piece--which was the root of all the evil--sticking in a holly bush; they had been "up the gait," as the servants say at Durrisdeer, to the change-house; and if they had little left of the guinea, they had less of their wits. What must John Paul do but burst into the hall where the family sat at dinner, and cry the news to them that "Tam Macmorland was but new lichtit at the door, and--wirra, wirra--there were nane to come behind him"?

They took the word in silence like folk condemned; only Mr. Henry carrying his palm to his face, and Miss Alison laying her head outright upon her hands. As for my lord, he was like ashes.

"I have still one son," says he. "And, Henry, I will do you this justice--it is the kinder that is left."

It was a strange thing to say in such a moment; but my lord had never forgotten Mr. Henry's speech, and he had years of injustice on his conscience. Still it was a strange thing, and more than Miss Alison could let pass. She broke out and blamed my lord for his unnatural words, and Mr. Henry because he was sitting there in safety when his brother lay dead, and herself because she had given her sweetheart ill words at his departure, calling him the flower of the flock, wringing her hands, protesting her love, and crying on him by his name--so that the servants stood astonished.

Mr. Henry got to his feet, and stood holding his chair. It was he that was like ashes now.

"O!" he burst out suddenly, "I know you loved him."

"The world knows that, glory be to God!" cries she; and then to Mr. Henry: "There is none but me to know one thing--that you were a traitor to him in your heart."

"God knows," groans he, "it was lost love on both sides."

Time went by in the house after that without much change; only they were now three instead of four, which was a perpetual reminder of their loss. Miss Alison's money, you are to bear in mind, was highly needful for the estates; and the one brother being dead, my old lord soon set his heart upon her marrying the other. Day in, day out, he would work upon her, sitting by the chimney-side with his finger in his Latin book, and his eyes set upon her face with a kind of pleasant intentness that became the old gentleman very well. If she wept, he would condole with her like an ancient man that has seen worse times and begins to think lightly even of sorrow; if she raged, he would fall to reading again in his Latin book, but always with some civil excuse; if she offered, as she often did, to let them have her money in a gift, he would show her how little it consisted with his honour, and remind her, even if he should consent, that Mr. Henry would certainly refuse. _Non vi sed sæpe cadendo_ was a favourite word of his; and no doubt this quiet persecution wore away much of her resolve; no doubt, besides, he had a great influence on the girl, having stood in the place of both her parents; and, for that matter, she was herself filled with the spirit of the Duries, and would have gone a great way for the glory of Durrisdeer; but not so far, I think, as to marry my poor patron, had it not been--strangely enough--for the circumstance of his extreme unpopularity.

This was the work of Tam Macmorland. There was not much harm in Tam; but he had that grievous weakness, a long tongue; and as the only man in that country who had been out--or, rather, who had come in again--he was sure of listeners. Those that have the underhand in any fighting, I have observed, are ever anxious to persuade themselves they were betrayed. By Tam's account of it, the rebels had been betrayed at every turn and by every officer they had; they had been betrayed at Derby, and betrayed at Falkirk; the night march was a step of treachery of my Lord George's; and Culloden was lost by the treachery of the Macdonalds. This habit of imputing treason grew upon the fool, till at last he must have in Mr. Henry also. Mr. Henry (by his account) had betrayed the lads of Durrisdeer; he had promised to follow with more men, and instead of that he had ridden to King George. "Ay, and the next day!" Tam would cry. "The puir bonny Master, and the puir kind lads that rade wi' him, were hardly ower the scaur or he was aff--the Judis! Ay, weel--he has his way o't: he's to be my lord, nae less, and there's mony a cold corp amang the Hieland heather!" And at this, if Tam had been drinking, he would begin to weep.

Let any one speak long enough, he will get believers. This view of Mr. Henry's behaviour crept about the country by little and little; it was talked upon by folk that knew the contrary, but were short of topics; and it was heard and believed and given out for gospel by the ignorant and the ill-willing. Mr. Henry began to be shunned; yet a while, and the commons began to murmur as he went by, and the women (who are always the most bold because they are the most safe) to cry out their reproaches to his face. The Master was cried up for a saint. It was remembered how he had never any hand in pressing the tenants; as, indeed, no more he had, except to spend the money. He was a little wild perhaps, the folk said; but how much better was a natural, wild lad that would soon have settled down, than a skinflint and a sneckdraw, sitting with his nose in an account-book to persecute poor tenants! One trollop, who had had a child to the Master, and by all accounts been very badly used, yet made herself a kind of champion of his memory. She flung a stone one day at Mr. Henry.

"Whaur's the bonny lad that trustit ye?" she cried.

Mr. Henry reined in his horse and looked upon her, the blood flowing from his lip. "Ay, Jess?" says he. "You too? And yet ye should ken me better." For it was he who had helped her with money.

The woman had another stone ready, which she made as if she would cast; and he, to ward himself, threw up the hand that held his riding-rod.

"What, would ye beat a lassie, ye ugly----?" cries she, and ran away screaming as though he had struck her.

Next day word went about the country like wildfire that Mr. Henry had beaten Jessie Broun within an inch of her life. I give it as one instance of how this snowball grew, and one calumny brought another; until my poor patron was so perished in reputation that he began to keep the house like my lord. All this while, you may be very sure, he uttered no complaints at home; the very ground of the scandal was too sore a matter to be handled; and Mr. Henry was very proud, and strangely obstinate in silence. My old lord must have heard of it, by John Paul, if by no one else; and he must at least have remarked the altered habits of his son. Yet even he, it is probable, knew not how high the feeling ran; and as for Miss Alison, she was ever the last person to hear news, and the least interested when she heard them.

In the height of the ill-feeling (for it died away as it came, no man could say why) there was an election forward in the town of St. Bride's, which is the next to Durrisdeer, standing on the Water of Swift; some grievance was fermenting, I forget what, if ever I heard: and it was currently said there would be broken heads ere night, and that the sheriff had sent as far as Dumfries for soldiers. My lord moved that Mr. Henry should be present, assuring him it was necessary to appear, for the credit of the house. "It will soon be reported," said he, "that we do not take the lead in our own country."

"It is a strange lead that I can take," said Mr. Henry; and when they had pushed him further, "I tell you the plain truth," he said: "I dare not show my face."

"You are the first of the house that ever said so," cries Miss Alison.

"We will go all three," said my lord; and sure enough he got into his boots (the first time in four years--a sore business John Paul had to get them on), and Miss Alison into her riding-coat, and all three rode together to St. Bride's.

The streets were full of the riff-raff of all the countryside, who had no sooner clapped eyes on Mr. Henry than the hissing began, and the hooting, and the cries of "Judas!" and "Where was the Master?" and "Where were the poor lads that rode with him?" Even a stone was cast; but the more part cried shame at that, for my old lord's sake, and Miss Alison's. It took not ten minutes to persuade my lord that Mr. Henry had been right. He said never a word, but turned his horse about, and home again, with his chin upon his bosom. Never a word said Miss Alison; no doubt she thought the more; no doubt her pride was stung, for she was a bone-bred Durie; and no doubt her heart was touched to see her cousin so unjustly used. That night she was never in bed; I have often blamed my lady--when I call to mind that night I readily forgive her all; and the first thing in the morning she came to the old lord in his usual seat.

"If Henry still wants me," said she, "he can have me now." To himself she had a different speech: "I bring you no love, Henry; but God knows, all the pity in the world."

June the 1st, 1748, was the day of their marriage. It was December of the same year that first saw me alighting at the doors of the great house; and from there I take up the history of events as they befell under my own observation, like a witness in a court.

SUMMARY OF EVENTS (_continued_)

The Master of Ballantrae, as presented in this Swanston Edition volume, opens with a dedication that signals the story's wide geographical and temporal reach: Stevenson wrote it 'among distant and diverse scenes' and 'much upon the sea.' The tale of fraternal enemies, the hall and shrubbery of Durrisdeer, and the problem of Mackellar's homespun are his company on deck. This framing immediately establishes a tension between the fixed estate of Durrisdeer and the fluid, threatening world beyond—a structural opposition that recurs throughout the narrative.

A Narrative of Fragments and Voices

The novel's structure is notably fragmented, built from multiple documents and perspectives. The table of contents reveals a pattern: chapters alternate between third-person summaries ('Summary of Events during the Master’s Wanderings') and first-person accounts ('From the Memoirs of the Chevalier de Burke,' 'Mr. Mackellar’s Journey with the Master'). This collage of voices—the steward Mackellar, the adventurer Burke, and an unnamed editor—creates a layered, sometimes contradictory record of events. The preface further complicates matters by introducing an 'editor' who revisits the city, suggesting a frame narrative. Readers must weigh each narrator's reliability, especially Mackellar's, whose loyalty to the family colors his account. The result is a story that feels pieced together, like evidence in a case, rather than a straightforward chronicle.

The Sword of Paper and the Open Door

A recurring image in the excerpts is that of a 'sword of paper'—a metaphor for the power of letters and reputation. Mackellar laments that he had 'these letters I could shake over his head' as a hold over the Master, but Mrs. Henry counters that such a threat is useless against a man who 'stands upon his degradation.' The letters, once a weapon, become 'but a sword of paper' against someone who trades on shame. This image encapsulates the novel's central conflict: the struggle between legal or moral leverage and the corrosive force of a character who embraces his own ruin. The door of the house, Mackellar says, 'stands open for him' because he is the rightful heir, and to exclude him would invite public fury. The house itself becomes a trap, not a refuge.

Movement Between the Hall and the Wilderness

The story's geography mirrors its psychological tensions. The excerpts move between the confined spaces of Durrisdeer—the terrace, the bedchamber, the study—and the open, dangerous landscapes of the Master's wanderings: India, the wilderness of New York, the sea. The dedication explicitly links the tale's composition to sea voyages, and the narrative itself shuttles between the domestic and the wild. In one passage, Mackellar and Mrs. Henry discuss strategy in the sickroom, while the Master's return threatens to bring the chaos of the outside world into the hall. The chapter titles 'The Journey in the Wilderness' and 'Passages at New York' suggest that the wilderness is not just a setting but a state of moral and social dislocation, contrasting with the ordered but fragile life at Durrisdeer.

Silence and the Unspoken Past

A striking feature of the excerpted dialogue is what remains unsaid. After Mr. Henry's recovery, Mackellar notes that 'still there was no reference to the late tragedy or to the former troubles.' The characters circle around a hidden knowledge—the Master's actions, the letters, the night of February 27th, 1757—but avoid naming it directly. Mrs. Henry speaks of 'a day of reckoning' that draws nearer, yet the reckoning is deferred. This silence is a structural device: the narrative withholds key events, forcing readers to infer from oblique references. The summary chapters ('Summary of Events during the Master’s Wanderings') promise clarity but may only offer a partial view. The tension between what is told and what is concealed drives the story forward, making the reader complicit in the family's guardedness.

Readers approaching this volume should attend to the gaps between narrators and the weight given to objects like letters and doors. The story's power lies not in a single plotline but in the collision of voices and the spaces—both physical and psychological—that separate them. Stevenson's own note about writing 'to the tune of slatting canvas' reminds us that this is a tale shaped by movement and uncertainty, best read with an eye for what is left out as much as what is set down.

Stevenson’s paper sword kept cutting through my thoughts long after I set the book down—how a fragile thing can carry so much weight. It reminded me of another story, quieter in its own way, where fortunes shift like shadows. That same lingering ache of choices made and homes never quite regained stays with you. Miss Million's Maid: A Romance of Love and Fortune — Background and Themes has that gentle, persistent echo.

Aria Torres
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  • ...
    Jennifer Doyle - 4 weeks ago
    While the Swanston Edition aims to be definitive, this volume feels somewhat dated and lacks the scholarly apparatus expected from a modern edition. Some of Stevenson's works are more engaging than others, and the inclusion of lesser-known pieces may not satisfy those seeking his more famous novels. Additionally, the font size is a bit small for comfortable reading.

  • ...
    Heather Hicks - 2 weeks ago
    This Swanston Edition volume is a treasure for Stevenson enthusiasts. The collection showcases his masterful storytelling and lyrical prose, with each piece offering a glimpse into his adventurous spirit and deep understanding of human nature. The book's quality and content make it a worthy addition to any classic literature library.

  • ...
    Ashley Stevens - 1 week ago
    A solid collection that offers a good variety of Stevenson's works, from essays to stories. The editing is clean, and the print is readable. However, the lack of explanatory notes may leave some readers longing for context on historical references. Still, it's a convenient way to have several pieces in one volume.


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