Judith Shakespeare: Her love affairs and other adventures — A Closer Reading

(3 User reviews)   1014
Black, William, 1841-1898 Project Gutenberg 2011
Biographical fiction; Shakespeare, Judith, 1585-1662 -- Fiction; Shakespeare, William, 1564-1616 -- Family -- Fiction; Dramatists -- Family relationships -- Fiction; Stratford-upon-Avon (England) -- Fiction Readers of public-domain and historical texts
Project Gutenberg digital edition en

Edition facts

Words 153,581
Reading time 668 min
Text sections 16

Before opening Judith Shakespeare: Her love affairs and other adventures — A Closer Reading, the edition data offers a quick orientation: 153,581 words, 11 hr 8 min estimated reading time, and 16 detected text sections.

The text analysis averages about 22.6 words per sentence, while the detected sections provide another way to judge how the source is divided.

Project Gutenberg metadata also associates the work with “Biographical fiction,” connecting these edition facts with the source record’s subject description.

An editorial note on William Black's Judith Shakespeare, examining how the catalog subjects of biographical fiction and family relationships align with the novel's opening depiction of Judith's independent character and her patriotic speech to a young relative, based on excerpts.
Share
Editorial Edition Score 4.8/5

Calculated from edition completeness, EPUB availability, text structure and catalogue metadata. Not a user rating.

How this score is calculated
  • Description quality20 pts
  • Title & short description10 pts
  • Source metadata20 pts
  • Text length15 pts
  • Chapters / structure15 pts
  • EPUB file integrity20 pts

Total of 100 points, scaled to a 2.5-5.0 range. Editions with an empty description or a missing EPUB file are not scored.

Edition quality

Read the Text

It was a fair, clear, and shining morning, in the sweet May-time of the year, when a young English damsel went forth from the town of Stratford-upon-Avon to walk in the fields. As she passed along by the Guild Chapel and the Grammar School, this one and the other that met her gave her a kindly greeting; for nearly every one knew her, and she was a favorite; and she returned those salutations with a frankness which betokened rather the self-possession of a young woman than the timidity of a girl. Indeed, she was no longer in the first sensitive dawn of maidenhood--having, in fact, but recently passed her five-and-twentieth birthday--but nevertheless there was the radiance of youth in the rose-leaf tint of her cheeks, and in the bright cheerfulness of her eyes. Those eyes were large, clear, and gray, with dark pupils and dark lashes; and these are a dangerous kind; for they can look demure, and artless, and innocent, when there is nothing in the mind of the owner of them but a secret mirth; and also--and alas!--they can effect another kind of concealment, and when the heart within is inclined to soft pity and yielding, they can refuse to confess to any such surrender, and can maintain, at the bidding of a wilful coquetry, an outward and obstinate coldness and indifference. For the rest, her hair, which was somewhat short and curly, was of a light and glossy brown, with a touch of sunshine in it; she had a good figure, for she came of a quite notably handsome family; she walked with a light step and a gracious carriage; and there were certain touches of style and color about her costume which showed that she did not in the least undervalue her appearance. And so it was "Good-morrow to you, sweet Mistress Judith," from this one and the other; and "Good-morrow, friend So-and-so," she would answer; and always she had the brightest of smiles for them as they passed.

Well, she went along by the church, and over the foot-bridge spanning the Avon, and so on into the meadows lying adjacent to the stream. To all appearance she was bent on nothing but deliberate idleness, for she strayed this way and that, stooping to pick up a few wild flowers, and humming to herself as she went. On this fresh and clear morning the air seemed to be filled with sweet perfumes after the close atmosphere of the town; and if it was merely to gather daisies, and cuckoo-flowers, and buttercups, that she had come, she was obviously in no hurry about it. The sun was warm on the rich green grass; the swallows were dipping and flashing over the river; great humble-bees went booming by; and far away somewhere in the silver-clear sky a lark was singing. And she also was singing, as she strayed along by the side of the stream, picking here and there a speedwell, and here and there a bit of self-heal or white dead-nettle; if, indeed that could be called singing that was but a careless and unconscious recalling of snatches of old songs and madrigals. At one moment it was:

Why, say you so? Oh no, no, no; Young maids must never a-wooing go.

Come, blow thy horn, hunter! Come, blow thy horn, hunter! Come, blow thy horn, jolly hunter!

For a morn in spring is the sweetest thing Cometh in all the year!

And in truth she could not have lit upon a sweeter morning than this was; just as a chance passer-by might have said to himself that he had never seen a pleasanter sight than this young English maiden presented as she went idly along the river-side, gathering wild flowers the while.

But in course of time, when she came to a part of the Avon from which the bank ascended sharp and steep, and when she began to make her way along a narrow and winding foot-path that ascended through the wilderness of trees and bushes hanging on this steep bank, she became more circumspect. There was no more humming of songs; the gathering of flowers was abandoned, though here she might have added a wild hyacinth or two to her nosegay; she advanced cautiously, and yet with an affectation of carelessness; and she was examining, while pretending not to examine, the various avenues and open spaces in the dense mass of foliage before her. Apparently, however, this world of sunlight and green leaves and cool shadow was quite untenanted; there was no sound but that of the blackbird and the thrush; she wandered on without meeting any one. And then, as she had now arrived at a little dell or chasm in the wood, she left the foot-path, climbed up the bank, gained the summit, and finally, passing from among the bushes, she found herself in the open, at the corner of a field of young corn.

Now if any one had noticed the quick and searching look that she flashed all around on the moment of her emerging from the brush-wood--the swiftness of lightning was in that rapid scrutiny--he might have had some suspicion as to the errand that had brought her hither; but in an instant her eyes had recovered their ordinary look of calm and indifferent observation. She turned to regard the wide landscape spread out below her; and the stranger, if he had missed that quick and eager glance, would have naturally supposed that she had climbed up through the wood to this open space merely to have a better view. And indeed this stretch of English-looking country was well worth the trouble, especially at this particular time of the year, when it was clothed in the fresh and tender colors of the spring-time; and it was with much seeming content that this young English maiden stood there and looked abroad over the prospect--at the placid river winding through the lush meadows; at the wooden spire of the church rising above the young foliage of the elms; at here and there in the town a red-tiled house visible among the thatched roofs and gray walls and orchards--these being all pale and ethereal and dream-like in the still sunshine of this quiet morning. It was a peaceful English-looking picture that ought to have interested her, however familiar it may have been; and perhaps it was only to look at it once more that she had made her way up hither; and also to breathe the cool sweet air of the open, and to listen to the singing of the birds, that seemed to fill the white wide spaces of the sky as far as ever she could hear.

Suddenly she became aware that some one was behind her and near her, and instantly turning, she found before her an elderly man with a voluminous gray beard, who appeared to affect some kind of concealment by the way he wore his hat and his long cloak.

"God save you, sweet lady!" he had said, almost before she turned.

But if this stranger imagined that by his unlooked-for approach and sudden address he was likely to startle the young damsel out of her self-possession, he knew very little with whom he had to deal.

"Good-morrow to you, good Master Wizard," said she, with perfect calmness, and she regarded him from head to foot with nothing beyond a mild curiosity. Indeed, it was rather he who was embarrassed. He looked at her with a kind of wonder--and admiration also; and if she had been sufficiently heedful and watchful she might have observed that his eyes, which were singularly dark, had a good deal of animation in them for one of his years. It was only after a second or so of this bewildered and admiring contemplation of her that he managed to say, in a grave and formal voice, something in praise of her courage in thus keeping the appointment he had sought.

"Nay, good sir," said she, with much complacency, "trouble not yourself about me. There is no harm in going out to gather a few flowers in the field, surely. If there be any danger, it is rather you that have to fear it, for there is the pillory for them that go about the country divining for gold and silver."

"It is for no such vain and idle purposes that I use my art," said he; and he regarded her with such an intensity of interest that sometimes he stumbled forgetfully in his speech, as if he were repeating a lesson but ill prepared, "It is for the revelation of the future to them that are born under fortunate planets. And you are one of these, sweet lady, or I would not have summoned you to a meeting that might have seemed perilous to one of less courage and good heart. If it please you to listen, I can forecast that that will befall you----"

"Nay, good sir," said she, with a smile, "I have heard it frequently, though perhaps never from one so skilled. 'Tis but a question between dark and fair, with plenty of money and lands thrown in. For that matter, I might set up in the trade myself. But if you could tell me, now----"

"If I were to tell you--if by my art I could show you," said he, with a solemnity that was at least meant to be impressive (though this young maid, with her lips inclining to a smile, and her inscrutable eyes, did not seem much awe-stricken)--"if I could convince you, sweet lady, that you shall marry neither dark nor fair among any of those that would now fain win you--and rumor says there be several of those--what then?"

"Rumor?" she repeated, with the color swiftly mantling in her face. But she was startled, and she said, quickly, "What do you say, good wizard? Not any one that I know? What surety have you of that? Is it true? Can you show it to me? Can you assure me of it? Is your skill so great that you can prove to me that your prophecy is aught but idle guessing? No one that I have seen as yet, say you? Why," she added half to herself, "but that were good news for my gossip Prue."

"My daughter," said this elderly person, in slow and measured tones, "it is not to all that the stars have been so propitious at their birth."

"Good sir," said she, with some eagerness, "I beseech you to forgive me if I attend you not; but--but this is the truth, now, as to how I came in answer to your message to me. I will speak plain. Perchance rumor hath not quite belied herself. There may be one or two who think too well of me, and would have me choose him or him to be my lover; and--and--do you see now?--if there were one of those that I would fain have turn aside from idle thoughts of me and show more favor to my dear cousin and gossip Prudence Shawe--nay, but to tell the truth, good wizard, I came here to seek of your skill whether it could afford some charm and magic that would direct his heart to her. I have heard of such things----"

And here she stopped abruptly, in some confusion, for she had in her eagerness admitted a half-belief in the possible power of his witchcraft which she had been careful to conceal before. She had professed incredulity by her very manner; she had almost laughed at his pretensions; she had intimated that she had come hither only out of curiosity; but now she had blundered into the confession that she had cherished some vague hope of obtaining a love-philtre, or some such thing, to transfer away from herself to her friend the affections of one of those suitors whose existence seemed to be so well known to the wizard. However, he soon relieved her from her embarrassment by assuring her that this that she demanded was far away beyond the scope of his art, which was strictly limited to the discovery and revelation of such secrets as still lay within the future.

"And if so, good sir," said she, after a moment's reflection, "that were enough, or nearly enough, so that you can convince us of it."

"To yourself alone, gracious lady," said he, "can I reveal that which will happen to you. Nay, more, so fortunate is the conjunction of the planets that reigned at your birth--the _ultimum supplicium auri_ might almost have been declared to you--that I can summon from the ends of the earth, be he where he may, the man that you shall hereafter marry, or soon or late I know not; if you will, you can behold him at such and such a time, at such and such a place, as the stars shall appoint."

She looked puzzled, half incredulous and perplexed, inclined to smile, blushing somewhat, and all uncertain.

"It is a temptation--I were no woman else," said she, with a laugh. "Nay, but if I can see him, why may not others? And if I can show them him who is to be my worshipful lord and master, why, then, my gossip Prue may have the better chance of reaching the goal where I doubt not her heart is fixed. Come, then, to prove your skill, good sir. Where shall I see him, and when? Must I use charms? Will he speak, think you, or pass as a ghost? But if he be not a proper man, good wizard, by my life I will have none of him, nor of your magic either."

She was laughing now, and rather counterfeiting a kind of scorn; but she was curious; and she watched him with a lively interest as he took forth from a small leather bag a little folded piece of paper, which he carefully opened.

"I cannot answer all your questions, my daughter," said he; "I can but proceed according to my art. Whether the person you will see may be visible to others I know not, nor can I tell you aught of his name or condition. Pray Heaven he be worthy of such beauty and gentleness; for I have heard of you, gracious lady, but rumor had but poor words to describe such a rarity and a prize."

"Nay," said she, in tones of reproof (but the color had mounted to a face that certainly showed no sign of displeasure), "you speak like one of the courtiers now."

"This charm," said he, dropping his eyes, and returning to his grave and formal tones, "is worth naught without a sprig of rosemary; that must you get, and you must place it within the paper in a threefold manner--thus; and then, when Sol and Luna are both in the descendant--but I forget me, the terms of my art are unknown to you; I must speak in the vulgar tongue; and meanwhile you shall see the charm, that there is nothing wicked or dangerous in it, but only the wherewithal to bring about a true lovers' meeting."

He handed her the open piece of paper; but she, having glanced at the writing, gave it him back again.

"I pray you read it to me," she said.

He regarded her for a second with some slight surprise; but he took the paper, and read aloud, slowly, the lines written thereon:

"Dare you haunt our hallowed green? None but fairies here are seen. Down and sleep, Wake and weep, Pinch him black, and pinch him blue, That seeks to steal a lover true, When you come to hear us sing, Or to tread our fairy ring, Pinch him black, and pinch him blue-- Oh, thus our nails shall handle you!"

"Why, 'tis like what my father wrote about Herne the Hunter," said she, with a touch of indifference; perhaps she had expected to hear something more weird and unholy.

"Please you, forget not the rosemary; nothing will come of it else," he continued. "Then this you must take in your hand secretly, and when no one has knowledge of your outgoing; and when Luna--nay, but I mean when the moon has risen to-night so that, standing in the church-yard, you shall see it over the roof of the church, then must you go to the yew-tree that is in the middle of the church-yard, and there you shall scrape away a little of the earth from near the foot of the tree, and bury this paper, and put the earth firmly down on it again, saying thrice, _Hieronymo! Hieronymo! Hieronymo!_ You follow me, sweet lady?"

"'Tis simple enough," said she, "but that on these fine evenings the people are everywhere about; and if one were to be seen conjuring in the church-yard----"

"You must watch your opportunity, my daughter," said he, speaking with an increased assumption of authority. "One minute will serve you; and this is all that needs be done."

"Truly? Is this all?" said she, and she laughed lightly. "Then will my gallant, my pride o' the world, my lord and master, forthwith spring out of the solid ground? God mend me, but that were a fearful meeting--in a church-yard! Gentle wizard, I pray you----"

"Not so," he answered, interrupting her. "The charm will work there; you must let it rest; the night dews shall nourish it; the slow hours shall pass over it; and the spirits that haunt these precincts must know of it, that they may prepare the meeting. To-night, then, sweet lady, you shall place this charm in the church-yard at the foot of the yew-tree, and to-morrow at twelve of the clock----"

"By your leave, not to-morrow," said she, peremptorily. "Not to-morrow, good wizard; for my father comes home to-morrow; and, by my life, I would not miss the going forth to meet him for all the lovers between here and London town!"

"Your father comes home to-morrow, Mistress Judith?" said he, in somewhat startled accents.

"In truth he does; and Master Tyler also, and Julius Shawe--there will be a goodly company, I warrant you, come riding to-morrow through Shipston and Tredington and Alderminster; and by your leave, reverend sir, the magic must wait."

"That were easily done," he answered, after a moment's thought, "by the alteration of a sign, if the day following might find you at liberty. Will it so, gracious lady?"

"The day after! At what time of the day?" she asked.

"The alteration of the sign will make it but an hour earlier, if I mistake not; that is to say, at eleven of the forenoon you must be at the appointed place----"

"Where, good wizard!" said she--"where am I to see the wraith, the ghost, the phantom husband that is to own me?"

"That know I not myself as yet; but my aids and familiars will try to discover it for me," he answered, taking a small sun-dial out of his pocket and adjusting it as he spoke.

"And with haste, so please you, good sir," said she, "for I would not that any chance comer had a tale of this meeting to carry back to the gossips."

He stooped down and placed the sun-dial carefully on the ground, at a spot where the young corn was but scant enough on the dry red soil, and then with his forefinger he traced two or three lines and a semicircle on the crumbling earth.

"South by west," said he, and he muttered some words to himself. Then he looked up. "Know you the road to Bidford, sweet lady?"

"As well as I know my own ten fingers," she answered.

"For myself, I know it not, but if my art is not misleading there should be, about a mile or more along that road, another road at right angles with it, bearing to the right, and there at the junction should stand a cross of stone. Is it so?"

"'Tis the lane that leads to Shottery; well I know it," she said.

"So it has been appointed, then," said he, "if the stars continue their protection over you. The day after to-morrow, at eleven of the forenoon, if you be within stone's-throw of the cross at the junction of the roads, there shall you see, or my art is strangely mistaken, the man or gentleman--nay, I know not whether he be parson or layman, soldier or merchant, knight of the shire or plain goodman Dick--I say there shall you see him that is to win you and wear you; but at what time you shall become his wife, and where, and in what circumstances, I cannot reveal to you. I have done my last endeavor."

The novel opens with a detailed physical description of Judith Shakespeare, a twenty-five-year-old woman walking through Stratford-upon-Avon on a May morning. The narrator dwells on her gray eyes, curly brown hair, and confident carriage, noting that she is "no longer in the first sensitive dawn of maidenhood" but retains a youthful radiance. This emphasis on her maturity and self-possession immediately distinguishes her from a naive heroine, suggesting a protagonist who is both observant and guarded.

Judith's Voice and Patriotism

In the excerpt, Judith delivers a passionate speech to a young boy she calls "Sweetheart Willie," urging him to remain loyal to England. She invokes her father's words, quoting lines from Richard II—"This royal throne of kings, this sceptred isle"—to inspire him. The speech is notable for its rhetorical structure: Judith contrasts a disloyal son with a faithful one, and she explicitly ties masculinity to both martial courage and gentleness toward women. She says, "'tis the men who are fiercest to fight with men that are the gentlest to women; they make no slaves of their women; they make companions of them." This passage reveals Judith as a character who actively interprets and transmits her father's work, using it to shape the next generation's values.

Narrative Distance and Description

The narrator maintains a controlled, almost ethnographic distance from Judith. Her appearance is cataloged in precise detail—"large, clear, and gray" eyes, "light and glossy brown" hair—and her behavior is interpreted for the reader: she can appear "demure, and artless, and innocent" while hiding "secret mirth." This technique positions the reader as an observer of Judith's social performance rather than a participant in her interior life. The opening chapter's focus on her walk through town, her greetings, and her deliberate idleness establishes a leisurely pace that prioritizes atmosphere over plot. The setting—Stratford-upon-Avon in spring—is rendered with sensory clarity, but the narrative voice remains firmly in control, shaping our perception of Judith as both a product of her environment and a figure of subtle agency.

Catalog Subjects vs. Textual Evidence

The catalog lists this work as "Biographical fiction" about Judith Shakespeare, with subjects including "Shakespeare, William, 1564-1616 -- Family -- Fiction" and "Dramatists -- Family relationships -- Fiction." The excerpts confirm that Judith is indeed the daughter of William Shakespeare, but the novel's focus is less on her father's fame than on her own interactions and opinions. The patriotic speech to Willie, for instance, centers on England and loyalty, not on Shakespeare's literary legacy. The catalog's emphasis on "family relationships" is partially borne out by Judith's role as a cousin and daughter, but the excerpts show her as an independent figure who quotes her father's work from memory rather than seeking his guidance. The novel appears to use the Shakespeare connection as a backdrop for a character study of a woman navigating her own social world, rather than as a direct exploration of the dramatist's family dynamics.

Readers approaching Judith Shakespeare should expect a novel that uses historical setting and a famous surname as a frame for a character-driven narrative. The excerpts suggest that Judith's voice—confident, patriotic, and occasionally coquettish—drives the story more than any plot involving her father. Pay attention to how the narrator's descriptive style shapes your perception of Judith's agency, and note the ways in which she actively interprets and deploys her father's words for her own purposes.

There’s something tender about watching Judith speak her mind before the story even asks her to—it reminded me of the quiet stubbornness and love I found again in More Tish, the way those pages hold a similar warmth. Some characters just feel like old friends, don’t they? A small ache, a familiar nod. More Tish — Text and Context sits beside it now, like a remembered afternoon.

Camila Baker
4 weeks ago

Emma Jackson
1 week ago

Sophia Nguyen
4 weeks ago

4.5
4.5 out of 5 (3 User reviews )

Add a Review

Your Rating *
There are no comments for this eBook.

Reader reflection

How did this book work for you?

Your answers remain private and are stored only in this browser.

Your progress 0 / 10
1

What is your current status with this title?

2

What was your overall reaction to the book?

3

How likely are you to recommend this book?

4

How demanding did the text feel?

Related eBooks