Prudence of the Parsonage — A Closer Reading

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Hueston, Ethel, 1887-1971, Brown, Arthur William, 1881-1966 [Illustrator] Project Gutenberg 2006
Orphans -- Fiction; First loves -- Fiction; Sisters -- Fiction; Bildungsromans; Methodists -- Fiction; Families -- Fiction; Iowa -- Fiction; Betrothal -- Social aspects -- Fiction Readers of public-domain and historical texts
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Words 71,005
Reading time 309 min
Text sections 7

Prudence of the Parsonage — A Closer Reading can be approached with a clearer sense of reading commitment from its source measurements: 71,005 words, 5 hr 9 min estimated reading time, and 7 detected text sections.

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An editorial note on Ethel Hueston's 1915 novel, focusing on its episodic structure, recurring domestic details, and movement between intimate parsonage scenes and the wider Iowa town of Mount Mark.
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This was one of the four daily rejuvenations that gladdened the heart of Mount Mark.

A man in a black business suit stood alone on the platform, his hands in his pockets, his eyes wandering from one to another of the strange faces about him. His plain white ready-made tie proclaimed his calling.

"It's the new Methodist preacher," volunteered the baggage master, crossing the platform, ostensibly on business bound, but really to see "who all" was there. "I know him. He's not a bad sort."

"They say he's got five kids, and most of 'em girls," responded the Adams Express man. "I've ordered me a dress suit to pay my respects in when they get here. I want to be on hand early to pick me out a girl."

"Yah," mocked the telegraph operator, bobbing his head through the window, "you need to. They tell me every girl in Mount Mark has turned you down a'ready."

But the Methodist minister, gazing away down the track where a thin curl of smoke announced the coming of Number Nine, and Prudence,--heard nothing of this conversation. He was not a handsome man. His hair was gray at the temples, his face was earnest, only saved from severity by the little clusters of lines at his eyes and mouth which proclaimed that he laughed often, and with relish.

The minister stood back from the crowd, but when the train came pounding in a brightness leaped into his eyes that entirely changed the expression of his face. A slender girl stood in the vestibule, leaning dangerously outward, and waving wildly at him a small gloved hand. When the train stopped she leaped lightly from the steps, ignoring the stool placed for her feet by the conductor.

"Father!" she cried excitedly and small and slight as she was, she elbowed her way swiftly through the gaping crowd. "Oh, father!" And she flung her arms about him joyously, unconscious of the admiring eyes of the Adams Express man, and the telegraph operator, and old Harvey Reel, whose eyes were always admiring when girls passed by. She did not even observe that the Slaughterhouse Quartette looked at her unanimously, with languid interest from out the wreaths of smoke they had created.

Her father kissed her warmly. "Where is your baggage?" he asked, a hand held out to relieve her.

"Here!" And with a radiant smile she thrust upon him a box of candy and a gaudy-covered magazine.

"Your suit-case," he explained patiently.

"Oh!" she gasped. "Run, father, run! I left it on the train!"

Father did run, but Prudence, fleeter-footed, out-distanced him and clambered on board, panting.

When she rejoined her father her face was flushed. "Oh, father," she said quite snappily, "isn't that just like me?"

"Yes, very like," he agreed, and he smiled. "Where is your umbrella?"

Prudence stopped abruptly. "I don't know," she said, with a stony face. "I can't remember a blessed thing about the old umbrella. Oh, I guess I didn't bring it, at all." She breathed long in her relief. "Yes, that's it, father, I left it at Aunt Grace's. Don't you worry about it. Fairy'll bring it to-morrow. Isn't it nice that we can count on Fairy's remembering?"

"Yes, very nice," he said, but his eyes were tender as he looked down at the little figure beside him.

"And so this is Mount Mark! Isn't it a funny name, father? Why do they call it Mount Mark?"

"I don't know. I hadn't thought to inquire. We turn here, Prudence; we are going north now. This is Main Street. The city part of the town--the business part--is to the south."

"It's a pretty street, isn't it?" she cried. "Such nice big maples, and such shady, porchy houses. I love houses with porches, don't you? Has the parsonage a porch?"

"Yes, a big one on the south, and a tiny one in front. The house faces west. That is the college there. It opens in three weeks, and Fairy can make freshmen all right, they tell me. I wish you could go, too. You haven't had your share of anything--any good thing, Prudence."

"Well, I have my share of you, father," she said comfortingly. "And I've always had my share of oatmeal and sorghum molasses,--though one wouldn't think it to look at me. Fairy gained a whole inch last week at Aunt Grace's. She was so disgusted with herself. She says she'll not be able to look back on the visit with any pleasure at all, just because of that inch. Carol said she ought to look back with more pleasure, because there's an inch more of her to do it! But Fairy says she did not gain the inch in her eyes! Aunt Grace laughed every minute we were there. She says she is all sore up and down, from laughing so much."

"We have the house fixed up pretty well, Prudence, but of course you'll have to go over it yourself and arrange it as you like. But remember this: You are not allowed to move the heavy furniture. I forbid it emphatically. There isn't enough of you for that."

"Yes, I'll remember,--I think I will. I'm almost certain to remember some things, you know."

"I must go to a trustees' meeting at two o'clock, but we can get a good deal done before then. Mrs. Adams is coming to help you this afternoon. She is one of our Ladies, and very kind. There, that is the parsonage!"

Prudence gazed in silence. Many would not have considered it a beautiful dwelling, but to Prudence it was heavenly. Fortunately the wide, grassy, shaded lawn greeted one first. Great spreading maples bordered the street, and clustering rose-bushes lined the walk leading up to the house. The walk was badly worn and broken to be sure,--but the roses were lovely! The grass had been carefully cut,--the father-minister had seen to that. The parsonage, to Prudence's gratified eyes, looked homey, and big, and inviting. In fact, it was very nearly gorgeous! It needed painting badly, it is true. The original color had been a peculiar drab, but most of it had disappeared long before, so it was no eyesore on account of the color. There were many windows, and the well-known lace curtains looked down upon Prudence tripping happily up the little board walk,--or so it seemed to her.

"Two whole stories, and an attic besides! Not to mention the bathroom! Oh, father, the night after you wrote there was a bathroom, Constance thanked God for it when she said her prayers. And I couldn't reprove her, for I felt the same way about it myself. It'll be so splendid to have a whole tub to bathe in! I spent half the time bathing this last week at Aunt Grace's. A tub is so bountiful! A pan is awfully insufficient, father, even for me! I often think what a trouble it must be to Fairy! And a furnace, too! And electric lights! Don't you think there is something awe-inspiring in the idea of just turning a little knob on the wall, and flooding a whole room with light? I do revel in electric lights, I tell you. Oh, we have waited a long time for it, and we've been very patient indeed, but, between you and me, father, I am most mightily glad we've hit the luxury-land at last. I'm sure we'll all feel much more religious in a parsonage that has a bathroom and electric lights! Oh, father!"

He had thrown open the door, and Prudence stood upon the threshold of her new home. It was not a fashionable building, by any means. The hall was narrow and long, and the staircase was just a plain businesslike staircase, with no room for cushions, and flowers, and books. The doors leading from the hall were open, and Prudence caught a glimpse of three rooms furnished, rather scantily, in the old familiar furniture that had been in that other parsonage where Prudence was born, nineteen years before.

Together she and her father went from room to room, up-stairs and down, moving a table to the left, a bed to the right,--according to her own good pleasure. Afterward they had a cozy luncheon for two in the "dining-room."

"Oh, it is so elegant to have a dining-room," breathed Prudence happily. "I always pretended it was rather fun, and a great saving of work, to eat and cook and study and live in one room, but inwardly the idea always outraged me. Is that the school over there?"

"Yes, that's where Connie will go. There is only one high school in Mount Mark, so the twins will have to go to the other side of town,--a long walk, but in good weather they can come home for dinner.--I'm afraid the kitchen will be too cold in winter, Prudence,--it's hardly more than a shed, really. Maybe we'd----"

"Oh, father, if you love me, don't suggest that we move the stove in here in winter! I'm perfectly willing to freeze out there, for the sake of having a dining-room. Did I ever tell you what Carol said about that kitchen-dining-room-living-room combination at Exminster? Well, she asked us a riddle, 'When is a dining-room not a dining-room?' And she answered it herself, 'When it's a little pig-pen.' And I felt so badly about it, but it did look like a pig-pen, with stove here, and cupboard there, and table yonder, and--oh, no, father, please let me freeze!"

"I confess I do not see the connection between a roomful of furniture and a pig-pen, but Carol's wit is often too subtle for me."

"Oh, that's a lovely place over there, father!" exclaimed Prudence, looking from the living-room windows toward the south. "Isn't it beautiful?"

"Yes. The Avery family lives there. The parents are very old and feeble, and the daughters are all--elderly--and all school-teachers. There are four of them, and the youngest is forty-six. It is certainly a beautiful place. See the orchard out behind, and the vineyard. They are very wealthy, and they are not fond of children outside of school hours, I am told, so we must keep an eye on Connie.--Dear me, it is two o'clock already, and I must go at once. Mrs. Adams will be here in a few minutes, and you will not be lonely."

But when Mrs. Adams arrived at the parsonage, she knocked repeatedly, and in vain, upon the front door. After that she went to the side door, with no better result. Finally, she gathered her robes about her and went into the back yard. She peered into the woodshed, and saw no one. She went into the barn-lot, and found it empty. In despair, she plunged into the barn--and stopped abruptly.

In a shadowy corner was a slender figure kneeling beside an overturned nail keg, her face buried in her hands. Evidently this was Prudence engaged in prayer,--and in the barn, of all places in the world!

"A--a--a--hem!" stammered Mrs. Adams inquiringly.

"Amen!" This was spoken aloud and hurriedly, and Prudence leaped to her feet. Her fair hair clung about her face in damp babyish tendrils, and her face was flushed and dusty, but alight with friendly interest. She ran forward eagerly, thrusting forth a slim and grimy hand.

"You are Mrs. Adams, aren't you? I am Prudence Starr. It is so kind of you to come the very first day," she cried. "It makes me love you right at the start."

"Ye--yes, I am Mrs. Adams." Mrs. Adams was embarrassed. She could not banish from her mental vision that kneeling figure by the nail keg. Interrogation was written all over her ample face, and Prudence promptly read it and hastened to reply.

"I do not generally say my prayers in the barn, Mrs. Adams, I assure you. I suppose you were greatly surprised. I didn't expect to do it myself, when I came out here, but--well, when I found this grand, old, rambling barn, I was so thankful I couldn't resist praying about it. Of course, I didn't specially designate the barn, but God knew what I meant, I am sure."

"But a barn!" ejaculated the perplexed "member." "Do you call that a blessing?"

"Yes, indeed I do," declared Prudence. Then she explained patiently: "Oh, it is on the children's account, you know. They have always longed for a big romantic barn to play in. We've never had anything but a shed, and when father went to Conference this year, the twins told him particularly to look out for a good big barn. They said we'd be willing to put up with any kind of a parsonage, if only we might draw a barn for once. You can't imagine how happy this dear old place will make them, and I was happy on their account. That's why I couldn't resist saying my prayers,--I was so happy I couldn't hold in."

As they walked slowly toward the house, Mrs. Adams looked at this parsonage girl in frank curiosity and some dismay, which she strongly endeavored to conceal from the bright-eyed Prudence. The Ladies had said it would be so nice to have a grown girl in the parsonage! Prudence was nineteen from all account, but she looked like a child and--well, it was not exactly grown-up to give thanks for a barn, to say the very least! Yet this girl had full charge of four younger children, and was further burdened with the entire care of a minister-father! Well, well! Mrs. Adams sighed a little.

"You are tired," said Prudence sympathetically. "It's so hot walking, isn't it? Let's sit on the porch until you are nicely rested. Isn't this a lovely yard? And the children will be so happy to have this delicious big porch. Oh, I just adore Mount Mark already."

"This is a fine chance for us to get acquainted," said the good woman with eagerness.

Now if the truth must be told, there had been some ill feeling in the Ladies' Aid Society concerning the reception of Prudence. After the session of Conference, when the Reverend Mr. Starr was assigned to Mount Mark, the Ladies of the church had felt great interest in the man and his family. They inquired on every hand, and learned several interesting items. The mother had been taken from the family five years before, after a long illness, and Prudence, the eldest daughter, had taken charge of the household. There were five children. So much was known, and being women, they looked forward with eager curiosity to the coming of Prudence, the young mistress of the parsonage.

Mr. Starr had arrived at Mount Mark a week ahead of his family. The furniture had been shipped from his previous charge, and he, with the assistance of a strong and willing negro, had "placed it" according to the written instructions of Prudence, who had conscientiously outlined just what should go in every room. She and the other children had spent the week visiting at the home of their aunt, and Prudence had come on a day in advance of the others to "wind everything up," as she had expressed it.

But to return to the Ladies,--the parsonage girls always capitalized the Ladies of their father's church, and indeed italicized them, as well. And the irrepressible Carol had been heard to remark, "I often feel like exclamation-pointing them, I promise you." But to return once more.

"One of us should go and help the dear child," said Mrs. Scott, the president of the Aids, when they assembled for their business meeting, "help her, and welcome her, and advise her."

"I was thinking of going over," said one, and another, and several others.

"Oh, that will not do at all," said the president; "she would be excited meeting so many strangers, and could not properly attend to her work. That will never do, never, never! But one of us must go, of course."

"I move that the president appoint a committee of one to help Miss Prudence get settled, and welcome her to our midst," said Mrs. Barnaby, secretly hoping that in respect for her making this suggestion honoring the president, the president would have appreciation enough to appoint Mrs. Barnaby herself as committee.

The motion was seconded, and carried.

"Well," said Mrs. Scott slowly, "I think in a case like this the president herself should represent the society. Therefore, I will undertake this duty for you."

But this called forth a storm of protest and it became so clamorous that it was unofficially decided to draw cuts! Which was done, and in consequence of that drawing of cuts, Mrs. Adams now sat on the front porch of the old gray parsonage, cheered by the knowledge that every other Lady of the Aid was envying her!

"Now, just be real sociable and tell me all about yourself, and the others, too," urged Mrs. Adams. "I want to know all about every one of you. Tell me everything."

"There isn't much to tell," said Prudence, smiling. "There are five of us; I am the oldest, I am nineteen. Then comes Fairy, then the twins, and then the baby."

"Are the twins boys, or a boy and a girl?"

"Neither," said Prudence, "they are both girls."

"More girls!" gasped Mrs. Adams. "And the baby?"

"She is a girl, too." And Prudence laughed. "In short, we are all girls except father. He couldn't be, of course,--or I suppose he would, for our family does seem to run to girls."

"Prudence is a very nice name for a minister's daughter," said Mrs. Adams suggestively.

"Yes,--for some ministers' daughters," assented Prudence. "But is sadly unsuitable for me. You see, father and mother were very enthusiastic about the first baby who hadn't arrived. They had two names all picked out months ahead,--Prudence and John Wesley. That's how I happen to be Prudence. They thought, as you do, that it was an uplifting name for a parsonage baby.--I was only three years old when Fairy was born, but already they realized that they had made a great mistake. So they decided to christen baby number two more appropriately. They chose Frank and Fairy,--both light-hearted, happy, cheerful names.--It's Fairy," Prudence smiled reflectively. "But things went badly again. They were very unlucky with their babies. Fairy is Prudence by nature, and I am Fairy. She is tall and a little inclined to be fat. She is steady, and industrious, and reliable, and sensible, and clever. In fact, she is an all-round solid and worthwhile girl. She can do anything, and do it right, and is going to be a college professor. It is a sad thing to think of a college professor being called Fairy all her life, isn't it? Especially when she is so dignified and grand. But one simply can't tell beforehand what to expect, can one?

"Father and mother were quite discouraged by that time. They hardly knew what to do. But anyhow they were sure the next would be a boy. Every one predicted a boy, and so they chose a good old Methodist name,--Charles. They hated to give it John Wesley, for they had sort of dedicated that to me, you know,--only I happened to be Prudence. But Charles was second-best. And they were very happy about it, and--it was twin girls! It was quite a blow, I guess. But they rallied swiftly, and called them Carol and Lark. Such nice musical names! Father and mother were both good singers, and mother a splendid pianist. And Fairy and I showed musical symptoms early in life, so they thought they couldn't be far wrong that time. It was a bitter mistake. It seemed to turn the twins against music right from the start. Carol can carry a tune if there's a strong voice beside her, but Lark can hardly tell the difference between _Star Spangled Banner_ and _Rock of Ages_.

"The neighbors were kind of amused by then, and mother was very sensitive about it. So the next time she determined to get ahead of Fate. 'No more nonsense, now,' said mother. 'It's almost certain to be a boy, and we'll call him William after father,--and Billy for short.' We all liked the name Billy, mother especially. But she couldn't call father anything but William,--we being parsonage people, you know. But she kept looking forward to little Billy,--and then they changed it in a hurry to Constance. And after that, father and mother gave the whole thing up as a bad job. There aren't any more of us. Connie settled the baby business in our family."

Mrs. Adams wiped her eyes, and leaned weakly back in her chair, gasping for breath. "Well, I swan!" was all she could say at that moment.

Ethel Hueston's Prudence of the Parsonage opens not with its heroine but with a sardonic portrait of Mount Mark, Iowa, and its unlovely railway station. The narrator dwells on the station's grime, its ancient cobwebs, and the town's grudging dependence on the four daily passenger trains. This setting establishes a tone of affectionate mockery that carries into the parsonage itself, where the five orphaned Carey sisters—Prudence, Fairy, and the younger twins—navigate domestic crises, social expectations, and the attentions of a young man named Babbie. The novel's structure is episodic, built around small disasters and repairs, with scenes that shuttle between the cramped parsonage rooms and the town's public spaces.

Episodes Built on Domestic Disasters

The excerpts reveal a plot driven by household mishaps that test the sisters' resourcefulness. In one scene, a mysterious smell in the parlor is traced to the twins' mischief; in another, Fairy's sleeves are found nearly detached—a prank the narrator calls "bordering on talent." Prudence, the responsible eldest, reacts with horror ("We are disgraced"), while Fairy remains unruffled, noting that "etiquette itself must be subservient to twins." These incidents are not mere filler: they structure the narrative as a series of small crises, each resolved through the sisters' collaboration. The oyster stew episode, in which Prudence forgets the prescribed phrase for offering refreshments, underscores the gap between rigid etiquette books and the improvisation required in a household of five girls. The novel's rhythm depends on such moments of tension and comic release.

Movement Between Interior and Exterior

The story alternates between the parsonage's intimate spaces—dining room, sitting room, upstairs—and the town's public arena, centered on the station. The opening chapter establishes the station as a social hub, where "the arrival of a passenger train is an event." This exterior world intrudes on the parsonage through visitors like Babbie, whose presence forces the sisters to stage-manage their domestic life. When Fairy entertains Babbie in the sitting room, Prudence retreats to the dining room to prepare the tray, listening to their laughter. The spatial movement is precise: from parlor to dining room to stairs, each threshold marking a shift in social performance. The narrator's eye lingers on doors opened and closed, on the passage of trays and the positioning of chairs, making the parsonage a stage where private and public spheres collide.

Recurring Details and Their Weight

Certain objects and actions recur with enough frequency to suggest a deliberate pattern. The "oyster stew" appears as a marker of hospitality and etiquette; the "crackers" passed alongside it; the "blue silk" dress Fairy changes into; the "scissors" the twins used for their prank. These details are not merely decorative—they anchor the narrative in the material realities of a Methodist parsonage in 1915 Iowa. The narrator's tone, at once wry and affectionate, treats these items with the same seriousness the characters afford them. When Prudence vows to "use cream" to improve the stew, the hyperbole signals how high the stakes feel within the household's economy. The twins, though rarely quoted, exert a gravitational pull through their offstage mischief, their presence felt in cut sleeves and strange smells.

Voice and Narrative Distance

The narrator maintains a consistent, slightly ironic distance from the characters. The opening description of Mount Mark's station—"low, smoky and dust-grimed"—employs a mock-heroic register that reappears in phrases like "the very most patriotic of them all." This voice colors the sisters' dilemmas without condescension. When Prudence frets over etiquette, the narrator reports her thoughts in free indirect style ("She herself thought it would be altogether stupid to be shut up in a room alone with 'just a man'"), preserving her earnestness while hinting at its naivety. The dialogue, by contrast, is crisp and naturalistic: Fairy's cool rejoinders, Prudence's breathless repetitions. The interplay between the narrator's knowing commentary and the characters' limited perspectives creates a layered reading experience, one that invites sympathy without sentimentality.

Readers approaching Prudence of the Parsonage should attend to the way Hueston uses small, concrete details—a detached sleeve, a forgotten phrase, a pot of stew—to build both comedy and character. The novel's episodic structure rewards attention to recurring motifs and the movement between rooms. The excerpts offer no resolution, but they establish a world where domestic order is perpetually threatened and perpetually restored, and where the parsonage itself becomes a character in its own right.

That quiet clinging of domestic details—the parsonage’s bread smells, the fixed pews—reminded me of how another old book, How Private George W. Peck Put Down the Rebellion or, The Funny Experiences of a Raw Recruit - 1887 — Context and Discussion, stays with you through its own clumsy, everyday moments. The humor there isn’t loud either; it just settles, like knowing a friend’s habits.

Noah Williams
3 weeks ago

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5 out of 5 (1 User reviews )

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    William Taylor - 3 weeks ago
    Prudence of the Parsonage is a dull and dated piece that fails to engage. The protagonist is too perfect to be interesting, and the story is fraught with clichés. The narrative is slow, and the conflicts are resolved too easily. I found little to enjoy and would not recommend it to modern readers.

  • ...
    Heather Miller - 2 weeks ago
    This book has a certain old-fashioned charm that some readers will appreciate. The setting and characters are well-drawn, but the plot is quite predictable and lacks tension. It's a light read that is pleasant but not particularly memorable. If you enjoy gentle stories, you might like it.

  • ...
    Alicia Diaz - 2 weeks ago
    Prudence of the Parsonage is a charming and wholesome story that offers a glimpse into the life of a young woman in an English village. The characters are endearing, and the plot is sweet without being saccharine. It's a feel-good read that reminds us of simpler times and the importance of community. Perfect for a cozy afternoon.


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