More Tish — Text and Context
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, but, the water being cold and the weather warm, she was dabbing a little on her wrists first to avoid colic. She looked up at me in surprise.
“Do you mean to say, Lizzie,” she demanded, “that you don’t recognize that advertisement?”
“Modestine?” I reflected. “I’ve heard the name before somewhere. Didn’t Tish have a cook once named Modestine?”
But it seemed that that was not it. Aggie sat down opposite me and took off her bonnet. Although it was only the first of May, the weather, as I have said, was very warm.
“To think,” she said heavily, “that all the time while I was reading it aloud to her when she was laid up with neuralgia she was scheming and planning and never saying a word to me! Not that I would have gone; but I could have sent her mail to her, and at least have notified the authorities if she had disappeared.”
“Reading what aloud to her—her mail?” I asked sharply.
“‘Travels with a Donkey,’” Aggie replied. “Stevenson’s ‘Travels with a Donkey.’ It isn’t safe to read anything aloud to Tish any more. The older she gets the worse she is. She thinks that what any one else has done she can go and do. If she should read a book on poultry-farming she would think she could teach a young hen to lay an egg.”
As Aggie spoke a number of things came back to me. I recalled that the Sunday before, in church, Tish had appeared absorbed and even more devout than usual, and had taken down the headings of the sermon on her missionary envelope; but that, on my leaning over to see if she had them correctly, she had whisked the paper away before I had had more than time to see the first heading. It had said “Rubber Heels.”
Aggie was pacing the floor nervously, holding the empty glass.
“She’s going on a walking tour with a donkey, that’s what, Lizzie,” she said, pausing before me. “I could see it sticking out all over her while I read that book. And if we go to her now and tax her with it she’ll admit it. But if she says she is doing it to get thin don’t you believe it.”
That was all Aggie would say. She shut her lips and said she had come for my recipe for caramel custard. But when I put on my wraps and said I was going to Tish’s she said she would come along.
Tish lives in an apartment, and she was not at home. Miss Swift, the seamstress, opened the door and stood in the doorway so we could not enter.
“I’m sorry, Miss Aggie and Miss Lizzie,” she said, putting out her left elbow as Aggie tried to duck by her; “but she left positive orders to admit nobody. Of course if she had known you were coming—but she didn’t.”
“What are you making Miss Letitia?” Aggie asked sweetly. “Summer clothes?”
“Yes. Some little thin things—it’s getting so hot!”
“Humph! I see you are making them with an upholsterer’s needle!” said Aggie, and marched down the hall with her head up.
I was quite bewildered. For even if Tish had decided on a walking tour I couldn’t imagine what an upholsterer’s needle had to do with it, unless she meant to upholster the donkey.
We got down to the entrance before Aggie spoke again. Then:
“What did I tell you?” she demanded. “That woman’s making her a——”
But at that very instant there was a thud under our feet and something came “ping” through the floor not six inches from my toe, and lodged in the ceiling. Aggie and I stood looking up. It had made a small round hole over our heads, and a little cloud of plaster dust hung round it.
“Somebody shot at us!” declared Aggie, clutching my arm. “That was a bullet!”
I stooped down and felt the floor. There was a hole in it, and from somewhere below I thought I heard voices. It was not very comfortable, standing there on top of Heaven knows what; but we were divided between fear and outrage, and our indignation won. With hardly a word we went back to the rear staircase and so to the cellar. Halfway down the stairs both of us remembered the same thing—that it was Tish’s day to use the basement laundry, and that perhaps——
Tish was not in the laundry, nor was Hannah, her maid. But Tish’s blue-and-white dressing sacque was on the line, and the blue had run, as I had said it would when she bought it. In the furnace room beyond we heard voices, and Aggie opened the door.
Tish and Hannah were both there. They had not heard us.
“Nonsense!” Tish was saying. “If anybody had been hit we’d have heard a scream; or if they were killed we’d have heard ’em fall.”
“I heard a sort of yell,” said poor Hannah. “I don’t like it, Miss Tish. The time before you just missed me.”
“Why did you stick your arm out?” demanded Tish. “Now take that broomstick and we’ll start again. Did you score that?”
“How’ll I score it?” asked Hannah. “Hit or miss?” She went to the cellar wall and stood waiting, with a piece of charcoal in her hand. The whitewashed wall was marked with rows of X’s and ciphers. The ciphers predominated.
“But I heard a yell——”
“Fiddle-de-dee! Are you ready?” Tish had lifted a small rifle into position and was standing, with her feet apart, pointing it at a white target hanging by a string from a rafter. As she gave the signal, Hannah sighed, and, picking up a broomhandle, started the target to swaying, pendulum fashion; Tish followed it with the gun.
I thought things had gone far enough, so I stepped into the cellar and spoke in ringing tones.
“Letitia Carberry!” I said sternly.
Tish pulled the trigger at that moment and the bullet went into the furnace pipe. It was absurd, of course, for Tish to blame me for it, but she turned on me in a rage.
“Look what you made me do!” she snapped. “Can’t a person have a moment’s privacy?”
“What I think you need,” I retorted, “is six months’ complete seclusion in a sanitarium.”
“You nearly shot us in the upper hall,” Aggie put in warmly.
“Well, as long as I didn’t shoot you in the upper hall or any other place, I guess you needn’t fuss,” said Tish. “Ready, Hannah.”
This time she shot Hannah in the broomhandle, and practically put her _hors de combat_; but the shot immediately after was what Tish triumphantly called a clean bull’s-eye—that is, it hit the center of the target.
That is the time to stop, when one has made a bull’s-eye in any sort of achievement, I take it. And Tish is nobody’s fool. She took off her spectacles and wiped the perspiration and gunpowder streaks from her face. She was immediately in high good humor.
“Every unprotected female should know how to handle a weapon,” she said oracularly, and, sitting down on the edge of the coal-bin, proceeded to swab out the gun with a wad of cotton on the end of a stick.
“The poker has been good enough for you for fifty years,” I retorted. “And if you think you look sporty, or anything but idiotic, sitting there in a flowered kimono and swabbing out the throat of that gun——?”
Just then the janitor came down, and Tish gave him a dollar for the use of the cellar and did not mention the furnace pipe. Aggie and I glanced at each other. Tish’s demoralization had begun. From that minute, to the long and entirely false story she told the red-bearded man in Thunder Cloud Glen several days later, she trod, as Aggie truthfully said, the downward path of mendacity, bringing up in the county jail and hysterics.
We went upstairs, Tish ahead and Aggie and I two flights behind, believing that Tish with an unloaded gun was a thousand times more dangerous than any outlaw with an entire arsenal loaded to the muzzle.
We had a cup of tea in Tish’s parlor, but she kept us out of the bedroom, where we could hear Miss Swift running the sewing machine. Finally Aggie said out of a clear sky:
“Have you had any answers to your advertisement?”
Tish, who had been about to put a slice of lemon in her tea, put it in her mouth instead and stared at us both.
“What advertisement?”
“We know all about it, Tish,” I said. “And if you think it proper for a woman of your age to go adventuring with only a donkey for company——”
“I’ve had worse!” Tish snapped. “And I’m not feeble yet, as far as my age goes. If I want to take a walking tour it’s my affair, isn’t it?”
“You can’t walk with your bad knee,” I objected. Tish sniffed.
“You’re envious, that’s what,” she sneered. “While you are sitting at home, overeating and oversleeping and getting fat in mind and body, I shall be on the broad highway, walking between hedgerows of flowering—flowering—well, between hedgerows. While you sleep in stuffy, upholstered rooms I shall lie in woodland glades in my sleeping-bag and see overhead the constellation of—of what’s its name. I shall talk to the birds and the birds will talk to me.”
Sleeping-bag! That was what Aggie had meant that Miss Swift was making.
“What are you going to do when it rains?”
“It doesn’t rain much in May. Anyhow, a friendly farmhouse and a glass of milk—even a barn——”
Aggie got up with the light of desperation in her eyes. Aggie hates woods and gnats, has no eye for Nature, and for almost half a century has pampered her body in a featherbed poultice, with the windows closed, until the first of June each year. Yet Aggie rose to the crisis.
“You shan’t go alone, Tish,” she said stoutly. “You’ll forget to change your stockings when your feet are wet and you can’t make a cup of coffee fit to drink. I’m going too.”
Tish made a gesture of despair, but Aggie was determined. Tish glanced at me.
“Well?” she snapped. “We might as well make it a family excursion. Aren’t you coming along, too, to look after Aggie?”
“Not at all,” I observed calmly. “I’ll have enough to do looking after myself. But I like the idea, and since you’ve invited me I’ll come, of course.”
At first I am afraid Tish was not particularly pleased. She said she had it all planned to make four miles an hour, or about forty miles a day; and that any one falling back would have to be left by the wayside. And that if we were not prepared to sleep on the ground, or were going to talk rheumatism every time she found a place to camp, she would thank us to remember that we had really asked ourselves.
But she grew more cheerful finally and seemed to be glad to talk over the details of the trip with somebody. She said it was a pity we had not had some practice with firearms, for we would each have to take a weapon, the mountains being full of outlaws, more than likely. Neither Aggie nor I could use a gun at all, but, as Tish observed, we could pot at trees and fenceposts along the road by way of practice.
When I suggested that the sight of three women of our age—we are all well on toward fifty; Aggie insists that she is younger than I am, but we were in the same infant class in Sunday-school—three women of our age “potting” at fences was hardly dignified, Tish merely shrugged her shoulders.
She asked us not to let Charlie Sands learn of the trip. He would be sure to be fussy and want to send a man along, and that would spoil it all.
What with the secrecy, and the guns and everything, I dare say we were like a lot of small boys getting ready to run away out West and kill Indians. In fact, Tish said it reminded her of the time, years ago, when Charlie Sands and some other boys had run away, with all the carving knives and razors they could gather together, and were found a week later in a cave in the mountains twenty miles or so from town.
Tish showed us her sleeping-bag, which was felt outside and her old white fur rug within. Aggie planned hers immediately on the same lines, with her fur coat as a lining; but I had mine made of oilcloth outside, my rheumatism having warned me that we were going to have rain. I was right about the rain.
I had an old army revolver that had belonged to my father, and of course Tish had her coal-cellar rifle, but Aggie had nothing more dangerous than a bayonet from the Mexican War. This being too heavy to carry, and dull—being only possible as a weapon by bringing the handle down on one’s opponent’s head—Aggie was forced to buy a revolver.
The man in the shop tried to sell her a small pearl-handled one, but she would not look at it. She bought one of the sort that goes on shooting as long as one holds a finger on the trigger—a snub-nosed thing that looked as deadly as it was. She was in terror of it from the moment she got it home, and during most of the trip it was packed in excelsior, with the barrel stuffed with cotton, on Modestine’s back.
Which brings me to Modestine.
Tish received three answers to her advertisement: One was a mule, one a piebald pony with a wicked eye, and the third was a donkey. It seemed that Stevenson had said that the pack animal of such a trip should be “cheap, small and hardy,” and that a donkey best of all answered these requirements.
The donkey in question was, however, not a female. Tish was firm about this; but on no more donkeys being offered, she bought this one and called him Modestine anyhow. He was very dirty, and we paid a dollar extra to have him washed with soap powder, as our food was to be carried on his back. Also the day before we started I spent an hour or so on him with a fine comb, with gratifying results.
I must confess I entered on the adventure with a light heart. Tish had apparently given up all thought of the aeroplane; her automobile was being used by Charlie Sands; the weather was warm and sunny, and the orchards were in bloom. I had no premonition of danger. The adventure, reduced to its elements of canned food, alcohol lamp, sleeping-bags and toothbrushes, seemed no adventure at all, but a peaceful and pastoral excursion by three middle-aged women into green fields and pastures new.
We reckoned, however, without Aggie’s missionary dime.
Aggie’s church had sent each of its members a ten-cent piece, with instructions to invest it in some way and to return it multiplied as much as possible in three months. This was on Aggie’s mind, but we did not know it until later. Really, Aggie’s missionary dime is the story. If she had done as she had planned at first and invested it in an egg, had hatched the egg in cotton wool on the shelf over her kitchen range and raised the chicken, eventually selling the chicken to herself for dinner at seventy-five cents, this story would never have been written.
What the dime really bought was a glass of jelly wrapped in a two-day-old newspaper. But to go back:
We were to start from Tish’s at dawn on Tuesday morning. Modestine’s former owner had agreed to bring him at that hour to the alley behind Tish’s apartment. On Monday Aggie and I sent over what we felt we could not get along without, and about five we both arrived.
Tish was sitting on the floor, with luggage scattered all round her and heaped on the chairs and bed.
She looked up witheringly when we entered.
“You forgot your opera cloak, Lizzie,” she said, “and Aggie has only sent five pairs of shoes!”
“I’ve got to have shoes,” Aggie protested.
“If you’ve got to have five pairs of shoes, six white petticoats, summer underwear, intermediates and flannels, a bathrobe, six bath towels and a sunshade, not to mention other things, you want an elephant, not a donkey.”
“Why do we have a donkey?” I asked. “Why don’t we have a horse and buggy, and go like Christians?”
“Because you and Aggie wouldn’t walk if we did,” snapped Tish. “I know you both. You’d have rheumatism or a corn and you’d take your walking trip sitting. Besides, we may not always keep to the roads. I’d like to go up into the mountains.”
Well, Tish was disagreeable, but right. As it turned out the donkey, being small, could only carry the sleeping-bags, our portable stove and the provisions. We each were obliged to pack a suitcase and carry that.
We started at dawn the next day. Hannah came down to the alley and didn’t think much of Modestine. By the time he was loaded a small crowd had gathered, and when we finally started off, Tish ahead with Modestine’s bridle over her arm and Aggie and I behind with our suitcases, a sort of cheer went up. It was, however, an orderly leave-taking, perhaps owing to the fact that Tish’s rifle was packed in full view on Modestine’s back.
I have a great admiration for Tish. She does not fear the pointing finger of scorn. She took the most direct route out of town, and by the time we had reached the outskirts we had a string of small boys behind us like the tail of a kite. When we reached the cemetery and sat down to rest they formed a circle round us and stared at us.
Tish looked at her watch. We had been an hour and twenty minutes going two miles!
We were terribly thirsty, but none of us cared to drink from the cemetery well; in fact, the question of water bothered us all that day. It was very warm, and after we left the suburban trolley-line, where motormen stopped the cars to look at us and people crowded to the porches to stare at us, the water question grew serious. Tish had studied sanitation, and at every farm we came to the well was improperly located. Generally it was immediately below the pigsty.
Luckily we had brought along some blackberry cordial, and we took a sip of that now and then. But the suitcases were heavy, and at eleven o’clock Aggie said the cordial had gone to her head and she could go no farther. Tish was furious.
“I told you how it would be!” she said. “For about forty years you haven’t used your legs except to put shoes and stockings on. Of course they won’t carry you.”
“It isn’t my feet, it’s my head,” Aggie sniffed. “If I had some water I’d b-be all right. If you’re going to examine everything you drink with a microscope you might as well have stayed at home.”
“I’d have died before I drank out of that last well,” snapped Tish. “One could tell by looking at that woman that there are dead rats and things in the water.”
“You are not so particular at home,” Aggie asserted. “You use vinegar, don’t you? And I’m sure it’s full of wrigglers. You can see them when you hold the cruet to the light.”
We got her to go on finally, and at the next well we boiled a pailful of water and made some tea. We found a grove beside the road and built a fire in our stove there, and while Modestine was grazing we sat and soaked our feet in a brook and looked for blisters. Tish calculated that as we had been walking for six hours we’d probably gone twenty-two miles. But I believe it was about eight.
The first story, "The Cave on Thunder Cloud," opens not with action but with a newspaper advertisement: "Wanted: A small donkey. Must be gentle, female, and if possible answer to the name of Modestine." This small notice sets off a chain of assumptions and anxieties between the narrator Lizzie and her friend Aggie, who immediately suspects that Tish Carberry is planning a walking tour inspired by Robert Louis Stevenson. The episode establishes a pattern: Tish's enthusiasms are sparked by reading, her friends are drawn in reluctantly, and the resulting adventures are marked by improvisation and collisions with authority.
From Advertisement to Adventure
The opening of "The Cave on Thunder Cloud" shows how a single classified ad can set the story in motion. Aggie recognizes the reference to Stevenson's Travels with a Donkey and immediately fears that Tish will replicate the journey. The narrator, Lizzie, recalls a church service where Tish appeared devout but was actually jotting down notes about "Rubber Heels" on her missionary envelope. This detail—a small, comic betrayal of Tish's true preoccupations—is typical of the book's method: everyday settings are punctured by Tish's secret plans. The story then moves from the domestic sphere (Lizzie's house, Aggie's nervous pacing) to the open road, where the donkey Modestine becomes a stubborn companion. The shift from parlor to wilderness is abrupt, and the narrative follows Tish's single-minded pursuit of her scheme, leaving her friends to cope with the consequences.
War Work and Misidentification
In "Tish Does Her Bit," the setting moves to the home front during World War I. Tish throws herself into patriotic activities, but her efforts are repeatedly misunderstood. A key scene involves a young man accusing Tish of kidnapping a woman named Myrtle; he claims he saw Tish and her friends drag her into a car. The accusation is false, but it reveals how Tish's assertive behavior can be read as criminal. The narrative shifts between Tish's apartment (where she knits and drinks blackberry cordial) and the street (where a taxicab chase occurs). The structure relies on misunderstandings that are only gradually cleared up. Tish's nephew, Charlie Sands, acts as a skeptical investigator, questioning the women while they maintain their composure. The comedy arises from the gap between Tish's intentions—rounding up a man who hadn't registered for the draft—and the chaotic results.
Objects and Their Meanings
Recurring objects anchor the stories and signal shifts in tone. The donkey Modestine is both a prop and a source of physical comedy; the newspaper advertisement that introduces her is a small piece of text that generates the entire plot. In "Tish Does Her Bit," a marriage license becomes a point of contention—the young man claims the girl had it, but Tish denies knowledge. The license is never seen, only talked about, making it a floating signifier of disorder. Later, in "Salvage," the focus turns to material goods: Tish organizes a salvage drive, collecting scrap metal and other items for the war effort. The movement from a single donkey to a citywide collection of objects shows how the book scales up from personal obsession to communal enterprise. Each story uses a different kind of object—an animal, a document, a pile of scrap—to drive the plot and reveal character.
The Rhythm of Confrontation and Retreat
The stories share a structural pattern: Tish conceives a plan, her friends resist, events escalate into a confrontation with an outsider (a policeman, a young man, a bureaucrat), and then the scene retreats to a domestic interior where the aftermath is discussed. In "The Cave on Thunder Cloud," the confrontation occurs on the road with a sheriff; in "Tish Does Her Bit," it happens in Tish's apartment with the angry young man and Charlie Sands; in "Salvage," the pattern likely repeats. The retreats are marked by small rituals: drinking blackberry cordial, knitting, reading the newspaper. These quiet moments allow the characters to regroup and the narrator to reflect. The movement between outdoor action and indoor conversation gives the book a distinctive rhythm, balancing farce with the comforts of friendship.
Readers will find that the book's humor depends less on plot twists than on the steady accumulation of small, precise details—a bonnet over an ear, a heel knitted into a wristlet, a donkey that refuses to cooperate. The stories reward attention to how Tish's schemes are set in motion and how her friends react. Because the excerpts are incomplete, the full arc of each story remains unknown, but the pattern of setup, escalation, and domestic resolution is consistent across the available text.
I found myself smiling at Tish’s salvage scheme, that wonderful chaos of good intentions bumping into brick walls. It reminded me, softly, of another world I once wandered into — Bertha’s clever, quiet rebellions. Both felt like the same warm afternoon light: imperfect, earnest, and achingly human. I set down More Tish and picked up Prudence of the Parsonage — A Closer Reading instead, and the feeling simply carried over.
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