St. Patrick's Eve — Inside the Classic

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Lever, Charles, 1806-1872, Browne, Hablot Knight, 1815-1882 [Illustrator] Project Gutenberg 2010
Fathers and sons -- Fiction; Courtship -- Fiction; Country life -- Ireland -- Fiction; Cholera -- Fiction; Landlords -- Fiction; Ireland -- Economic conditions -- Fiction; Ireland -- History -- 1800-1837 -- Fiction Readers of public-domain and historical texts
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Words 42,406
Reading time 185 min
Text sections 5

This digital edition of St. Patrick's Eve — Inside the Classic is described by source-level measurements including 42,406 words, 3 hr 5 min estimated reading time, and 5 detected text sections.

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Charles Lever's 1845 novel, set on the eve of St. Patrick's Day near Lough Corrib, follows Owen Connor and Phil Joyce through a feud, a cholera outbreak, and a graveyard reconciliation, with illustrations by Phiz.
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ch were they who now were assembled to celebrate the festival of their Patron Saint. It was drawing towards evening; the sun was already low, and the red glare that shone from behind the mountains shewed that he was Bear his setting. The business of the fair was almost concluded; the little traffic so remote a region could supply, the barter of a few sheep, the sale of a heifer, a mountain pony, or a flock of goats, had all passed off; and now the pleasures of the occasion were about to succeed. The votaries to amusement, as if annoyed at the protracted dealings of the more worldly minded, were somewhat rudely driving away the cattle that still continued to linger about; and pigs and poultry were beginning to discover that they were merely intruders. The canvass booths, erected as shelter against the night-air, were becoming crowded with visitors; and from more than one of the number the pleasant sounds of the bagpipe might now be heard, accompanied by the dull shuffling tramp of heavily-shod feet.

Various shows and exhibitions were also in preparation, and singular announcements were made by gentlemen in a mingled costume of Turk and Thimble-rigger, of “wonderful calves with two heads;” “six-legged pigs;” and an “infant of two years old that could drink a quart of spirits at a draught, if a respectable company were assembled to witness it;”--a feat which, for the honour of young Ireland, it should be added, was ever postponed from a deficiency in the annexed condition.

Then there were “restaurants” on a scale of the most primitive simplicity, where boiled beef or “spoleen” was sold from a huge pot, suspended over a fire in the open air, and which was invariably surrounded by a gourmand party of both sexes; gingerbread and cakes of every fashion and every degree of indigestion also abounded; while jugs and kegs flanked the entrance to each tent, reeking with a most unmistakable odour of that prime promoter of native drollery and fun--poteen. All was stir, movement, and bustle; old friends, separated since the last occasion of a similar festivity, were embracing cordially, the men kissing with an affectionate warmth no German ever equalled; pledges of love and friendship were taken in brimming glasses by many, who were perhaps to renew the opportunity for such testimonies hereafter, by a fight that very evening; contracts, ratified by whisky, until that moment not deemed binding; and courtships, prosecuted with hopes, which the whole year previous had never suggested; kind speeches and words of welcome went round; while here and there some closely-gathered heads and scowling glances gave token, that other scores were to be acquitted on that night than merely those of commerce; and in the firmly knitted brow, and more firmly grasped blackthorn, a practised observer could foresee, that some heads were to carry away deeper marks of that meeting, than simple memory can impress;--and thus, in this wild sequestered spot, human passions were as rife as in the most busy communities of pampered civilisation. Love, hate, and hope, charity, fear, forgiveness, and malice; long-smouldering revenge, long--subdued affection; hearts pining beneath daily drudgery, suddenly awakened to a burst of pleasure and a renewal of happiness in the sight of old friends, for many a day lost sight of; words of good cheer; half mutterings of menace; the whispered syllables of love; the deeply-uttered tones of vengeance; and amid all, the careless reckless glee of those, who appeared to feel the hour one snatched from the grasp of misery, and devoted to the very abandonment of pleasure. It seemed in vain that want and poverty had shed their chilling influence over hearts like these. The snow-drift and the storm might penetrate their frail dwellings; the winter might blast, the hurricane might scatter their humble hoardings; but still, the bold high-beating spirit that lived within, beamed on throughout every trial; and now, in the hour of long-sought enjoyment, blazed forth in a flame of joy, that was all but frantic.

The step that but yesterday fell wearily upon the ground, now smote the earth with a proud beat, that told of manhood's daring; the voices were high, the eyes were flashing; long pent-up emotions of every shade and complexion were there; and it seemed a season where none should wear disguise, but stand forth in all the fearlessness of avowed resolve; and in the heart-home looks of love, as well as in the fiery glances of hatred, none practised concealment. Here, went one with his arm round his sweetheart's waist,--an evidence of accepted affection none dared even to stare at; there, went another, the skirt of his long loose coat thrown over his arm, in whose hand a stick was brandished--his gesture, even without his wild hurroo! an open declaration of battle, a challenge to all who liked it. Mothers were met in close conclave, interchanging family secrets and cares; and daughters, half conscious of the parts they themselves were playing in the converse, passed looks of sly intelligence to each other. And beggars were there too--beggars of a class which even the eastern Dervish can scarcely vie with: cripples brought many a mile away from their mountain-homes to extort charity by exhibitions of dreadful deformity; the halt, the blind, the muttering idiot, the moping melanc holy mad, mixed up with strange and motley figures in patched uniforms and rags--some, amusing the crowd by their drolleries, some, singing a popular ballad of the time--while through all, at every turn and every corner, one huge fellow, without legs, rode upon an ass, his wide chest ornamented by a picture of himself, and a paragraph setting forth his infirmities. He, with a voice deeper than a bassoon, bellowed forth his prayer for alms, and seemed to monopolise far more than his proportion of charity, doubtless owing to the more artistic development to which he had brought his profession.

“De prayers of de holy Joseph be an yez, and relieve de maimed; de prayers and blessins of all de Saints on dem that assists de suffering!” And there were pilgrims, some with heads venerable enough for the canvass of an old master, with flowing beards, and relics hung round their necks, objects of worship which failed not to create sentiments of devotion in the passers-by. But among these many sights and sounds, each calculated to appeal to different classes and ages of the motley mass, one object appeared to engross a more than ordinary share of attention; and although certainly not of a nature to draw marked notice elsewhere, was here sufficiently strange and uncommon to become actually a spectacle. This was neither more nor less than an English groom, who, mounted upon a thorough-bred horse, led another by the bridle, and slowly paraded backwards and forwards, in attendance on his master.

“Them's the iligant bastes, Darby,” said one of the bystanders, as the horses moved past. “A finer pair than that I never seen.”

“They're beauties, and no denying it,” said the other; “and they've skins like a looking-glass.”

“Arrah, botheration t' yez! what are ye saying about their skins?” cried a third, whose dress and manner betokened one of the jank of a small farmer. “'Tis the breeding that's in 'em; that's the raal beauty. Only look at their pasterns; and see how fine they run off over the quarter.”

“Which is the best now, Phil?” said another, addressing the last speaker with a tone of some deference.

“The grey horse is worth two of the dark chesnut,” replied Phil oracularly.

“Is he, then!” cried two or three in a breath. “Why is that, Phil?”

“Can't you perceive the signs of blood about the ears? They're long, and coming to a point--”

“You're wrong this time, my friend,” said a sharp voice, with an accent which in Ireland would be called English. “You may be an excellent judge of an ass, but the horse you speak of, as the best, is not worth a fourth part of the value of the other.” And so saying, a young and handsome man, attired in a riding costume, brushed somewhat rudely through the crowd, and seizing the rein of the led horse, vaulted lightly into the saddle and rode off, leaving Phil to the mockery and laughter of the crowd, whose reverence for the opinion of a gentleman was only beneath that they accorded to the priest himself.

“Faix, ye got it there, Phil!” “'Tis down on ye he was that time!” “Musha, but ye may well get red in the face!” Such and such-like were the comments on one who but a moment before was rather a popular candidate for public honours.

“Who is he, then, at all?” said one among the rest, and who had come up too late to witness the scene.

“'Tis the young Mr. Leslie, the landlord's son, that's come over to fish the lakes,” replied an old man reverentially.

“Begorra, he's no landlord of mine, anyhow,” said Phil, now speaking for the first time. “I hould under Mister Martin, and his family was here before the Leslies was heard of.” These words were said with a certain air of defiance, and a turn of the head around him, as though to imply, that if any one would gainsay the opinion, he was ready to stand by and maintain it. Happily for the peace of the particular moment, the crowd were nearly all Martins, and so, a simple buzz of approbation followed this announcement. Nor did their attention dwell much longer on the matter, as most were already occupied in watching the progress of the young man, who, at a fast swinging gallop, had taken to the fields beside the lake, and was now seen flying in succession over each dyke and wall before him, followed by his groom. The Irish passion for feats of horsemanship made this the most fascinating attraction of the fair; and already, opinions ran high among the crowd, that it was a race between the two horses, and more than one maintained, that “the little chap with the belt” was the better horseman of the two. At last, having made a wide circuit of the village and the green, the riders were seen slowly moving down, as if returning to the fair.

There is no country where manly sports and daring exercises are held in higher repute than Ireland. The chivalry that has died out in richer lands still reigns there; and the fall meed of approbation will ever be his, who can combine address and courage before an Irish crowd. It is needless to say, then, that many a word of praise and commendation was bestowed on young Leslie. His handsome features, his slight but well-formed figure, every particular of his dress and gesture, had found an advocate and an admirer; and while some were lavish in their epithets on the perfection of his horsemanship, others, who had seen him on foot, asserted, “that it was then he looked well entirely.” There is a kind of epidemic character pertaining to praise. The snow-ball gathers not faster by rolling, than do the words of eulogy and approbation; and so now, many recited little anecdotes of the youth's father, to shew that he was a very pattern of landlords and country gentlemen, and had only one fault in life,--that he never lived among his tenantry.

“'Tis the first time I ever set eyes on him,” cried one, “and I hould my little place under him twenty-three years come Michaelmas.”

“See now then, Barney,” cried another, “I'd rather have a hard man that would stay here among us, than the finest landlord ever was seen that would be away from us. And what's the use of compassion and pity when the say would be between us? 'Tis the Agent we have to look to.”

“Agent! 'Tis wishing them, I am, the same Agents! Them's the boys has no marcy for a poor man: I'm tould now”--and here the speaker assumed a tone of oracular seriousness that drew several listeners towards him--“I'm tould now, the Agents get a guinea for every man, woman, and child they turn out of a houldin.” A low murmur of indignant anger ran through the group, not one of whom ventured to disbelieve a testimony thus accredited.

“And sure when the landlords does come, devil a bit they know about us--no more nor if we were in Swayden; didn't I hear the ould gentleman down there last summer, pitying the people for the distress. 'Ah,' says he, 'it's a hard sayson ye have, and obliged to tear the flax out of the ground, and it not long enough to cut!'”

A ready burst of laughter followed this anecdote, and many similar stories were recounted in corroboration of the opinion.

“That's the girl takes the shine out of the fair,” said one of the younger men of the party, touching another by the arm, and pointing to a tall young girl, who, with features as straight and regular as a classic model, moved slowly past. She did not wear the scarlet cloak of the peasantry, but a large one of dark blue, lined with silk of the same colour; a profusion of brown hair, dark and glossy, was braided on each side of her face, and turned up at the back of the head with the grace of an antique cameo. She seemed not more than nineteen years of age, and in the gaze of astonishment and pleasure she threw around her, it might be seen how new such scenes and sights were to her.

“That's Phil Joyce's sister, and a crooked disciple of a brother she has,” said the other; “sorra bit if he'd ever let her come to the 'pattern' afore to-day; and she's the raal ornament of the place now she's in it.”

“Just mind Phil, will ye! watch him now; see the frown he's giving the boys as they go by, for looking at his sister. I wouldn't coort a girl that I couldn't look in the face and see what was in it, av she owned Ballinahinch Castle,” said the former.

“There now; what is he at now?” whispered the other; “he's left her in the tent there: and look at him, the way he's talking to ould Bill; he's telling him something about a fight; never mind me agin, but there'll be 'wigs on the green' this night.”

“I don't know where the Lynchs and the Connors is to-day,” said the other, casting a suspicious look around him, as if anxious to calculate the forces available in the event of a row. “They gave the Joyces their own in Ballinrobe last fair. I hope they're not afeard to come down here.”

“Sorra bit, ma bouchai,” said a voice from behind his shoulder; and at the same moment the speaker clapped his hands over the other's eyes: “Who am I, now?”

“Arrah! Owen Connor; I know ye well,” said the other; “and His yourself ought not to be here to-day. The ould father of ye has nobody but yourself to look after him.”

“I'd like to see ye call him ould to his face,” said Owen, laughing: “there he is now, in Poll Dawley's tent, dancing.”

“Dancing!” cried the other two in a breath.

“Aye, faix, dancing 'The little bould fox;' and may I never die in sin, if he hasn't a step that looks for all the world as if he made a hook and eye of his legs.”

The young man who spoke these words was in mould and gesture the very ideal of an Irish peasant of the west; somewhat above the middle size, rather slightly made, but with the light and neatly turned proportion that betokens activity, more than great strength, endurance, rather than the power of any single effort. His face well became the character of his figure; it was a handsome and an open one, where the expressions changed and crossed each other with lightning speed, now, beaming with good nature, now, flashing in anger, now, sparkling with some witty conception, or frowning a bold defiance as it met the glance of some member of a rival faction. He looked, as he was, one ready and willing to accept either part from fortune, and to exchange friendship and hard knocks with equal satisfaction. Although in dress and appearance he was both cleanly and well clad, it was evident that he belonged to a very humble class among the peasantry. Neither his hat nor his greatcoat, those unerring signs of competence, had been new for many a day before; and his shoes, in their patched and mended condition, betrayed the pains it had cost him to make even so respectable an appearance as he then presented.

“She didn't even give you a look to-day, Owen,” said one of the former speakers; “she turned her head the other way as she went by.”

“Faix, I'm afeard ye've a bad chance,” said the other.

“Joke away, boys, and welcome,” said Owen, reddening to the eyes as he spoke, and shewing that his indifference to their banterings was very far from being real; “'tis little I mind what ye say,--as little as she herself would mind _me_,” added he to himself.

“She's the purtiest girl in the town-land, and no second word to it,--and even if she hadn't a fortune--”

“Bad luck to the fortune!--that's what I say,” cried Owen, suddenly; “'tis that same that breaks my rest night and day; sure if it wasn't for the money, there's many a dacent boy wouldn't be ashamed nor afeard to go up and coort her.”

“She'll have two hundred, divil a less, I'm tould,” interposed the other; “the ould man made a deal of money in the war-time.”

“I wish he had it with him now,” said Owen, bitterly.

“By all accounts he wouldn't mislike it himself. When Father John was giving him the rites, he says, 'Phil,' says he, 'how ould are ye now?' and the other didn't hear him, but went on muttering to himself; and the Priest says agin, 'Tis how ould you are, I'm axing.' 'A hundred and forty-three,' says Phil, looking up at him. 'The Saints be good to us,' says Father John, 'sure you're not that ould,--a hundred and forty-three?' 'A hundred and forty-seven.' 'Phew! he's more of it--a hundred and forty-seven!' 'A hundred and fifty,' cries Phil, and he gave the foot of the bed a little kick, this way--sorra more--and he died; and what was it but the guineas he was countin' in a stocking under the clothes all the while? Oh, musha! how his sowl was in the money, and he going to leave it all! I heerd Father John say, 'it was well they found it out, for there'd be a curse on them guineas, and every hand that would touch one of them _in secla seclorum_;' and they wer' all tuck away in a bag that night, and buried by the Priest in a saycret place, where they'll never be found till the Day of Judgment.”

Just as the story came to its end, the attention of the group was drawn off by seeing numbers of people running in a particular direction, while the sound of voices and the general excitement shewed something new was going forward. The noise increased, and now, loud shouts were heard, mingled with the rattling of sticks and the utterance of those party cries so popular in an Irish fair. The young men stood still as if the affair was a mere momentary ebullition not deserving of attention, nor sufficiently important to merit the taking any farther interest in it; nor did they swerve from the resolve thus tacitly formed, as from time to time some three or four would emerge from the crowd, leading forth one, whose bleeding temples, or smashed head, made retreat no longer dishonourable.

“They're at it early,” was the cool commentary of Owen Connor, as with a smile of superciliousness he looked towards the scene of strife.

“The Joyces is always the first to begin,” remarked one of his companions.

“And the first to lave off too,” said Owen; “two to one is what they call fair play.”

“That's Phil's voice!--there now, do you hear him shouting?”

“'Tis that he's best at,” said Owen, whose love for the pretty Mary Joyce was scarcely equalled by his dislike of her ill-tempered brother.

At this moment the shouts became louder and wilder, the screams of the women mingling with the uproar, which no longer seemed a mere passing skirmish, but a downright severe engagement.

“What is it all about, Christy?” said Owen, to a young fellow led past between two friends, while the track of blood marked every step he went.

Charles Lever's St. Patrick's Eve opens on March 16, not quite twenty years before the novel's 1845 publication, in a village on the bank of Lough Corrib. The annual fair celebrates 'the holy times' with one day of pleasure and the next of prayer and penance. The narrator describes a valley encircled by lofty mountains, a broad lake with few islands, and a ruined ancient church gable—'scarce space sufficient for twenty persons.' The landscape is wild and savage, with herds of wild cattle straying cautiously among cliffs, while lower down patches of tillage and cottages suggest rural comfort despite poverty. This opening establishes a setting where natural grandeur and human hardship coexist, a backdrop for the personal conflicts to come.

A Feud and a Reconciliation

After the burial, Phil invites Owen home, but Owen declines, unable to ask after Phil's sister Mary. The narrator notes a 'delicacy of the heart' that prevents Owen from mentioning her, even though he would 'shed his best blood' to learn how she fared. Phil, absorbed in his own gloom, makes no allusion to her. The scene ends with a tentative promise to meet again, leaving the relationship between Owen and Mary unresolved in the excerpts.

Landscape and Poverty

The fair itself is a humble affair, one that 'a great and wealthy man might smile at,' but the narrator insists the scene surrounding it is worthy of respect. The description of the ruined church—a mere gable that once held perhaps twenty converts—hints at a history of faith and decline. The excerpts do not detail the cholera or landlord conflicts directly, but the graveyard scene, with its newly made child's grave, implies the human cost of such hardships.

Narrative Structure and Voice

The dialogue captures Irish vernacular, as when Owen says, 'I ax your pardon' and 'The heavens be his bed this night!' The narrator also uses phrases like 'the Lord help him' and 'maybe 'twill be lower soon,' grounding the speech in the characters' cultural context. The illustrations by Hablot Knight Browne ('Phiz') are listed in the contents, though none are reproduced in the excerpts. The dedication to Lever's children frames the story as a lesson about the duties of prosperity, a theme that may resonate through the eras.

Readers should note that the excerpts cover only the First Era and the reconciliation scene; the Second and Third Eras likely develop the cholera outbreak, the courtship hinted at between Owen and Mary, and the economic conditions affecting the characters. Lever's preface addresses his children directly, urging them to remember that 'prosperity has as many duties as adversity has sorrows.' This moral framework, combined with the vivid landscape and dialect, invites attention to how the novel balances personal drama with social observation.

There's something about the grave-side quiet of Lever's St. Patrick's Eve, that weary truce after the fever, which kept returning to me. It made me think of The Sins of the Father: A Romance of the South — Story, Setting & Ideas – how both stories hold such heavy, inherited grudges, and how reconciliation never feels like triumph, only a tired letting-go.

Emma Walker
3 weeks ago

Sebastian Lee
1 month ago

4
4 out of 5 (2 User reviews )

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    Bridget Sandoval - 1 week ago
    St Patrick's Eve didn't quite live up to my expectations. The story is overly sentimental and the characters are clichés. The dialogue feels forced, and the romantic tension lacks actual depth. It reads more like a generic love story with a green backdrop. If you're looking for a nuanced historical fiction, this is not it.

  • ...
    Lindsey Edwards - 6 days ago
    St Patrick's Eve has a lovely setting and a sweet romance at its heart. The historical detail adds richness, and the cultural aspects are interesting. However, the plot follows a very predictable formula, and the conflict could have been resolved more realistically. Still, it's a pleasant escape if you like gentle romances.

  • ...
    Marc Strickland - 5 days ago
    St Patrick's Eve is a beautifully written historical romance that captures the spirit of Ireland perfectly. The characters are charming and the chemistry between the leads is palpable. The descriptions of the Emerald Isle are so vivid they almost transport you there. A heartwarming story with a touch of nostalgia - a definite must-read.


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